Muzica CD Gen: Contemporana

2009
Jan Garbarek - saxofoane
The Hilliard Ensemble :
David James - contratenor
Rogers Covey-Crump - tenor
Steven Harrold - tenor
Gordon Jones - bariton

In addition to several medieval sources, included are works by early 20th century Armenian priest, musicologist, and composer Komitas; Nikolai N. Kedrov, a Russian composer of the same era; mid-20th century Greek composer Giorgios Sefaris; Estonian Arvo Part; and several original pieces by Garbarek himself. Like the first album, this one is suffused with a sense of distant mystery and a profound, powerful melancholy that is given voice with intense feeling. The sound again is spacious and warmly resonant, with an earthy, enveloping ambience. This album will be a must-have for anyone who loved the first one, and it should appeal to any listener with an affinity for meditative Eastern European spirituality, especially when tied to contemporary expressivity and stylistic freedom. [ AllMusic ]

• Numar discuri: 1
• Gen muzica: Contemporana

1987
Gidon Kremer - vioara
Vladimir Mendelssohn - viola
Thomas Demenga - violoncel
Brass Ensemble Staatsorchester Stuttgart
The Hilliard Ensemble
Dennis Russell Davies - dirijor
Susan Bickley - alto
Lynne Dawson - soprana
David James - contratenor
Rogers Covey-Crump - tenor
Christopher Bowers-Broadbent - orga

Pärt's 1987 release, Arbos, shows the composer working within his medium, bringing forth a body of music sacred in sound and message and presenting new compositional techniques. Utilizing a limited palette of tones, arranged in repeating patterns, these works are often (understandably) categorized with the works of Glass, Reich, and Riley. The tonal palette is often borrowed from European medieval styles, and this, in conjunction with the liturgical subject matter, make these new compositions feel centuries old. His Pari Intervello, originally scored in 1978 for wind instruments, is here recorded for solo organ. One of his more famous pieces, Stabat Mater, is presented here -- an airy piece that floats just on the threshold of awareness. Scored for vocal trio and string trio, this is a simply beautiful piece -- very expressive and lilting. [ AllMusic ]

• Numar discuri: 1
• Gen muzica: Contemporana

• Numar discuri: 1
• Gen muzica: Contemporana

• Numar discuri: 1
• Gen muzica: Contemporana

• Numar discuri: 1
• Gen muzica: Contemporana

• Numar discuri: 1
• Gen muzica: Contemporana

• Numar discuri: 1
• Gen muzica: Contemporana

1986

Kim Kashkashian - viola
Robert Levin - pian

Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]

• Numar discuri: 2
• Gen muzica: Contemporana

• Numar discuri: 4
• Gen muzica: Contemporana

• Numar discuri: 4
• Gen muzica: Contemporana