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Promotii Muzica CD
CD ECM Records Jack DeJohnette, John Scofield, Larry Goldings: Saudades
In stoc2004
Trio Beyond:
Jack DeJohnette - tobe
Larry Goldings - claviaturi
John Scofield - chitara electrica
Trio Beyond reinterpreteaza si reinventeaza muzica grupului Lifetime - aceeasi configuratie ca a celebrului grup compus din Tony Williams, John McLaughlin si Larry Young.
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Miroslav Vitous: Universal Syncopations
In stoc2003
Miroslav Vitous - contrabas
Jan Garbarek - saxofon tenor si sopran
Chick Corea - pian
John McLaughlin - chitara
Jack DeJohnette - tobe
Wayne Bergeron - trompeta
Valerie Ponomarev - trompeta, Flugelhorn
Isaac Smith - trombon
Featuring an all-star band under the leadership of the Czech bassist Miroslav Vitous, co-founder of Weather Report. Listening to the still adventurous veterans John McLaughlin, Chick Corea, Jack DeJohnette and Jan Garbarek improvise collectively, you think „my goodness, real music.” [ Mike Zwerin, International Herald Tribune ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Thomas Demenga - Bach: Suiten Fur Violoncello
In stoc2017
Thomas Demenga - violoncel
J.S. Bach :
- Suite I G-Dur BWV 1007
- Suite II D-Moll BWV 1008
- Suite III C-Dur BWV 1009
- Suite IV Es-Dur BWV1010
- Suite V C-Moll BWV 1011
- Suite VI D-Dur BWV 1012
Swiss cellist Thomas Demenga returns to Bach’s suites. “To me, Bach is the greatest musical genius who has ever lived. His music is pure, sublime. It possesses something divine and each musician has a lifetime in which to discover new ways of interpreting it.”
- Numar discuri: 2
- Gen muzica: Clasica
CD ECM Records Andras Schiff - Beethoven: Diabelli-Variationen
In stoc2012
Andras Schiff - pian
Ludwig van Beethoven:
Diabelli-Variationen Op. 120
Sonate Nr. 32 In C-Moll Op. 111
Sechs Bagatellen Op. 126
The predictably penetrating, intense playing of the mighty Diabellis on this disc is to be expected from Andras Schiff, but there's a twist: he does them twice, first on a 1921 Bechstein and then on a Hammerflügel fortepiano from Beethoven's era. The result is a primer on pianism, rounded out by Beethoven's final piano sonata and the Opus 126 Bagatelles. [ Zachary Woolfe, The New York Times ]
- Numar discuri: 2
- Gen muzica: Clasica
CD ECM Records Arvo Part: Arbos
In stoc1987
Gidon Kremer - vioara
Vladimir Mendelssohn - viola
Thomas Demenga - violoncel
Brass Ensemble Staatsorchester Stuttgart
The Hilliard Ensemble
Dennis Russell Davies - dirijor
Susan Bickley - alto
Lynne Dawson - soprana
David James - contratenor
Rogers Covey-Crump - tenor
Christopher Bowers-Broadbent - orga
Pärt's 1987 release, Arbos, shows the composer working within his medium, bringing forth a body of music sacred in sound and message and presenting new compositional techniques. Utilizing a limited palette of tones, arranged in repeating patterns, these works are often (understandably) categorized with the works of Glass, Reich, and Riley. The tonal palette is often borrowed from European medieval styles, and this, in conjunction with the liturgical subject matter, make these new compositions feel centuries old. His Pari Intervello, originally scored in 1978 for wind instruments, is here recorded for solo organ. One of his more famous pieces, Stabat Mater, is presented here -- an airy piece that floats just on the threshold of awareness. Scored for vocal trio and string trio, this is a simply beautiful piece -- very expressive and lilting. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Arvo Part: Miserere
In stocCompozitor - Arvo Part / Interpreteaza: The Hilliard Ensemble ( dirijor Paul Hillier), Orchester der Beethovenhalle Bonn, Western Wind Chamber Choir (dirijor Dennis Russell Davies), Sarah Leonard, Christopher Bowers-Broadbent, Pierre Favre
"This recording shows a different side of Arvo Part's compositional work. The title composition has unusual instrumentation: winds and brass, choir and soloists, electric guitar, and bass guitar. The lyrics come slowly, one word per bar at a near pppp volume level.
