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Muzica CD
CD ECM Records Stephan Micus: To The Evening Child
1992
Stephan Micus - steel drum, voce, dilruba, suling, kortholt, nay, sinding
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Stephan Micus shapes his music by taking the instruments of the world out of their cultural, historical or traditional contexts and blending them in new ways. The colours of To The Evening Child are established through instrumental combinations involving dilruba (a string instrument associated with Hindustani classical music), suling (reed flute of the Balinese gamelan orchestra), nay (end-blown flute of the Middle East), sinding (West African harp), kortholt (German renaissance reed instrument) and steel drum (associated with West Indian calypso). “This music sounds in those hushed spaces where the universe inhales, the sound that keeps all celestial bodies spinning” – Tyran Grillo, Between Sound and Space
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Tarkovsky Quartet:
2011
Francois Couturier - pian
Anja Lechner - violoncel
Jean-Louis Matinier - acordeon
Jean-Marc Larche - saxofon sopran
The music on this album, with ist suite like sequence of compositions that flow like a cinematic reverie, comes across as a film-like invitation to a voyage. The spare, gently unfolding and intensely atmospheric melodies and moods deliver an invitation to listen with open ears … and to dream. Couturier has delivered a wondrous offering with compositions that open a path to a secret world. [ Nenad Georgievski, All About Jazz ]
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Tears Of Joy
2005
Antonio Forcione - chitara :
"Tears of Joy is my ninth album. Recorded over a residency with hailed engineer Martin Levan at Red Kite Studios in the seclusion of deepest Carmarthenshire, I was joined by a host of world class musicians, including the Antonio Forcione Quartet. For me, Tears of Joy truly marks the affirmation of my vision as a composer and arranger.
An mixture of original material, the music on Tears Of Joy has been written, arranged and produced by myself. I have tried to evoke a wide range of emotions from deep contemplation to ecstatic celebration with emotional depth."
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Touch Wood
2003
Antonio Forcione - chitara :
Antonio has been hailed as "the Jimi Hendrix of the acoustic guitar" and his live performances have established him as one of the most charismatic and talented musicians working in the UK today, a sentiment that would be echoed by his many fans the world over.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Dedicato
1996
Antonio Forcione - chitara
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim AM: Future Sons and Daughters
AM's Future Sons & Daughters is a moody and inspired album that touches on all of the New Orleans-musician's favorite styles from baroque chamber pieces to mid-tempo country rockers. In that sense, such tracks as the atmospheric Phil Spector-ish number "The Other Side," the lead single "Grand Opinion," and the mellow country-rock anthem "Fortunate Family Tree" deliver on AM's knack for quirky '60s pop-inspired songs. Similarly, the duet with Angela Correa, "It's Been so Long," is pleasantly reminiscent of the classic Lee Hazlewood/Nancy Sinatra pairings. Fans of introspective, classicist pop with more than a bit of wit and charm should find much to enjoy on Future Sons & Daughters. [ All Music Guide, review by Matt Collar ]
- Numar discuri: 1
- Gen muzica: Rock
CD ECM Records Gary Peacock: Guamba
1987
Jan Garbarek - saxofon tenor si sopran
Gary Peacock - bas
Palle Mikkelborg - trompeta, flugelhorn
Peter Erskine - tobe
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Gary Peacock’s recordings of the 1980s are production projects on which great players convened to play the bassist’s tunes. And the bass is fully a lead voice here, with title piece Guamba a Peacock solo to open the proceedings. As Paul Bley once said, “Gary is one of those rare musicians you could always count on to play better than you.” Nonetheless, there are mighty contributions from saxophone, trumpet and drums, with Jan Garbarek in particularly strong form. Jazz Forum: “Garbarek plays with magisterial power here.” Recorded 1987.
