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Muzica CD

CD ECM Records Chris Potter Underground Orchestra: Imaginary Cities

2013

Chris Potter Underground Orchestra : Chris Potter, Adam Rogers, Craig Taborn, Steve Nelson, Fima Ephron, Scott Colley, Nate Smith, Mark Feldman, Joyce Hammann, Lois Martin, David Eggar


The world-class contemporary sax-colossus Chris Potter seems to be something of a late bloomer in terms of his recordings as a leader […] the elegant arrangements and ensemble performances are first rate and it slowly reveals more layers on repeated listening.
Selwyn Harris, Jazzwise

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Bjorn Meyer: Provenance

2017
Bjorn Meyer - bas electric si acustic

There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Stephan Micus: Nomad Songs

2015

Stephan Micus - Ndingo, Genbri, Steel-String Guitar, Suling, Voice, Nay, Rewab, Rabab, Twelve-String Guitar, Fourteen-String Guitar, Tin Whistle, Shakuhachi

German born Stephan Micus is quite simply one of the most intriguing musicians in music. The multi-instrumentalist has over the course of many decades, concocted his own dialect playing instruments from cultures he has studied across the world. Micus’ albums generally take a few years to create as he builds layer upon layer of instrumentation, crafting each album with a particular theme in mind […] Micus’ twenty first ECM album “Nomad Songs” reflects in some respects cultures that have been uprooted from their traditions, have lived in peace and harmony wandering the land and due to factors beyond their control have had to adapt and relinquish their lifestyles as nomads. He integrates these new instruments into a palette as a pan cultural stew that musically represents harmony from seemingly disparate elements. […] This world melange takes the listener to many established places and even imagined ones, from the mind of one of the most captivating musicians around. The listener is taken on their own nomadic journey, and no matter where it brings them, the depth will reveal something different each time. [ CJ Shearn, Blueceej.com ]

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Stephan Micus: Life

2004

Stephan Micus - Bagana, Tibetan Chimes, Kyeezee, Sho, Voice, Maung, Tin Whistle, Bavarian Zither, Thai Singing Bowl, Dilruba, Nay, Bagana, Tibetan Cymbals, Dondon, Bowed Bagana, Balinese Gongs, Burmese Gongs


Both a continuation and a departure from earlier work, “Life” sets to music an old Zen koan, or teaching story, on “the meaning of life”. Stephan Micus sings the text in Japanese and embodies the koan’s multi-layered meanings in his composition, scored for a characteristically wide range of ethnic/traditional instruments – from the Ethiopian bagana to the Irish tin whistle.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Stephan Micus: On The Wing

2006

Stephan Micus - Satara, Guitar, Nay, Suling, Cymbals, Gong, Shakuhachi, Sitar

“On the Wing” is Stephan Micus’s first album without voice since 1990 and in contrast to “Life” (2004) in which he set to music a Japanese Zen Koan this album is not built around a “libretto”. Although the titles of the individual pieces convey the musician’s close affinity to nature they are associative rather than descriptive. Nevertheless, the album is conceived as an entity. “For me this is like a journey or a story: the start of a movement that is transformed in many ways and eventually comes to an end”, says Micus of his ten-part suite. The first four pieces, for example, prepare for the large ensemble of the fifth, “The Bride”, which takes a central position also due to its ceremonial character.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Stephan Micus: Athos - A Journey To The Holy Mountain

1994

Stephan Micus - Bavarian Zither, Sattar, Shakuhachi, Suling, Flowerpots, Nay, Voice

If true meditation is not a centering but a shedding of the self into a plane where the ego no longer speaks under the illusion of a proper name, then Stephan Micus has walked some of the most meditative paths on disc. Inspired by a visit to the holy Greek mountain of Athos, his album of the same name bears traces of just such a traveler, one whose artistry sees medium and message as one. Those looking for anything close to the Byzantine chant that surely nourished his ears during this pilgrimage may feel disappointed. Then again, the Micus experience has never been about total re-creation, but rather about the ways in which the lens of his soul refracts all it comes in contact with during its itinerancy.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Stephan Micus: Bold As Light

2010

Stephan Micus - Raj Nplaim, Bass Zither, Chord Zither, Bavarian Zither, Nohkan, Sho, Voice, Kalimba, Shakuhachi, Sinding

“The idea of sitting down at a table and making a composition on paper is totally foreign to me. To come up with a piece of music, I have to make the sound myself, have the instruments in my hands.”

