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Promotii Muzica CD
CD ECM Records Jack DeJohnette, John Scofield, Larry Goldings: Saudades
In stoc2004
Trio Beyond:
Jack DeJohnette - tobe
Larry Goldings - claviaturi
John Scofield - chitara electrica
Trio Beyond reinterpreteaza si reinventeaza muzica grupului Lifetime - aceeasi configuratie ca a celebrului grup compus din Tony Williams, John McLaughlin si Larry Young.
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Kim Kashkashian: Hindemith Sonatas
In stoc1986
Kim Kashkashian - viola
Robert Levin - pian
Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]
- Numar discuri: 2
- Gen muzica: Contemporana
CD ECM Records Ghazal: The Rain
In stocMai 2001
Kayhan Kalhor - kamancheh
Shujaat Husain Khan - sitar, voce
Sandeep Das - tabla
Recorded live in Berne, Switzerland, The Rain is divided into three long-form improvisations on traditional motifs, averaging 18 minutes each. “Fire” opens with a blush of sitar, a splash of sun on the well-worn path of the kamancheh’s tearful song. The expectation in Khan’s singing, indistinguishably potent through throat and string, marks that path with a mapmaker’s intuition. Khan’s voice is almost startling, providing that moment of satori on which everything hinges. Vocal cues are left intact, loosing the birds of Kalhor’s flights from their cages: signals born of moments yet predestined beyond all sense of time. In contrast, the tabla arises from the very earth, its skins mineral-rough against a backdrop of unforced biorhythms.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records John Surman: Road To Saint Ives
In stoc1990
John Surman - saxofoane, bas clarinet, claviaturi, percutie
Although we might feel tempted to take Road To Saint Ives, one of John Surman’s most stunning solo albums to date, as a portrait of its titular coastal town, Surman states in his liner notes that such is not the case. Aside from the peppering of folk-inspired melodies in the soprano solos, the music breaks its own ground on the way toward unique improvisatory continents.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records John Surman: Saltash Bells
In stoc2012
John Surman - saxofoane, clarinet, bas clarinet, sintetizatoare
John Surman is an exceptionally versatile musician and his instrumental prowess has been showcased in many contexts. Yet his solo albums may be the best sources for insights into his melodic imagination. If you want to understand the wellsprings of his creativity, the solo albums are the place to go; “Saltash Bells” ranks with the best of them.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Voyage
In stocYoun Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny: 80/81
In stoc1980
Pat Metheny - chitara acustica si electrica
Charlie Haden - contrabas
Jack DeJohnette - tobe
Dewey Redman - saxofon tenor
Michael Brecker - saxofon tenor
AllMusicGuide : "Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-CD collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes. [...]
The two original LPs were organized so that the more distinctive Metheny fusions were on sides one and four and the overt jazz tracks occupied sides two and three."
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Jan Garbarek, Hilliard Ensemble: Mnemosyne
In stoc1999
Jan Garbarek Soprano Saxophone, Tenor Saxophone
The Hilliard Ensemble
David James - contratenor
John Potter - tenor
Rogers Covey-Crump - tenor
Gordon Jones - bariton
A sign we are, inexplicable without pain ... .’ The words are by the nineteenth-century German poet Friedrich Holderlin, taken from Mnemosyne, one of the cryptic hymns that he wrote before descending into madness. ECM publishes the entire first strophe as a sort of legend, and the reference is telling. ‘Mnemosyne’ was the mother of the muses, and the word also means ‘memory’. For Holderlin, song was an ‘abandoned, flowing nature’, a description that fits this album beautifully.
Memory, ecstasy, pain, joy, reconciliation: all are, at one time or another, signalled in the present programme. It is very different to Officium, The Hilliard’s first collaboration with Jan Garbarek (10/94). Tenor John Potter writes that for Mnemosyne, a good deal of the repertoire ‘consists of very small amounts of material with minimal notation’. Officium was a mellifluous melding of sensual sax improvisation and early choral music; Mnemosyne embraces a wider musical world and occasionally takes a harder musical line.
Garbarek spices the English thirteenth-century Alleluia nativitatis that opens the second disc with some unexpectedly Eastern-sounding modulations.
