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Muzica CD

CD ECM Records Carolin Widmann - Mendelssohn / Schumann

2016

Carolin Widmann - vioara
Chamber Orchestra of Europe

Felix Mendelssohn Bartholdy - Concerto For Violin And Orchestra Op. 64
Robert Schumann - Violin Concerto Op.23

Certainly, the Concerto finds Schumann staring into the abyss, but its slow movement, in particular, has an otherworldly atmosphere that is profoundly affecting. Carolin Widmann and the Chamber Orchestra of Europe give a deeply-felt account of it, and are no less expressive in the beautiful second subject of the opening movement. [ Misha Donat BBC Music Magazine ]

  • Numar discuri: 1
  • Gen muzica: Clasica

Pret: 70          

CD ECM Records Hilliard Ensemble: Transeamus

2012

The Hilliard Ensemble :

David James - contratenor
Rogers Covey-Crump - tenor
Steven Harrold - tenor
Gordon Jones - bariton

The English four-man Hilliard Ensemble weaves a gorgeous polyphonic patchwork of warm colors from countertenor, tenor and baritone voices on English carols and motets dating from the 15th century. Enchanting rather than narcotizing, the ancient choral music replenishes itself through the quartet’s interpretative finesse. [ Frank-John Hadley, DownBeat ]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ACT Esbjorn Svensson Trio: From Gagarin's Point Of View

1999

Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie

"The album is forcefully controlled, quite ethereal, and classical in both style and grace. The trajectory of the music is understated, with improvising being hardly essential, merely hinted at, as it seems that E.S.T. work as three entities ... those being the band, the individuals, and the music, where they sound as if they’re talking in chord sequences, in a rhythmic cycle that ebbs and flows, before bending back onto themselves, and stepping into a new space to begin the whole process again. What one needs to grasp is the notion of strategies, rather than improvisation, hence the change that allows for E.S.T. to create atmospheric textures that are as much jazz as they are ambient washes of emotion.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Esbjorn Svensson Trio: Symphony

Marius Neset - saxofon
Verneri Pohjola - trompeta
Johan Lindstrom - pedal steel
Iiro Rantala - pian
Dan Berglund - bas
Magnus Ostrom - tobe
Royal Stockholm Philharmonic Orchestra dirijata de Hans Ek

Esbjörn Svensson, the Swedish original who consistently turned crossovers between jazz, pop and classical music into lasting art with EST, would have got around to this orchestral venture himself but for his accidental death in 2008.

With its shapely themes, subtle pacing and big climaxes, his popular trio’s music was ideal material, eloquently confirmed here by arranger Hans Ek, the Royal Stockholm Philharmonic and four star jazz soloists, including brilliant Finnish pianist Iiro Rantala and Norwegian saxophonist Marius Neset. [ The Guardan ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Magnus Ostrom: Searching For Jupiter

2013


Magnus Ostrom - tobe, percutie, voce, claviaturi
Andreas Hourdakis - chitara electrica si acustica, banjo
Daniel Karlsson - piano, claviaturi
Thobias Gabrielson - bas electric, bass synthesizer, claviaturi

Given Swedish pianist Esbjörn Svensson's accidental death in 2008, it's easy to get fixated on the apparent lifting of his drummer (and childhood friend) Magnus Öström's spirits with his second post-EST album as leader. But there's no doubt that the music here is lighter, idiomatically broader and more spontaneous than it was on his Thread of Life in 2011. Searching for Jupiter's textures are intensified by Öström's teenage art-rock interests; some hear Pink Floyd in the layering textures of The Moon (And the Air It Moves). [ The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Youn Sun Nah: Voyage

Youn Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta

In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Vincent Peirani: Living Being II - Night Walker

2017
Vincent Peirani - acordeon, voce
Emile Parisien - saxofon sopran
Tony Paeleman - claviaturi
Julien Hern- bas si chitara electrica
Yoann Serra - tobe
Valentin Liechti - electronice

On “Night Walker” the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.The accordionist and composer is celebrated throughout Europe, something that was already the case before he made his debut as leader with the 2013 album “Thrill Box” - Peirani was winning prizes in France as a teenager. Later he earned the title “Artist of the Year” from “Jazz Magazine”, and has received a German ECHO Jazz award four times

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Youn Sun Nah: Lento

2013
Youn Sun Nah - voce, kalimba, music box, kazoo
Ulf Wakenius - chitari
Lars Danielsson - contrabas, violoncel
Xavier Desandre-Navarre - percutie
Vincent Peirani - acordeoane

Generally, the arrangements are stripped down to the bare essentials; Nah is accompanied only by Wakenius's acoustic guitar on the title track, an ode to the caressing balm of nature, and on "Hurt," Nine Inch Nail singer Trent Reznor's melodically beautiful yet anguished account of drug abuse. On both numbers Nah's delivery is intimate and soulful. There's a similar soul-laid-bare intimacy in the vocal and bass intro to "Lament"; "My life is short and my days are running, as fast as you loved me, as fast as you left me," Nah sings, and there's striking contrast between the singer's slow, poetic delivery and accordionist Vincent Peirani's cheery lines.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ECM Records Keith Jarrett : A Multitude Of Angels

