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Muzica CD
CD ECM Records Miroslav Vitous: Universal Syncopations
In stoc2003
Miroslav Vitous - contrabas
Jan Garbarek - saxofon tenor si sopran
Chick Corea - pian
John McLaughlin - chitara
Jack DeJohnette - tobe
Wayne Bergeron - trompeta
Valerie Ponomarev - trompeta, Flugelhorn
Isaac Smith - trombon
Featuring an all-star band under the leadership of the Czech bassist Miroslav Vitous, co-founder of Weather Report. Listening to the still adventurous veterans John McLaughlin, Chick Corea, Jack DeJohnette and Jan Garbarek improvise collectively, you think „my goodness, real music.” [ Mike Zwerin, International Herald Tribune ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Arvo Part: Passio
In stocMartie 1988
The Hilliard Ensemble, Lynne Dawson, Michael George, Elizabeth Layton, Melinda Maxwell, Elisabeth Wilson, Catherine Duckett, Christopher Bowers-Broadbent, Western Wind Chamber Choir / dirijor - Paul Hillier
Arvo Part: Passio Domini Nostri Jesu Christi Secundum Joannem ( 1982 )
Part's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method. The overall sound is significantly bigger than the small ensemble performing it; this is an innovative work, despite the classic subject matter. The text is taken verbatim from the Vulgate. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Arvo Part: Arbos
In stoc1987
Gidon Kremer - vioara
Vladimir Mendelssohn - viola
Thomas Demenga - violoncel
Brass Ensemble Staatsorchester Stuttgart
The Hilliard Ensemble
Dennis Russell Davies - dirijor
Susan Bickley - alto
Lynne Dawson - soprana
David James - contratenor
Rogers Covey-Crump - tenor
Christopher Bowers-Broadbent - orga
Pärt's 1987 release, Arbos, shows the composer working within his medium, bringing forth a body of music sacred in sound and message and presenting new compositional techniques. Utilizing a limited palette of tones, arranged in repeating patterns, these works are often (understandably) categorized with the works of Glass, Reich, and Riley. The tonal palette is often borrowed from European medieval styles, and this, in conjunction with the liturgical subject matter, make these new compositions feel centuries old. His Pari Intervello, originally scored in 1978 for wind instruments, is here recorded for solo organ. One of his more famous pieces, Stabat Mater, is presented here -- an airy piece that floats just on the threshold of awareness. Scored for vocal trio and string trio, this is a simply beautiful piece -- very expressive and lilting. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Jan Garbarek, Anouar Brahem: Madar
In stoc1994
Jan Garbarek - saxofon tenor si sopran
Anouar Brahem - oud
Ustad Shaukat Hussain - tabla
Despite the loveliness of these interactions, the album works best in solitary. Brahem’s contemplative solo, “Bahia,” treks over twilit mountains with aching footsteps, carrying us as if by palanquin into a vale of lost intentions. The wind of his percussiveness shakes the boughs of leafless trees and sends their dead seeds clicking to the ground like sand against a window. And in the rhythmic cast of “Jaw,” Hussain emotes lifetimes in a single beat of his tabla, thus offering some intensely lucid moments. He returns to the fold in “Qaws,” giving voice to those waiting eyes at last with solid excitement. An odd piano “Epilogue” (sounding like a chord outline for a studio track left behind) leads us out.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Jan Garbarek, Hilliard Ensemble: Officium
In stoc1993
Jan Garbarek - saxofon tenor si sopran
The Hilliard Ensemble:
David James - contratenor
Rogers Covey-Crump - tenor
John Potter - tenor
Gordon Jones - bariton
Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly.
Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. [ AllMusic ]
"Officium is what Coltrane hears in heaven."
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Tord Gustavsen Trio: The Other Side
In stoc2018
Tord Gustavsen - pian
Sigurd Hole - contrabas
Jarle Vespestad - tobe
“This is the chill-out as a state of grace, and it can go as deep as you like. Sublime,” wrote the Independent on Sunday of the Gustavsen’s trio’s Being There, released in 2007.
