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Faptul ca astazi se cauta discuri de vinil este o marturie a faptului ca sunetul analogic este inca la mare cautare si in lupta stransa cu valul digitalizarii.
Noi venim in sprijinul pasiunii pentru sunetul cald al vinilului prin a pune la dispozitie albume de la casele de discuri ACT, ECM Records si Ozella.
The perfect adjuistment tool for turntable, tonearm, cartridge Channel identifikation Correct phase Cross talk test Trackability test Tonearm/cartridge resonance test 180 gr. virgin vinyl
Perfectly manufactured LP, which marks state-of-the-art reference quality status, referring to mastering tolerances of all available anaologue test records! Comes with german and english instruction.
2018 Andy Sheppard - saxofoane Eivind Aarset - chitara Michel Benita - contrabas Sebastian Rochford - tobe
Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Ranato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. There’s a highly atmospheric, ambient drift to the music which Sheppard clearly finds liberating, as do Michel Benita and Seb Rochford, free to move in and out of conventional rhythm section roles and to make impassioned statements of their own. Romaria was recorded in April 2017 and produced by Manfred Eicher.
Produced by Giles Martin for this year’s universally heralded ‘Sgt. Pepper’ Anniversary Edition releases, the album’s new stereo mix was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by Giles’ father, George Martin. Praised by fans and music critics around the world, The Beatles’ ‘Sgt. Pepper’ Anniversary Edition is 2017’s most celebrated historical music release and an ideal gift for Beatle People here, there, and everywhere.
THE PRINCESS perfectly sums up Parov Stelar’s musical development without neglecting his roots. More than ever he takes his time to make every single track a short-story filled with ideas nicely fitting his ‘anything goes’ attitude.
“…these are all truly classic Verve titles that you simply don’t want to miss…most importantly, the sound of these reissues is nothing short of astounding.”
However you hear it, Ms. Stanley and the album are welcome throwbacks to the era of high concept album-making and gutsy, on-mic performance purity. … she’s 100 percent in her element to navigate a perfect landing on this impressive in every way debut. … You will not hear a more naturally recorded female voice than you’ll hear on the record. … Lost In Romance is one album where the outstanding sound is matched by the music making.” Music = 9/11; Sound = 11/11 Michael Fremer, AnalogPlanet.com.
Keith Jarrett - pian Gary Peacock - bas Jack DeJohnette - tobe
AllMusic: "Once Keith Jarrett gets into a concept, he likes to keep those tapes rolling. This two-disc live outpouring from a Standards Trio gig at Munich's Philharmonic Hall was the biggest offering from this group up to that time (it wouldn't hold that distinction for long) -- and once again, Jarrett treats his brace of pop and jazz standards with unpredictable, often eloquently melodic and structural originality.
To cite a pair of highlights: "Autumn Leaves" always seems to bring out an endless flow of invention from Jarrett, and "The Song Is You" gets off to a rollicking start and maintains a nearly relentless energy level for 17 minutes, closing with a Spanish vamp. Again, the rapport with his onetime jazz-rock associate, drummer Jack DeJohnette, and bassist Gary Peacock is total; DeJohnette's mastery of shifting cymbal patterns while maintaining the pulse acts on the trio like a loose tether made of carbon steel. There is a considerable amount of Jarrett vocalizing, though; sometimes he sounds like a tortured animal. "
Cat Stevens is in the 70’s without doubt among one of the most successful and active musicians! “Tea for the Tillerman” was published on 23 November 1970 and was the fourth album by the folk legend!
This LP was carefully mastered from original tapes by Kevin Gray at Cohearent Audio and is available for the first time in 180-gram vinyl. Chances are, your original’s pretty beat up and worn out, so here’s a chance to relive one of the great rock records of the 70’s in a pristine new pressing. This recording is surely one of the best albums of the 70s and never before was available in a better sound quality!
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
Produs de casa de discuri Reference Recordings, acest album este cu adevarat unul de referinta atat in ceea ce priveste interpretarea, cat si din punct de vedere al sunetului.
Chick Corea - pian electric Joe Farrell - flaut, saxofon sopran Flora Purim - voce, percutie Stan Clarke - bas Airto Moreira - tobe, percutie
Steve Huey ( AllMusicGuide ): "The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke.
It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock.
2018 Nik Bartsch - pian Sha - bas clarinet, saxofon alto Thomy Jordi - bas Kaspar Rast - tobe
Bärtsch speaks of a new-found freedom and flexibility in the approach to the material, with “greater transparency, more interaction, more joy in every performance”. The freedom here extends to revisiting earlier Bärtsch modules alongside new compositions including, for the first time on a Ronin record, a piece by reedman Sha. “We’ve spent a long time working on the new repertoire, really checking out and fine tuning all the details.”
Awase, a term from Aikido, means “moving together” in the sense of matching energies, a fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Ronin today. In the old band, Bärtsch often chose to present Björn Meyer’s flamboyant 6-string bass as a lead instrument. Thomy Jordi’s 4-string bass guitar tends to be deployed within the fabric of the pieces, creatively fulfilling a more traditional bass function and locking in with Kaspar Rast’s powerful drums. With Bärtsch also scaling back his own solo playing, listeners are encouraged to hear the whole music and its layered, shifting approach to interaction in new ways.
1978 - album reeditat in 2017 dupa benzile master analogice Jan Garbarek - saxofoane Bill Connors - chitara John Taylor - pian, orga Jack DeJohnette - tobe
Places brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener.
Keith Jarrett - pian Jan Garbarek - saxofon sopran si tenor Palle Danielsson - bas Jon Christensen - tobe
AllMusic: "On Keith Jarrett's first recording with his "European" quartet -- Jan Garbarek (sax), Palle Danielsson (bass), Jon Christensen (drums) -- he stakes out somewhat less abrasive territory than that which his "American" foursome was exploring at this time.
Garbarek sports a neutral, vibratoless tone that occasionally reaches an emotional climax; the rhythm section is supportive and just loose enough. The record operates at its strongest level when Jarrett locks the quartet into his winning gospel mode on "'Long as You Know You're Living Yours" and the tense drive of "Spiral Dance"; the reflective numbers are less compelling. Still, this LP-turned-CD successfully bucked the powerful electric trends of its time and holds up well today."
1993 Jan Garbarek - saxofon tenor si sopran The Hilliard Ensemble: David James - contratenor Rogers Covey-Crump - tenor John Potter - tenor Gordon Jones - bariton
Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly.
Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. [ AllMusic ]
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