- Numar discuri: 2
- Gen muzica: Contemporana
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Whisper Not
In stociulie 1999
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
It’s been a long time since the first volumes of standard interpretations by Jarrett, Peacock, and DeJohnette hit the streets, announcing a new direction for the multifaceted Jarrett. It was 1983 to be exact and since then a distinguished series of ECM sides has built on the solid reputation so clearly established right at the start. While arguably the magnum opus of the lot would have to be Keith Jarrett at the Blue Note: The Complete Recordings, a close second can easily be claimed with the new release of a July 1999 concert recording in Paris packaged on two discs as Whisper Not. [ AllAboutJazz ]
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Tribute
In stoc1989
Keith Jarrett - pian
Gary Peacock - bas
Jack DeJohnette - tobe
AllMusic: "The Keith Jarrett Standards Trio gets back down to business with two CDs' worth of familiar and perhaps not-so-familiar tunes, recorded in one evening in Cologne, Germany. There is a concept this time, for all the standards carry a dedication to some jazz man or woman who performed them -- and they are not predictable choices; Lee Konitz for "Lover Man," "It's Easy to Remember" for John Coltrane, "All of You" for Miles Davis, etc.
Almost every number has a reflective solo piano introduction, with one of the notable exceptions being Jarrett's rolling, convoluted opening variations on "All the Things You Are" (Sonny Rollins). "Solar" (the Bill Evans tribute) has challenging, fractured interplay between Jarrett, Jack DeJohnette and Gary Peacock, and it directly segues into Jarrett's own obsessive "Sun Prayer," which seems to lose its way after a fine start.
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: After The Fall
In stoc2018
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
The group colloquially known as “the Standards trio” has made many outstanding recordings, and After The Fall must rank with the very best of them. “I was amazed to hear how well the music worked,” writes Keith Jarrett in his liner note. “For me, it’s not only a historical document, but a truly great concert.” This performance – in Newark, New Jersey in November 1998 – marked Jarrett’s return to the concert stage after a two year hiatus. Joined by improvising partners Gary Peacock and Jack DeJohnette, he glides and soars through classics of the Great American Songbook including “The Masquerade Is Over”, “Autumn Leaves”, “When I Fall In Love” and “I’ll See You Again”. There are also breath-taking accounts of hallowed bebop tunes including Charlie Parker’s “Scrapple From The Apple”, Bud Powell’s “Bouncin’ With Bud” and Sonny Rollins’s “Doxy”.
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Keith Jarrett: Radiance
In stoc2002
Keith Jarrett - pian
AllMusic: "Keith Jarrett returned to performing and recording solo concerts in 1995 with La Scala (released in 1997) after recovering from an illness. That fine recording followed his manner of working that he had begun on Koln Concert in 1975: That is, completely improvised concerts from beginning to end that had melodic and "motivic" centers. The double-disc set that is Radiance, recorded in Japan in 2002, is a new fork in the road. The work has no conceptual center. Jarrett says he wanted to let some of the music "happen" to him while he sat at the piano, deep in thought. He states: "I wanted my hands (particularly the left hand) to tell me things." And happen it does.
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Keith Jarrett: Solo Concerts Bremen / Lausanne
In stocMartie / Iulie 1973
Keith Jarrett - pian
"In his timeless solo concerts, Jarrett displays the uncanny ability to drop himself into a piece of improvised music as if it has been playing invisibly in the ether all along, requiring him only to pick up from whichever measure he encounters and leave the music to continue on after he has left the stage. This album predates Jarrett’s Köln concert by just two years and was the one that really put him on the map before that legendary successor. Yet we cannot simply say that Jarrett is channeling the cosmos and leave it at that, for he inhabits a melodic space that is tangible, his own. Though filed under jazz, this music is something far more than any generic summary could express. Still, I persist in trying. [ ecmreviews.com ]
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Keith Jarrett: Rio
In stocAprilie 2011
Keith Jarrett - pian
ecmreviews:
"On 9 April 2011, Keith Jarrett took the stage at the Theatro Municipal in Rio de Janeiro for a concert of improvised music at the piano. Under any other artist’s name, this formula might ring as flat as the disc it’s printed on, bat Jarrett’s fingertips those keys do something unknown even to him. Like a marionette that comes to impossible life in the hands of a master puppeteer, an instrument before Jarrett is a broken circle waiting for its final arc. Rather than hang that circle as one would a mirror on the wall, he rolls it as a child would a hoop down the street. Such is the spirit of abandon that opens his every note like laughter at something intangible, and points to a destination so far away that it returns to its origin.