2016
Keith Jarrett - pian

If ‘A Multitude of Angels’ represents the last, 20 years later, of Jarrett's epic improvisational forays to be released, it's as strong a swan song of that period in his life as any. More, truthfully, because in its revelatory nature, surprising energy and persistent invention, this collection of four outstanding concerts that few could manage in good health, let alone Jarrett's declining physical condition—where the pianist writes that he ‘was busy playing as though it was the last time’—stands amongst the very best of the pianist's long-form solo piano releases. It's a set whose importance cannot be underestimated and should not be undervalued. [ John Kelman, All About Jazz ]

  • Numar discuri: 4
  • Gen muzica: Jazz

Pret: 215          

CD ECM Records Anouar Brahem: Khomsa

Septembrie 1994

Anouar Brahem - oud
Richard Galliano - acordeon
Francois Couturier - pian
Jean Marc Larch - saxofon sopran
Bechir Selmi - vioara
Palle Danielsson - contrabas
Jon Christensen - tobe

"Anouar Brahem’s third leader date for ECM explores the oud player’s incidental music for Tunisian film and theatre as interpreted by a shifting nexus of musicians, new and old alike. His compositional side takes precedence this time around, for it is accordionist Richard Galliano who lights the foreground with “Comme un depart” and hardly recedes until “Des rayons et des ombres,” the latter a superbly jazzy romp with Palle Danielsson and Jon Christensen. Bassist and drummer, respectively, add buoyancy to “E la nave va” and “Aïn ghazel,” culminating in the shadow of Jean-Marc Larché’s soprano for the title track.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Egberto Gismonti: Sol Do Meio Dia

1978
Egberto Gismonti -chitara, percutie, kalimba, fluier din lemn, voce
Nana Vasconcelos - percutie, berimbau, tama
Ralph Towner - chitara
Collin Walcott - tabla
Jan Garbarek - saxofon sopran

Inspired by his time spent with the Xingu Indians of the Amazon, to whom the album is also dedicated, Sol Do Meio Dia (Midday Sun) is a consistently intriguing transitional album from multi-instrumentalist Egberto Gismonti. With him are percussionists Nana Vasconcelos and Collin Walcott and guitarist Ralph Towner, as well as Jan Garbarek on soprano saxophone for a brief spell.

At this point in his career, Gismonti was beginning to fill in the porous sound of his 8-string guitar. To this end, Vasconcelos and Walcott flesh out much of the dizzying rhythmic space that defines his sound, while Towner’s 12-string laces the background with more explicit chording. Walcott traces magical circles in “Raga,” for which Gismonti engages us with nimble fingerwork on the guitar’s highest harmonics. Thus begins a chain of sporadic bursts acting in dialogue.

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Jan Garbarek Group: Photo With...

1979
Bill Connors - chitara
John Taylor - pian
Eberhard Weber - bas electric
Jon Christensen - tobe

Each piece breaks a piece from the longer title and rolls it out into a photo in its own right. “White Cloud” works its way from the inside out, laying the tender kindling of a solo piano before being set aglow by Garbarek’s deep smolder. Slowly but surely, drums, bass, and electric guitar weave their way into this dreamlike fabric, cinched by soothing legato threads. We keep our eyes on the cover as its “Windows” are hung with lilting harmonies between Garbarek and Taylor. An acoustic guitar speculates through its translucent frame, enhancing Connors’s understated brilliance all the more. “Red Roof” finds Garbarek in a more pentatonic mode in his soaring reverberant passages, while “Wires” gives us a more animated, earthbound concept in which to contemplate the patterns of our psychic dentition.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Stephan Micus: Inland Sea

2017
Stephan Micus - Balanzikom, Nyckelharpa, Zither, Shakuhachi, Voce, Steel String Guitar, Genbri

“When I play,” says Micus, “I am listening to the instrument and telling the stories it has inside it. It’s like a human being and each of us has unique stories to tell. Similarly, if I try a tune I composed for one shakuhachi on another one it somehow doesn’t sound right. The melody was really made for, and with, that particular instrument. A composer is like a guide taking you on a walk. He will take you from where you are, lead you into unknown territory and bring you back.”
The Inland Sea is Stephan Micus’ nyckelharpa journey.

