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Faptul ca astazi se cauta discuri de vinil este o marturie a faptului ca sunetul analogic este inca la mare cautare si in lupta stransa cu valul digitalizarii.
Noi venim in sprijinul pasiunii pentru sunetul cald al vinilului prin a pune la dispozitie albume de la casele de discuri ACT, ECM Records si Ozella.
This one-of-a-kind vinyl set, hand etched by Tristan Duke (Jack White’s Lazaretto) of Infinity Light Science, offers a 3D hologram experience featuring the Mil-lennium Falcon on Disc 1/Side B and a TIE Fighter on Disc 2/Side B. For optimal viewing, use a direct light source or simply hold a mobile phone flashlight above the vinyl to view the holograms.
The perfect adjuistment tool for turntable, tonearm, cartridge Channel identifikation Correct phase Cross talk test Trackability test Tonearm/cartridge resonance test 180 gr. virgin vinyl
Perfectly manufactured LP, which marks state-of-the-art reference quality status, referring to mastering tolerances of all available anaologue test records! Comes with german and english instruction.
COS: Never has the pilgrim and pop star sounded more in harmony
Guardian : Yusuf marks the 50th anniversary of his first two albums, both released in 1967, by reinterpreting some of his songs from the era, including four from New Masters and others never released at the time. It helps that he’s reunited with his old 1970s foils Alun Davies (guitar) and Paul Samwell-Smith (production), resulting in cleaner, less cluttered arrangements. Northern Wind, in particular, benefits, Yusuf’s gravelly, age-weathered voice now giving it a greater gravitas. The new songs are no less impressive, with the philosophical Don’t Blame Them unexpectedly changing gear towards its end. Throughout, there’s a disarming warmth and thoughtfulness, making for a pleasantly surprising late-career highlight.
The Best of 1980–1990 is the first greatest hits compilation by Irish rock band U2, released in November 1998. It mostly contains the group's hit singles from the 1980s but also mixes in some live staples as well as one new recording, "Sweetest Thing."
Genesis - Invisible Touch - We Can't Dance - ...Calling All Stations...
Half Speed Mastered.
Comprising the last four studio albums from this legendary band, this lavishly packaged box comes complete with high-end reproductions of the inner and outer sleeves, exactly as originally released. Each LP has been remastered at half-speed by Miles Showell from Abbey Road Studios and pressed onto vinyl. Contents are: ‘Genesis (1LP vinyl); ‘Invisible Touch’ (1LP vinyl); ‘We Can’t Dance’ (2LP vinyl) and ‘Calling All Stations’ (2 vinyl LPs featuring music on sides 1-3 and an etching on side 4). This third box, which comes in a smart red outer casing, follows ‘Genesis: 1970 – 1975’ (“The Green Box”) and ‘Genesis: 1976 – 1982’ (“The Blue Box”) and completes a set that brings together all of Genesis’ studio albums on vinyl.
However you hear it, Ms. Stanley and the album are welcome throwbacks to the era of high concept album-making and gutsy, on-mic performance purity. … she’s 100 percent in her element to navigate a perfect landing on this impressive in every way debut. … You will not hear a more naturally recorded female voice than you’ll hear on the record. … Lost In Romance is one album where the outstanding sound is matched by the music making.” Music = 9/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com.
Audiophile Pressing ( highest grade virgin vinyl by Pallas in Germany ) Mixed by Al Schmitt - Mastered by Bernie Grundman 45 RPM
Pitchfork: "Daft Punk’s debut, the duo’s greatest illusion yet."
BBC:"Homework could have been a superb 40-minute album, but at almost twice that length there are definite longueurs. For every bagatelle like High Fidelity or Phœnix, though, there’s a gleaming techno machine like Alive ready to hover into view and throw you forward into an LED-coated future of Kanye samples, Grammys, Tron soundtracks, movies and pyramids. The rise of the robots started here."
Love is a soundtrack remix album of music recorded by the Beatles, released in November 2006. It features music compiled and remixed as a mashup for the Cirque du Soleil show of the same name.
Like a Prayer is the fourth studio album by American singer and songwriter Madonna, released on March 21, 1989 by Sire Records. Madonna worked with Stephen Bray, Patrick Leonard, and Prince on the album while co-writing and co-producing all the songs.
AllMusic : Anyone familiar with the industrial metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FÜR ALLE DA ("Love Is There for Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album, Sehnsucht, with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********," or the opening theme song "Rammlied" and nostalgic cabaret pieces that conjure the spirits of Weil and Brecht at a goth club.
Sputnik: If Rammstein were to never make another album again, this would be a good way to checkout.
Live at Pompeii is a live album and film by David Gilmour, the former guitarist of Pink Floyd. It was recorded at the Amphitheatre of Pompeii and was the first public performance at the venue since AD 79.
Anouar Brahem - oud Jack DeJohnette - tobe Dave Holland - contrabas Django Bates - pian
‘Blue Maqams’ will not only go down as one of the year's best ECM Records releases; it's a classic-in-the-making that should ultimately be considered one of the label's very best recordings in its nearly fifty-year history. [ John Kelman, All About Jazz ]
This glitzy lineup features his bass-playing soulmate Dave Holland, drums star Jack DeJohnette, and a wild card in the form of the UK’s Django Bates on piano. The result achieves a spellbinding balance between gently melodic Mediterranean song forms and the one-touch rhythmic elasticity and melodic ingenuity of the best jazz. The presence of Bates (producer Manfred Eicher’s idea, Brahem never having heard the English maverick before) is an inspiration, for his lyrical restraint, creative spaciousness, and diverse references. […] It’s a real meeting of hearts and minds. [ John Fordham, The Guardian ]
Lansat cu ocazia aniversarii lui Zubin Mehta, Decca a reeditat acest album in colaborare cu Pro-Ject Audio Systems ( inregistrare din 1975 ). Vinil de 180 grame, machetare grafica identica cu originalul, masterizare speciala facuta dupa benzile master la Abbey Road Studios.
Together with the Vienna Philharmonics Riccardo Muti created a true masterpiece of Mozart‘s symphonies No. 25, 35 and 39. Both are within the most respected artists of classical music of the modern era and this vinyl record combines outstanding interpretation and unrivalled sound experience that preserves the soft warm ambience of Wiener Musikverein.
Bass – Simon Gallup Drums – Laurence Tolhurst Guitar, Keyboards, Voice – Robert Smith
Remastered By – Robert Smith
AllMusic : "Certainly not the "darkest" the Cure would eventually get, Faith is, as represented by the cover art, one of the most "gray" records out there. Melancholy and despondent (the feel of funerals and old churches just oozes from this record) without the anger that would over take Pornography, Faith comes off as not just a collection of songs, but as a full piece."
[AllMusic ] Keb' Mo' is less a blues singer than a performer who works from that conceptual base, not in the way Taj Mahal does, knowingly carrying a tradition forward, half teacher and wise elder, but more as a populist, the James Taylor of blues, say, or a less recalcitrant J.J. Cale. To criticize him for not being Skip James or Robert Johnson sort of misses the point of what Keb' Mo' is shooting for, and like Bonnie Raitt discovered, bringing a modern pop-blues to a wide audience sure beats playing authentic for purists. Either path is as fake or as real as the other in a post-postmodern age where the blues creaks along as a single DNA strand in a world of rap, metal, and neo-soul. All of which makes the blues a strange career path to use to get straight out of Compton, yet that's exactly what Keb' Mo' has done, rising out of one of toughest urban landscapes in the world by covering Robert Johnson songs on his National steel guitar.
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