- Numar discuri: 1
- Gen muzica: Jazz
CD Decca Wagner: Tannhauser ( Solti - Kollo, Dernesch ) CD + BluRay Audio
1971 ( Hans Sotin, Helga Dernesch, Rene Kollo, Christa Ludwig, Wiener Philharmoniker, dirijor Georg Solti )
Tannhauser Presented in 5.1 Surround Sound on one Blu-ray Audio disc and mastered at 24-bit/96kHz from the never-before released 1970 experimental quadraphonic tapes
3CDs + High Fidelity Pure Audio Blu-ray disc containing the complete opera in 24-bit audio Deluxe hard-back edition with original cover
Includes libretto, and synopsis both with English, German and French translations
Mastering from original analogue sources by former Decca engineer, Paschal Byrne.
- Numar discuri: 4
- Gen muzica: Opera
CD ECM Records Zakir Hussain: Making Music
1986
Zakir Hussain - tabla, percutie, voce
Hariprasad Chaurasia - flaute
John McLaughlin - chitara acustica
Jan Garbarek - saxofon sopran si tenor
Vechi prieteni ( poate va amintiti de grupul Shakti din anii '70 ), Zakir Hussain si JohnMcLaughlin se reunesc pentru acest album minunat cu celebrul flautist indian Hariprasad Chaurasia si cu saxofonistul norvegian Jan Garbarek.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Anouar Brahem, John Surman, Dave Holland: Thimar
1998
Anouar Brahem - oud
John Surman - saxofon sopran, bas clarinet
Dave Holland - contrabas
A strikingly attractive 'transcultural' project initiated by Tunisian oud virtuoso Anouar Brahem, who is both an innovator and a traditionalist in the deepest sense (he has been credited with 'restoring the sovereignty of the oud' in Tunisian music). There is no glib fusion of traditions on Thimar but rather a coming together of three very distinctive musicians who sacrifice none of their individuality in the search for common ground.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records John Surman: Road To Saint Ives
1990
John Surman - saxofoane, bas clarinet, claviaturi, percutie
Although we might feel tempted to take Road To Saint Ives, one of John Surman’s most stunning solo albums to date, as a portrait of its titular coastal town, Surman states in his liner notes that such is not the case. Aside from the peppering of folk-inspired melodies in the soprano solos, the music breaks its own ground on the way toward unique improvisatory continents.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Same Girl
2010
Youn Sun Nah - voce, kalimba, music box, kazoo
Ulf Wakenius - chitari
Lars Danielsson - contrabas, violoncel
Xavier Desandre-Navarre - percutie
If one were to listen only to "My Favorite Things," the Richard Rodgers-Oscar Hammerstein Great American Songbook standard that opens Same Girl, one might deduce that Korea's Youn Sun Nah is just another cabaret singer with a pretty voice. The kalimba with which she is accompanying herself as she sings -- the sole instrument heard -- lends a sense of purity to the tune, and although the vocalist avoids the usual routes taken with the song, there's no real reason to get excited. Yet. Then things get interesting, fast. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: She Moves On
Youn Sun Nah - voce, kalimba
Jamie Saft - pian, claviaturi
Brad Jones - contrabas
Dan Rieser - tobe
Marc Ribot - chitara electrica si acustica
In “She Moves On” this chameleonic and delightful artist has reinvented herself once again.In South Korea Youn Sun Nah is a national celebrity. She first made her name in a musical, with a role in the Korean version of the successful German show “Line 1” – and that led to the blossoming of her solo career.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Voyage
Youn Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Vincent Peirani: Living Being II - Night Walker
2017
Vincent Peirani - acordeon, voce
Emile Parisien - saxofon sopran
Tony Paeleman - claviaturi
Julien Hern- bas si chitara electrica
Yoann Serra - tobe
Valentin Liechti - electronice
On “Night Walker” the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.The accordionist and composer is celebrated throughout Europe, something that was already the case before he made his debut as leader with the 2013 album “Thrill Box” - Peirani was winning prizes in France as a teenager. Later he earned the title “Artist of the Year” from “Jazz Magazine”, and has received a German ECHO Jazz award four times
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Lento
2013
Youn Sun Nah - voce, kalimba, music box, kazoo
Ulf Wakenius - chitari
Lars Danielsson - contrabas, violoncel
Xavier Desandre-Navarre - percutie
Vincent Peirani - acordeoane
Generally, the arrangements are stripped down to the bare essentials; Nah is accompanied only by Wakenius's acoustic guitar on the title track, an ode to the caressing balm of nature, and on "Hurt," Nine Inch Nail singer Trent Reznor's melodically beautiful yet anguished account of drug abuse. On both numbers Nah's delivery is intimate and soulful. There's a similar soul-laid-bare intimacy in the vocal and bass intro to "Lament"; "My life is short and my days are running, as fast as you loved me, as fast as you left me," Nah sings, and there's striking contrast between the singer's slow, poetic delivery and accordionist Vincent Peirani's cheery lines.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Egberto Gismonti: Musica De Sobrevivencia
1993
Egberto Gismonti - pian, chitara, flaut
Nando Carneiro - sintetizator, chitara, caxixi
Jaques Morelenbaum - violoncel
Zeca Assumpcao - bas
"The opening arpeggios of “Carmem” earn our trust at once with a timeworn and familiar comfort. The pebbles of Gismonti’s plunking notes sink into nostalgic waters, pulled by arco threads into the hands of light that loosed them.