Micus’ three main sound protagonists in “Bold As Light” are the raj nplaim (a free-reed pipe made of bamboo) from Laos, the nohkan (a bamboo flute) from Japan, and the many male voices, which, of course, are all sung by Micus himself. He drew inspiration for the multipart vocals from the intriguing polyphonic singing of Georgia and Bulgaria, which since the early Middle Ages has shaped the style of everyday singing as well as the liturgy of the Orthodox Church. On the very last track, the interwoven vocals make way for the Japanese shō (mouth organ), thus joining different aural worlds in a total sound whose divergent timbres have surprisingly much in common.

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Gianluigi Trovesi Ottetto: Fugace

2003

Gianluigi Trovesi - saxofon alto, clarinet
Beppe Caruso - trombon
Massimo Greco - trompeta, electronice
Marco Remondini - violoncel, electronice
Roberto Bonati - contrabas
Marco Micheli - contrabas, bas electric
Fulvio Maras - percutie, electronice
Vittorio Marinoni - tobe

Trovesi has become one of European jazz’s most important musical voices and I can’t think of many who would even consider attempting something of this scope. This one will grow on me. [ Duncan Heining, Jazzwise ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Gianluigi Trovesi All' Opera: Parfumo Di Violetta

2008

Gianluigi Trovesi - saxofon alto, clarinet
Marco Remondini - violoncel, electronice
Stefano Bertoli - tobe, percutie
Filarmonica Mousiké , dirijor Savino Acquaviva
Fabio Brignoli - flugelhorn

Gianluigi Trovesi, wild-haired Italian jazz clarinettist, creates a turbo-charged version of a traditional Italian town band to play a medley of quirkily arranged Italian opera tunes. It includes some of Rossini’s and Verdi’s greatest hits, garlanded with Trovesi’s husky solos, plus foot-tapping Baroque dances. It’s funny, sentimental and charming.
Ivan Hewett, Daily Telegraph

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Anat Fort Trio: And If

2007

Anat Fort - pian
Gary Wang - contrabas
Roland Schneider - tobe

Delicate, slow stuff, and pretty darn Keith Jarrett-y – especially the childlike, folky quality – but there’s something warm and luxuriant in Fort’s minimalist approach. “Minnesota” feels like watching the sky open to a dawn visity, each moment registered with wonder; her second take on “Paul Motian” caught the soft-petal poetry of that journeying drummer well. [ Paul de Barros, DownBeat ]

This is an intellectually satisfying yet emotionally charged CD, the sounds of which echo in the memory long after the disc has stopped spinning. [ Hrayr Attarian, All About Jazz ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Anat Fort Trio + Gianluigi Trovesi: Birdwatching

2016

Anat Fort - pian
Gary Wang - contrabas
Roland Schneider - tobe
Gianluigi Trovesi - clarinet alto

Listening to this album for the first time, I was slightly thrown by the alto clarinet. Not a familiar voice like the soprano or bass clarinet, hearing over the course of full album took a little time to fully appreciate the range and nuances of the instrument, and assimilate Trovesi's musical language and tone. Playing with a bitter sweet sound, the clarinettist will colour and manipulate his sound, interpreting the written score and reacting to the rhythm section as if he too were a regular fixture of the ensemble. […] Anat is not one to wear her heart on her sleeve, but that does not lessen the emotional content of her music. Close listening reveals a sharp mind at work with each idea presented without any excess baggage, just lean and lithe lines that make their meaning felt succinctly before moving on. […] A captivating set that reveals an original voice continuing to grow. It will be interesting to hear how the Anat Fort Trio continue their journey, and I for one would relish the prospect of a solo album from this gifted enthralling pianist. [ Nick Lea, Jazz Views ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Mark Turner, Ethan Iverson: Temporary Kings