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Stephan Micus: Snow

2008

Stephan Micus - Doussn' Gouni, Duduk, Maung, Gongs, Tibetan Cymbals, Bavarian Zither, Sinding, Steel-String Guitar, Hammered Dulcimer, Charango, Nay, Bass Duduk, Voice

'Snow' is the title Stephan Micus has given to his 18th album for ECM. It is the outcome of continuous work he has carried out on journeys and in the studio since the release of his 'On the Wing' in early spring 2006. 'To me, snow is one of the most beautiful of all natural phenomena', explains Micus, who has been living in Spain for many years. 'It’s closely associated with lasting impressions of my original home in Bavaria, especially the long moonlit walks I used to take when I lived in the Alpine foothills. I've always regarded snow as the essence of magic, even more so today now that there's so little of it and the glaciers are disappearing.' Micus's music has always drawn on impressions of nature and the countryside. The inspiration for his new album came largely from a long study tour through Armenia, Nagorno-Karabakh and the mountains of the Caucasus. He travelled through these distant and extremely isolated regions partly by Jeep, partly on extended trips by foot. He met people from many walks of life and became acquainted with their living conditions and musical traditions.

  • Numar discuri: 1
  • Gen muzica: World

Pret: 70          

CD ECM Records Jack DeJohnette: In Movement

2016

Jack DeJohnette: tobe, pian, percutie electronica
Ravi Coltrane: saxofoane
Matthew Garrison: bas electric, electronice

"There is something of the "six degrees of separation" theory at work in this newly formed trio, led loosely, by the great Jack DeJohnette. The drummer/multi-instrumentalist works in the company of saxophonist Ravi Coltrane whose lineage is well known, and bassist/electronic artist Matthew Garrison whose father Jimmy Garrison was the bassist in John Coltrane's classic quartet. And, of course, DeJohnette, early in his career, played with the fathers of both of his trio mates. [ AllAboutJazz ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Arild Andersen, Paolo Vinaccia, Tommy Smith: In-House Science

2018

Arild Andersen - contrabas
Paolo Vinaccia - tobe
Tommy Smith - saxofon tenor

Norwegian master bassist Arild Andersen’s trio with big-toned tenorist Tommy Smith and powerhouse drummer Paolo Vinaccia is one of the most viscerally exciting jazz small groups of the present moment. Its energies are arguably best captured in a live context, and here the three musicians deliver a characteristically smoking performance at the Villa Rothstein in Bad Ischl, Austria, recorded in September 2016.

Their earlier concert recording Live At Belleville, was issued a decade ago to rave reviews and a shower of awards. “Absolutely and unreservedly marvellous” said the BBC Music Magazine. “How often do just three musicians produce music as vast and panoramic in its scale and vision?” asked Jazzwise, amazed.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Louis Sclavis Atlas Trio: Sources

2011

Louis Sclavis - clarinet, bas clarinet
Benjamin Moussay - pian, claviaturi, Fender Rhodes
Gilles Coronado - chitara electrica

Louis Sclavis’s band of the season is the Atlas Trio, an ensemble with a global reach of reference. Chamber-improvisation, polyrhythmic grooves, minimalistic pulse patterns, enveloping ambience, rhapsodic piano and funky Fender Rhodes, distorted guitar, clarinet soliloquies, contrapuntal themes, free group playing, a bit of everything. An open-form aesthetic applies in multi-facetted music simultaneously exploratory and involving. Recorded in the South of France last September, the album - Louis’s ninth for ECM – features a programme of new Sclavis compositions, and is issued in time for tour dates including a major showcase at the Europa Jazz Festival in Le Mans.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Bobo Stenson Trio: Cantando

2008

Bobo Stenson - pian
Anders Jormin - contrabas
Jon Falt - tobe

The reconfigured Bobo Stenson Trio in a performance of characteristically wide arc. Material this time includes original compositions, group improvising and pieces by Peter Eben, Alban Berg, Ornette Coleman, Don Cherry, and Silvio Rodriguez. Master pianist Stenson, long term bassist Anders Jormin and alertly responsive young drummer Jon Fält have developed a richly detailed sound-world like nothing else in modern jazz – at once an extension of the jazz piano tradition and, with its windows opening onto classical music and world folklore, a force apart from it.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ACT Scott DuBois: Autumn Wind

2017

Scott DuBois - chitara
Gebhard Ullmann - saxofon tenor, bas clarinet
Thomas Morgan - bas
Kresten Osgood - tobe

DuBois takes the “seasons” concept to a whole new level with a series of pieces in celebration of the restless, unpredictable nature of autumn. At each step of the way, DuBois’ quartet takes us on a mesmerizingly impressionistic musical journey that is an organic yet highly cohesive mix of elements drawn from the likes of modern jazz, contemporary classical music and Americana.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ECM Records Bill Frisell Band: Lookout For Hope

Martie 1987
Bill Frisell - chitara electrica si acustica, banjo
Hank Roberts - violoncel, voce
Kermit Driscoll - bas
Joey Baron - tobe

"On this, another seminal effort on ECM’s Touchstones, Frisell continued to chart his inimitable sound. The wordless vocals of Hank Roberts in the album’s title opener waver like something from the dream diary of Pat Metheny, with whom Frisell shares much insofar as it is almost impossible to listen to either guitarist without seeing epic films of vivid imagery.

editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          
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