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Don Cherry, Collin Walcott, Nana Vasconcelos: The Codona Trilogy (3 CD-Box)
In stoc1978-1982
Codona:
Collin Walcott sitar, tabla, hammered dulcimer, sanza, voce
Don Cherry - trompeta, flaute, doussn'gouni, voce
Nana Vasconcelos - berimbau, cuica, percutie, voce
Pure wizardry. The art of the improvisers beyond all borders. Preaching equality for all the idioms, anticipating the gathering wave of “world music”, drawing on traditions from all the continents, Codona was like no other band.
- Numar discuri: 3
- Gen muzica: World
CD ECM Records Dino Saluzzi: Kultrum
In stoc1982
Dino Saluzzi - bandoneon
Dino Saluzzi as a solo performer is one of the more remarkable musicians in contemporary music, in that he plays several instruments, including his beloved bandoneon with such precision, balance and subtle power. Kultrum is indeed a multi-cultural project that taps into the folkloric, ancestral, and traditional sounds of Native American Indians and his South American roots, enhanced by producer Manfred Eicher's Eurocentric notions.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Dino Saluzzi: Andina
In stoc1988
Dino Saluzzi - bandoneon
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Dino Saluzzi’s solo bandoneon breathes songs of Andean mountain villages, family histories, the changing seasons and more, and draws you into the player’s world of memory, where chorales and tangos and waltzes resound. Saluzzi epitomises the musician-as-storyteller and his compositions on this 1988 recording paint pictures in the mind. Jean-Luc Godard responded to the implied images of Andina and used its music in both Nouvelle Vague and Histoire(s) du Cinéma.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Yazz Ahmed: La Saboteuse
In stoc2017
‘Jazz Album of the year’ - The Wire
'The Best Albums of 2017 (All Genres - #18)' - Bandcamp
’The Best Jazz Albums of 2017’ - Bandcamp
‘Editors Favourite Albums of 2017’ - Bandcamp (Marcus J Moore)
‘Top 50 albums of 2017 (all genres) #15 ’ - The Vinyl Factory
“Even if you’re not familiar or terribly interested in jazz, Ahmed’s music deserves your attention, and she’ll most likely make you second guess your thoughts on jazz.” - Headphone Nation
Bahraini-British performer, Yazz Ahmed, is transforming what jazz means in 2017. This trumpet and flugelhorn-playing artist has worked with Radiohead and These New Puritans, experiments with electronic effects, and combines sounds from her shared heritage to author a new narrative for the genre. Part of the new wave of artists credited with stirring up the sound, including Kamasi Washington, Yussef Kamaal, Sons of Kemet and The Comet is Coming, Yazz Ahmed is thrilled by the possibilities of making something new. “I feel like I’m a part of modernising jazz and connecting it with audiences today,” Yazz says. “It’s exciting.”
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim AM: Future Sons and Daughters
In stocAM's Future Sons & Daughters is a moody and inspired album that touches on all of the New Orleans-musician's favorite styles from baroque chamber pieces to mid-tempo country rockers. In that sense, such tracks as the atmospheric Phil Spector-ish number "The Other Side," the lead single "Grand Opinion," and the mellow country-rock anthem "Fortunate Family Tree" deliver on AM's knack for quirky '60s pop-inspired songs. Similarly, the duet with Angela Correa, "It's Been so Long," is pleasantly reminiscent of the classic Lee Hazlewood/Nancy Sinatra pairings. Fans of introspective, classicist pop with more than a bit of wit and charm should find much to enjoy on Future Sons & Daughters. [ All Music Guide, review by Matt Collar ]
- Numar discuri: 1
- Gen muzica: Rock
CD Naim The Eberle Quartet: Gates, Bridge, Barber
In stoc1997
Eberle Quartet:
Jennifer Gibbs - vioara
Daphne Moody - vioara
Muriel Daniels - violoncel
Moira Alabaster - viola
Philip Gates: String Quartet No. 1 In A Minor
Frank Bridge: Three Idylls
Frank Bridge: Noveletten
Samuel Barber: String Quartet, Op. 11
- Numar discuri: 1
- Gen muzica: Clasica
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