2018

Mark Turner - saxofon tenor
Ethan Iverson - pian

With Temporary Kings two of the most distinct voices on today’s jazz scene present their debut on record as a duo: Engaging in inspired dialogue Mark Turner and Ethan Iverson here explore aesthetic common ground in the atmosphere of a modernist chamber music-like setting at the Auditorio Stelio Molo RSI, Lugano. The saxophonist and the pianist had begun their association in the Billy Hart Quartet, where the two players featured sympathetically on two ECM albums by that band. The new duo album now contains six originals by Iverson (among them the nostalgic solo tune “Yesterday’s Bouquet”) and two by Turner (including “Myron’s World,” which has acquired near-classic status among contemporary jazz players). There’s an off-kilter blues (“Unclaimed Freight”) and a strikingly melodic, almost Ravelian opening track dedicated to the town where the album was recorded under ideal sonic conditions (“Lugano”), plus an interpretation of Warne Marsh’s playfully serpentine “Dixie’s Dilemma.”

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Enrico Rava Quintet: Tribe

2010

Enrico Rava - trompeta
Gianluca Petrella - trombon
Giovanni Guidi - pian
Gabriele Evangelista - contrabas
Fabrizio Sferra - tobe
Giacomo Ancillotto - chitara

Voted Rising Star Trombonist in the Down Beat Critics Poll of 2005, he has a front-line relationship with Rava which recalls Enrico’s affinity with Roswell Rudd back in the heyday of the New Thing. Fast-moving, quick-witted exchanges abound. Enrico has always encouraged younger musicians, and pianist Giovanni Guidi (born 1985) is a real find, a player of creativity and imagination: “When I notice the gifts of a young musician, I immediately involve him in my groups. This is not motivated by altruism,” Rava insists. “Giovanni Guidi is like Bollani and Petrella: he astounds me every time.”

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Enrico Rava: On The Dance Floor

2011

Enrico Rava - trompeta

+ PM Jazz Lab, Andrea Tofanelli, Claudio Corvini, Mauro Ottolini, Daniele Tittarelli, Dan Kinzelman, Franz Bazzani, Giovanni Guidi, Dario Deidda, Marcello Giannini, Zeno de Rossi, Ernesto Lopez Maturell

It was only after Michael Jackson’s death that Italian trumpeter Enrico Rava gradually became aware that he had for many years been ignoring, in his words, “one of the great protagonists of 20th century music and dance. A total artist. A perfectionist. A genius. I felt the need to delve more deeply into Michael’s world. There was only one way to do that: play his songs.” Thus this live album, recorded at the Rome Auditorium with the Parco della Musica Jazz Lab. Enrico’s trumpet is at its most extroverted here, vaulting above the spirited arrangements by Mauro Ottolini. Michael Jackson’s protean pop songs have never been heard quite like this. Rava is currently playing European festivals with this programme.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Enrico Rava: New York Days

2008

Enrico Rava - trompeta
Stefano Bollani - pian
Mark Turner - saxofon tenor
Larry Grenadier - contrabas
Paul Motian - tobe

In assessing Enrico Rava's lengthy career, while it is clear that he is still reaching for the unattainable, in recent years the Italian trumpeter's context has been considerably more centrist. Easy Living (ECM, 2004) and The Words and the Days (ECM, 2007) were undeniably mainstream, albeit with an unmistakable European and, at times, Mediterranean bent. New York Days teams Rava and pianist Stefano Bollani—last heard in duet on the marvelous The Third Man (ECM, 2008)—together with perennially underrated tenor saxophonist Mark Turner, increasingly ubiquitous bassist FLY and drum icon Paul Motian for a set of nine originals and two free improvisations that, like The Third Man combine innate lyricism and swing with some of Rava's freest playing in years. [ John Kelman ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Enrico Rava Quartet, Gianluca Petrella: Wild Dance

2015

Enrico Rava - trompeta
Gabriele Evangelista - contrabas
Enrico Morello - tobe
Gianluca Petrella - trombon