Over the last decade Tord has explored other ensemble forms and formats, but on The Other Side - recorded at Oslo’s Rainbow Studio in January 2018 – he opens a new chapter in his piano trio story, with faithful drummer Jarle Vespestad, and excellent new bassist Sigurd Hole. Hole’s approach to his instrument, drawing on folk influences as well as modern jazz, is ideally suited to Gustavsen’s slowly-developing, deeply melodic pieces. The album, produced by Manfred Eicher, is issued on the eve of a major tour.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Stephan Micus: Inland Sea
In stoc2017
Stephan Micus - Balanzikom, Nyckelharpa, Zither, Shakuhachi, Voce, Steel String Guitar, Genbri
“When I play,” says Micus, “I am listening to the instrument and telling the stories it has inside it. It’s like a human being and each of us has unique stories to tell. Similarly, if I try a tune I composed for one shakuhachi on another one it somehow doesn’t sound right. The melody was really made for, and with, that particular instrument. A composer is like a guide taking you on a walk. He will take you from where you are, lead you into unknown territory and bring you back.”
The Inland Sea is Stephan Micus’ nyckelharpa journey.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Garden Of Mirrors
In stoc1997
Stephan Micus - Voice, Bolombatto, Steel Drums, Sinding, Bowed Sinding, Suling, Percussion, Shakuhachi, Nay, Tin Whistle
This extraordinary multi-instrumentalist is actually one of the few to have grasped in its essence what was the song of the world. With him there exist no territories or cultural atavisms, but a planetary polyphony projected on a horizon of eternity.His instruments exchange once more the out-lines of their countries of origin to become instruments without nationality in the hands of this nomad musician. Exceptional.
Keyboards, France
Micus's music possesses gossamer beauty. Timeless, magical music with a universal appeal.
The Times, UK
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Implosions
In stoc1977
Stephan Micus - Sitars, Acoustic Guitar, Vocal, Bavarian Zithers, Shakuhachi, Sho, Thai Flute, Rabab
Although Micus has most often crafted albums at his home studio and sent them to Eicher for mixing and mastering, earlier ones such as this were recorded at Tonstudio Bauer in Ludwigsburg, Germany, where many of ECM’s formative releases were also realized. The studio dynamics imbue these travels with a rather different intimacy, one which brings its own climate and bounces back sunlight like the moon. Three Bavarian zithers, each with its own signature, form a dense and percussive bed for Micus’s singing in “Borkenkind.” His floating transpositions trail sutras of memory, spinning from them a yarn of forgetting. This becomes the sole purpose of the music: to detach oneself from the snares of fame and recognition until only the sound and the ear are left to dance unhindered. And indeed, when Micus sings again in “For M’schr And Djingis Khan,” accompanied by the uncut diamond of the rabab (Afghani lute), he balances on a tipping point into infinity, his mouth filled with empty pages. [ ecm reviews ]
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Keith Jarrett: The Koln Concert
In stoc1975 - Keith Jarrett - pian
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Stefano Battaglia Trio: The River Of Anyder
In stoc2011
Stefano Battaglia - pian
Salvatore Maiore - contrabas
Roberto Dani - tobe
A direct and accessible statement brimming with musical riches, „The River of Anyder“ rests on an entirely different plane to Battaglia’s earlier, riskier ECM output. In using this most classic of instrumental formats, he has created a brilliant benchmark that should catapult his career onwards and upwards. [ Fred Grand, Jazz Journal ]
„Warm, vigorous and accessible, it´s a music that feels both firmly contemporary and resolutely independent of it.“ [ Ray Comiskey, Properganda ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Ketil Bjornstad / Terje Rypdal: Life In Leipzig
In stoc2005
Ketil Bjornstad - pian
Terje Rypdal - chitara electrica
What a sound – a feast for the ears! Life in Leipzig presents pianist Ketil Bjørnstad and guitarist Terje Rypdal in concert. … The music is decidedly romantic in the widest sense, full of large gestures that bring forth intense emotions and vivid images that must, however, have originated from within the players. [ Budd Kopman, All About Jazz ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny: New Chautauqua
In stoc1978
Pat Metheny - chitara electrica si acustica, chitara harpa cu 15 corzi, bas electric