The text comes from Psalm 51, David's "Have Mercy on Me" psalm, before bursting like an apocalyptic fire into the classic "Dies Irae," a tremendous assault of holy terror best listened to in the dark by the fireplace. "Festina Lente" is a shorter work for strings and harp -- short, brisk, and entertaining, developed from a single melody. [AllMusic]
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Kim Kashkashian: Hindemith Sonatas
In stoc1986
Kim Kashkashian - viola
Robert Levin - pian
Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]
- Numar discuri: 2
- Gen muzica: Contemporana
CD ECM Records Ghazal: The Rain
In stocMai 2001
Kayhan Kalhor - kamancheh
Shujaat Husain Khan - sitar, voce
Sandeep Das - tabla
Recorded live in Berne, Switzerland, The Rain is divided into three long-form improvisations on traditional motifs, averaging 18 minutes each. “Fire” opens with a blush of sitar, a splash of sun on the well-worn path of the kamancheh’s tearful song. The expectation in Khan’s singing, indistinguishably potent through throat and string, marks that path with a mapmaker’s intuition. Khan’s voice is almost startling, providing that moment of satori on which everything hinges. Vocal cues are left intact, loosing the birds of Kalhor’s flights from their cages: signals born of moments yet predestined beyond all sense of time. In contrast, the tabla arises from the very earth, its skins mineral-rough against a backdrop of unforced biorhythms.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records John Surman: Road To Saint Ives
In stoc1990
John Surman - saxofoane, bas clarinet, claviaturi, percutie
Although we might feel tempted to take Road To Saint Ives, one of John Surman’s most stunning solo albums to date, as a portrait of its titular coastal town, Surman states in his liner notes that such is not the case. Aside from the peppering of folk-inspired melodies in the soprano solos, the music breaks its own ground on the way toward unique improvisatory continents.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records John Surman: Saltash Bells
In stoc2012
John Surman - saxofoane, clarinet, bas clarinet, sintetizatoare
John Surman is an exceptionally versatile musician and his instrumental prowess has been showcased in many contexts. Yet his solo albums may be the best sources for insights into his melodic imagination. If you want to understand the wellsprings of his creativity, the solo albums are the place to go; “Saltash Bells” ranks with the best of them.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Esbjorn Svensson Trio: Plays Monk
In stoc1996
Esbjorn Svensson - pian
Dan Berglund - bas
Magnus Ostrom - tobe
Ten of the worlds most beloved songs by Thelonious Monk, arguably one of the truly great international piano geniuses have been lovingly laid out here by Esbjörn Svensson, one of the truly great piano talents on the Scandinavian jazz scene, and making their mark around the world as well.
In EST, who previously has released some critically acclaimed albums, we have Magnus Öström on drums, Dan Berglund on double-bass and, of course, Esbjörn Svensson himself, who was an infant, when he practically leaned to walk to the sound of "In Walked Bud". "My father was and is a great jazz lover. So I was very young when I first came in touch with Monk´s music. He’s the kind of composer that can not be avoided", says Esbjörn Svensson.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Esbjorn Svensson Trio: 301
In stoc2012
Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice
A couple of months after pianist Esbjörn Svensson passed away in 2008 after a freak diving accident, what was thought to be the band's final album, Leucocyte, was released. It was considered final because the pianist had been involved in its mixing and sequencing as he had each of their previous 11 albums. The release of 301 comes as a surprise. The material included here was chosen from nine hours of tape recorded during the Leucocyte sessions -- which was, interestingly, originally conceived as a double album. The band fully expected another album would be culled from the remaining material. E.S.T. cut Leucocyte while on tour, having no compositions; what emerged came came out of individual ideas or group jams, making this set feel very much like an extension of the previous recording. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Esbjorn Svensson Trio: Live In London
In stoc2005
Esbjorn Svensson - pian
Dan Berglund - bas
Magnus Ostrom - tobe
this splendid release should bring a ray of happiness to old and new listeners alike. e.s.t. live in London captures the band on a magical evening when everything went right. Half the program came from the new-at-the-time Viaticum (ACT, 2005), with the remainder only a couple years older. The trio always loved taking everything beyond how it sounded on record; even the brand-new pieces weren't performed so much as explored, stretched and treated as springboards for some wondrous flights. [ AllAboutJazz ]
- Numar discuri: 2
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Voyage
In stocYoun Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Lento
In stoc2013
Youn Sun Nah - voce, kalimba, music box, kazoo
Ulf Wakenius - chitari
Lars Danielsson - contrabas, violoncel
Xavier Desandre-Navarre - percutie
Vincent Peirani - acordeoane
Generally, the arrangements are stripped down to the bare essentials; Nah is accompanied only by Wakenius's acoustic guitar on the title track, an ode to the caressing balm of nature, and on "Hurt," Nine Inch Nail singer Trent Reznor's melodically beautiful yet anguished account of drug abuse. On both numbers Nah's delivery is intimate and soulful. There's a similar soul-laid-bare intimacy in the vocal and bass intro to "Lament"; "My life is short and my days are running, as fast as you loved me, as fast as you left me," Nah sings, and there's striking contrast between the singer's slow, poetic delivery and accordionist Vincent Peirani's cheery lines.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Anouar Brahem: Astrakan Cafe
In stoc2000
Anouar Brahem - oud
Barbaros Erkose - clarinet
Lassad Hosni - percutie
The ECM label is usually linked with a pre-world music generation of musicians who absorbed international influences into a basically Western style. Here, though, is one of its select few stars from further afield, the oud player Anouar Brahem, in a haunting album of quiet, concentrated and poetic duos and trios with the Turkish clarinettist Barbaros Erköse and percussionist Lassad Hosni. The café of the title is symbolic of both transience and rootedness. Pace, rhythm and colour emerge from these simple resources, lightly poised and often catchy, though there are some heady improvisations and an arresting start as Erköse phrases his unaccompanied line with the sensitivity of a hushed voice.