Enrico Rava, the great Italian jazz trumpeter, sifted through avant-swing, improv and experimental crossovers for years, then discovered Michael Jackson in his 70s, and devoted an utterly personal tribute album to him in the company of younger partners. ‘Wild Dance’ is similarly cross-generational, with an expanded Rava road band, fronted for the occasion by the leader’s trumpet paired with the trombone of Gianluca Petrella, a supple maestro of voicelike long tones, bebop intricacies and inbuilt swing. Rava’s Miles-inspired lyricism and tone control on slow music often takes centre stage in his work, but […] the blurted Ornette Coleman-like flurries of ‘Infant’ or ‘Happy Shades’, the guitar-driven swinger ‘Cornette’, or the soft bop ‘F Express’, over the excellent Enrico Morello’s bustling brushwork, represent effortlessly inventive uptempo jazz playing. [ John Fordham, The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Jazz

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CD ECM Records Enrico Rava, Stefano Bollani, Paul Motian: Tati

2005

Enrico Rava - trompeta
Stefano Bollani - pian
Paul Motian - tobe

A ballads album of remarkable musical range and depth, an intensely melodic disc, featuring the unorthodox line-up of trumpet, piano and drums.

Tati, in its inspiration and collective execution and continuity, is … very possibly Enrico Rava’s most indispensable recording. The mood is never broken, but evolves. After the Gershwin, everything is originals by members of the trio except a Puccini theme from Tosca, which seamlessly becomes one more fluid form in the spontaneous aesthetic. … Rava’s … ideas are impossible to anticipate as they move in melodic tangents and intuitive flares of energy. [ Thomas Conrad, Jazztimes ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Enrico Rava Quintet: The Words And The Days

2007

Enrico Rava - trompeta
Gianluca Petrella - trombon
Andrea Pozza - pian
Rosario Bonaccorso - contrabas
Roberto Gatto - tobe

One of the most charismatic of jazz musicians, Enrico Rava has truly hit a purple patch in his career – he’s got a great band, he’s with the best label in the world and he’s making the finest music of a long, distinguished career. … This music will make you feel good about the world, maybe because it gives voice to all those values that however downtrodden won’t go away. I could tell you that this track is ballad, that one uptempo and this one has a Latin feel. But it deserves better than that. Simply, they should distil this, bottle it and serve it everywhere. A wizard and a true star. [ Duncan Heining, Jazzwise ]

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Keith Jarrett: Belonging

1974

Keith Jarrett - pian
Jan Garbarek - saxofon sopran si tenor
Palle Danielsson - bas
Jon Christensen - tobe

AllMusic: "On Keith Jarrett's first recording with his "European" quartet -- Jan Garbarek (sax), Palle Danielsson (bass), Jon Christensen (drums) -- he stakes out somewhat less abrasive territory than that which his "American" foursome was exploring at this time.

Garbarek sports a neutral, vibratoless tone that occasionally reaches an emotional climax; the rhythm section is supportive and just loose enough. The record operates at its strongest level when Jarrett locks the quartet into his winning gospel mode on "'Long as You Know You're Living Yours" and the tense drive of "Spiral Dance"; the reflective numbers are less compelling. Still, this LP-turned-CD successfully bucked the powerful electric trends of its time and holds up well today."

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Yesterdays

2001

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

AllMusic (Thom Jurek): "Yesterdays is the third title ECM has released by Keith Jarrett, Gary Peacock, and Jack DeJohnette (dubbed "the standards trio"). The first two -- The Out-of-Towners released in 2004 and My Foolish Heart issued in 2007 -- were actually recorded later than this live date recorded in Tokyo in April of 2001.

This also marks a first in the pianist's career: the George Gershwin tune "You Took Advantage of Me" appeared on My Foolish Heart in a very different arrangement, making this the first time Jarrett has ever employed a single track on two consecutive albums. On My Foolish Heart Jarrett used a full-on ragtime intro to the tune. Here, he employs a denser harmonic construction based on its changes and melodic frame. When the band enters, the pop and swing in the tune become pronounced, standing in the same universe as ragtime (which is more than likely the reason Jarrett employed it before) but also much more sophisticated and harmonically complex. "

  • Numar discuri: 1
  • Gen muzica: Jazz

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