AllMusic: "When Pat Metheny's New Chautauqua first appeared in 1979, it was his third album for ECM, and was greeted mainly on the strength of its title track, a euphoric, uptempo, multi-layered guitar and bass folk dance. His previous two outings for the label, Bright Size Life and Watercolors, showcased him in the company of other musicians: on the former with Bob Moses and Jaco Pastorius, on the latter with Lyle Mays, Danny Gottlieb, and Eberhard Weber.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Jack DeJohnette: Special Edition
In stoc1979
Jack DeJohnette - tobe
David Murray - saxofon tenor, bas clarinet
Arthur Blythe - saxofon alto
Peter Warren - contrabas
The first version of Jack DeJohnette’s Special Edition, which helped to alert the wider world to the talents of saxophonists David Murray and Arthur Blythe, won the Down Beat Readers’ Poll Album of the Year award. Lively programme includes two John Coltrane covers and Jack’s Dolphy tribute, “One for Eric”.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Terje Rypdal, Miroslav Vitous, Jack DeJohnette
In stocIunie 1978
Terje Rypdal - chitara electrica, sintetizatoare, orga
Miroslav Vitous - contrabas, pian
Jack DeJohnette - tobe
The Norwegian guitarist is lifted to new heights by the wildly inventive playing of Miroslav Vitous and Jack DeJohnette. Cascades of sound prevail.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Bill Frisell Band: Lookout For Hope
In stocMartie 1987
Bill Frisell - chitara electrica si acustica, banjo
Hank Roberts - violoncel, voce
Kermit Driscoll - bas
Joey Baron - tobe
"On this, another seminal effort on ECM’s Touchstones, Frisell continued to chart his inimitable sound. The wordless vocals of Hank Roberts in the album’s title opener waver like something from the dream diary of Pat Metheny, with whom Frisell shares much insofar as it is almost impossible to listen to either guitarist without seeing epic films of vivid imagery.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Chick Corea: Children's Songs
In stoc1983
Chick Corea - pian
Ida Kavafian - vioara
Fred Sherry - violoncel
AllMusic:
"Chick Corea began writing his Children's Songs in 1971 and recorded the complete set of 20 in 1984. There's nothing inherent in the piano miniatures to indicate that they are especially for children. They aren't written for children to perform, because while they are musically straightforward, they are technically and interpretively far from easy. Most of them last between one and two minutes.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Shankar: Song For Everyone
In stoc1984
Shankar - vioara dubla cu 10 corzi, drum machine
Jan Garbarek - saxofon tenor si sopran
Zakir Hussain - tabla, conga
Trilok Gurtu - tobe si percutie
Shankar and Jan Garbarek’s previous collaboration, Vision, opened many people’s ears to the more fruitful possibilities of idiomatic blends. And while that initial project yielded a fascinating album in its own right, I always felt it lacked something I couldn’t quite articulate.
With Song For Everyone, that lack becomes clear once Trilok Gurtu and Zakir Hussain level the playing field with their earthy rhythms. In their presence, electric violin and saxophone can soar even higher, knowing there will always be a ground to return to. As if to underscore this point, Shankar also employs a drum machine, as in the delightful “Paper Nut” that inaugurates us into the album’s universe.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Miroslav Vitous, Jan Garbarek: ATMOS
In stoc1992
Miroslav Vitous - contrabas
Jan Garbarek - saxofon tenor si sopran
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
“Jan Garbarek is my favorite sax player,” Miroslav Vitous has said. “We have an incredible musical rapport and you can hear it. He understands my Slavic melodies and what I use for atmosphere because he’s European and his father was Polish, which is very close to me. I’m from Czechoslovakia. Our musical communication is astonishing: we each sense what the other is about to play.” Atmos, recorded 1992, features seven compositions by Vitous and two freely improvised pieces, yet sounds like the product of a shared mind, so well-matched are the expressive approaches of bassist and saxophonist.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Eberhard Weber: The Following Morning
In stoc1976
Eberhard Weber - bas
Rainer Brüninghaus - pian
Philharmonic Orchestra Oslo
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
The interaction of Eberhard Weber’s highly distinctive bass and Rainer Brüninghaus’ lyrical piano is at the heart of a number of popular ECM recordings, starting with Weber’s Colours of Chloë, and extending through the discographies of the Colours band and the Jan Garbarek Group. But the rapport of the two players was rarely better displayed than on 1976’s The Following Morning, where their dialogues are softly cushioned in attractive arrangements for strings, horns and woodwinds.
- Numar discuri: 1
- Gen muzica: Jazz
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