“Bianca” picks at those same threads, frayed like the edge of a carpet in a childhood home through which pass only the ghosts of revolt. Such backward glances are ever-present in Gismonti’s world, whether they are charting the skyward paths of “Lundú #2” or dancing with joy in “Alegrinho #2.” His fingers flutter across piano keys as adeptly as they walk a fingerboard, escorting the group’s cultured sound through a gallery of moods.
Children’s feet map the gray streets of “Forró,” cracked yet held in shape like the shells of hardboiled eggs, and continue to run through “Natura, festa do interior,” a 33.5-minute masterpiece of eroded landscapes. With a sweep as cinematic as it is prosaic, it inscribes a scroll’s worth of love for all things just and familial.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Jan Garbarek, Hilliard Ensemble: Officium Novum
2009
Jan Garbarek - saxofoane
The Hilliard Ensemble :
David James - contratenor
Rogers Covey-Crump - tenor
Steven Harrold - tenor
Gordon Jones - bariton
In addition to several medieval sources, included are works by early 20th century Armenian priest, musicologist, and composer Komitas; Nikolai N. Kedrov, a Russian composer of the same era; mid-20th century Greek composer Giorgios Sefaris; Estonian Arvo Part; and several original pieces by Garbarek himself. Like the first album, this one is suffused with a sense of distant mystery and a profound, powerful melancholy that is given voice with intense feeling. The sound again is spacious and warmly resonant, with an earthy, enveloping ambience. This album will be a must-have for anyone who loved the first one, and it should appeal to any listener with an affinity for meditative Eastern European spirituality, especially when tied to contemporary expressivity and stylistic freedom. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Jan Garbarek, Hilliard Ensemble: Officium
1993
Jan Garbarek - saxofon tenor si sopran
The Hilliard Ensemble:
David James - contratenor
Rogers Covey-Crump - tenor
John Potter - tenor
Gordon Jones - bariton
Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly.
Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. [ AllMusic ]
"Officium is what Coltrane hears in heaven."
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Jan Garbarek: Dansere (3 CD-Box)
Boxsetul este o reeditare a albumelor "Sart" ( 1971), "Witchi-Tai-To" (1973) si "Dansere" (1975)
Jan Garbarek - saxofoane, flaut
Bobo Stenson - pian, pian electric
Terje Rypdal - chitara electrica
Arild Andersen - bas
Palle Danielsson - contrabas
Jon Christensen - tobe, percutie
A welcome return to the ECM catalog for three of the most striking of the early recordings which Jan Garbarek made for the label in the 1970s. In different but related ways Sart (1971), Witchi-Tai-To (1973) and Dansere (1975) brought freshly intelligent and invigorating perspective to bear on questions of dynamics, group sound, interaction and swing, the relation of improvisation and abstraction to the roots of jazz, and the relevance of archetypal yet freshly inflected folk forms to contemporary music. Two ensembles are heard here – Garbarek/Stenson/Rypdal/Andersen/Christensen on the exploratory Sart, and the spirited Jan Garbarek-Bobo Stenson Quartet, one of the most exciting groups of the era.
- Numar discuri: 3
- Gen muzica: Jazz
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