BBC Music Magazine
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Anouar Brahem: Barzakh
In stoc1990
Anouar Brahem - oud
Bechir Selmi - vioara
Lassad Hosni - percutie
Recorded in 1990, Barzakh was the ECM debut of Tunisian oud master Anouar Brahem, and an album that immediately captured the attention of press and public with its gracefulness and authority. “Phenomenal…this is pure Arab music, without ‘world music’ frippery,” wrote Karl Lippegaus in Stereo. Brahem is joined here by Bechir Selmi, the sensitive violinist from the Musical Ensemble of Tunis, and percussionist Lassad Hosni, whose earthy frame drum and speeding darbouka would come to be important components of later Brahem recordings including Conte de l’incroyable amour and Astrakan Café. Beyond the improvisatory brilliance, Barzakh gave notice also of Brahem’s gift for writing arresting themes and luminous melody, as illustrated by “Raf Raf”, “Parfum de Gitane”, “Kerkenah” and other pieces here.
Initially published in April 1991, vinyl is reissued in October 2017 as audiophile 180g pressing.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Charlie Haden, Egberto Gismonti: In Montreal
In stoc1989
Charlie Haden - contrabas
Egberto Gismonti - chitara, pian
This live album is amazing in its scope, power and beauty. On guitar or piano, Gismonti often sounds as if he's playing two instruments at once, combining fierce rhythms with shapely melodies while Haden's warm, rich bass broadens the music with grainy texture and depth...Gismonti and Haden always add twists to the rhythms and angles to the melodies, making the music prismatic. [ Steve Israel, Times Herald Record ]
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Egberto Gismonti: Sol Do Meio Dia
In stoc1978
Egberto Gismonti -chitara, percutie, kalimba, fluier din lemn, voce
Nana Vasconcelos - percutie, berimbau, tama
Ralph Towner - chitara
Collin Walcott - tabla
Jan Garbarek - saxofon sopran
Inspired by his time spent with the Xingu Indians of the Amazon, to whom the album is also dedicated, Sol Do Meio Dia (Midday Sun) is a consistently intriguing transitional album from multi-instrumentalist Egberto Gismonti. With him are percussionists Nana Vasconcelos and Collin Walcott and guitarist Ralph Towner, as well as Jan Garbarek on soprano saxophone for a brief spell.
At this point in his career, Gismonti was beginning to fill in the porous sound of his 8-string guitar. To this end, Vasconcelos and Walcott flesh out much of the dizzying rhythmic space that defines his sound, while Towner’s 12-string laces the background with more explicit chording. Walcott traces magical circles in “Raga,” for which Gismonti engages us with nimble fingerwork on the guitar’s highest harmonics. Thus begins a chain of sporadic bursts acting in dialogue.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Pat Metheny: Bright Size Life
In stoc1976
Pat Metheny - chitara electrica
Jaco Pastorius - bas
Bob Moses - tobe
AllMusic: "Pat Metheny's debut studio album is a good one, a trio date that finds him already laying down the distinctively cottony, slightly withdrawn tone and asymmetrical phrasing that would serve him well through most of the swerves in direction ahead. His original material, all of it lovely, bears the bracing air of his Midwestern upbringing, with titles like "Missouri Uncompromised," "Midwestern Nights Dream," and "Omaha Celebration." There is also a sole harbinger of radical matters way down the road with the inclusion of a loose-jointed treatment of Ornette Coleman's "Round Trip/Broadway Blues," proving that Song X did not come from totally out of the blue. Besides being Metheny's debut, this LP also features one of the earliest recordings of Jaco Pastorius, a fully formed, well-matched contrapuntal force on electric bass, though content to leave the spotlight mostly to Metheny. Bob Moses, who like Metheny played in the Gary Burton Quintet at the time, is the drummer, and he can mix it up, too. "
- Numar discuri: 1
- Gen muzica: Jazz
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