Inchide

Muzica CD

CD Universal Records Dire Straits - Making Movies

1980 - "Making Movies is the record on which Mark Knopfler comes out from behind his influences and Dire Straits come out from behind Mark Knopfler." Rolling Stone

  • Numar discuri: 1
  • Gen muzica: Rock

CD ECM Records Bobo Stenson Trio: War Orphans

In stoc

1997
Bobo Stenson - pian
Anders Jormin - contrabas
Jon Christensen - tobe

Characteristically broad in its stylistic range, this 1997 recording begins with a tune by Cuban singer-songwriter Silvio Rodríguez and ends with Duke Ellington’s “Melancholia”. In between are original contributions by Anders Jormin and Bobo Stenson and two pieces by Ornette Coleman, including the deeply-felt title track. “There is great freedom in Ornette’s melodies,” says Swedish pianist Stenson, a masterful player who subtly explores the emotional atmosphere of every tune. “In all tempos, in all keys, in all musical situations, his notes hang in the air like existential moments of coming into being.” -Jazz Times

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Pat Metheny: New Chautauqua

In stoc

1978

Pat Metheny - chitara electrica si acustica, chitara harpa cu 15 corzi, bas electric

AllMusic: "When Pat Metheny's New Chautauqua first appeared in 1979, it was his third album for ECM, and was greeted mainly on the strength of its title track, a euphoric, uptempo, multi-layered guitar and bass folk dance. His previous two outings for the label, Bright Size Life and Watercolors, showcased him in the company of other musicians: on the former with Bob Moses and Jaco Pastorius, on the latter with Lyle Mays, Danny Gottlieb, and Eberhard Weber.

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Pat Metheny Group: First Circle

In stoc

1984

Pat Metheny - chitara electrica si acustica, Synclavier
Lyle Mays - instrumente cu claviaturi, sintetizatoare, trompeta
Steve Rodby - bas
Pedro Aznar - chitara, percutie, voce
Paul Wertico - tobe

AllMusic: " In First Circle, the Pat Metheny Group settled into a lineup that lasted for quite a while -- with Metheny, keyboardist Lyle Mays, bassist Steve Rodby, and new drummer Paul Wertico forming the core quartet. The ever-restless Metheny also mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating permutations always affixed with his personal stamp. "Forward March," the album opener, is a bizarre parody full of detuned instruments and half-cocked trumpet from Mays; one wonders if this was directed at a few silly skirmishes of the day (Grenada? the Falklands?).

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Pat Metheny Group: American Garage

In stoc

1979

Pat Metheny - chitara electrica si acustica
Lyle Mays - claviaturi
Mark Egan - bas
Dan Gottlieb - tobe

AllMusic: " The back liner photo gives the impression of a grungy Midwestern garage band, but no, that doesn't describe this sophisticated jazz-rock quartet, which was simultaneously breaking into mass-market acceptance and away from the contemplative ECM stereotype. The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence.

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Bye Bye Blackbird

In stoc

1991

Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe

AllMusic: "This is the Keith Jarrett Trio's -- featuring bassist Gary Peacock and drummer Jack DeJohnette -- elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with -- and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual.

There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly."

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Jack DeJohnette: Special Edition

In stoc

1979

Jack DeJohnette - tobe
David Murray - saxofon tenor, bas clarinet
Arthur Blythe - saxofon alto
Peter Warren - contrabas

The first version of Jack DeJohnette’s Special Edition, which helped to alert the wider world to the talents of saxophonists David Murray and Arthur Blythe, won the Down Beat Readers’ Poll Album of the Year award. Lively programme includes two John Coltrane covers and Jack’s Dolphy tribute, “One for Eric”.

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records John Abercrombie, Dave Holland, Jack DeJohnette: Gateway

In stoc

Martie 1975

John Abercrombie - chitara electrica
Dave Holland - contrabas
Jack DeJohnette - tobe

"With this record, John Abercrombie both repaved and detoured from his staid path. He could hardly have been in finer company, and the combination seems to have fanned all sorts of flames within him. DeJohnette and Holland string an array of tightropes across which Abercrombie balances his way into previously uncharted territory. [ ecmreviews ]

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  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Miroslav Vitous, Jan Garbarek: ATMOS

In stoc

1992

Miroslav Vitous - contrabas
Jan Garbarek - saxofon tenor si sopran

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“Jan Garbarek is my favorite sax player,” Miroslav Vitous has said. “We have an incredible musical rapport and you can hear it. He understands my Slavic melodies and what I use for atmosphere because he’s European and his father was Polish, which is very close to me. I’m from Czechoslovakia. Our musical communication is astonishing: we each sense what the other is about to play.” Atmos, recorded 1992, features seven compositions by Vitous and two freely improvised pieces, yet sounds like the product of a shared mind, so well-matched are the expressive approaches of bassist and saxophonist.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Louis Sclavis Quintet: Rouge

In stoc

1991

Louis Sclavis - clarinete, saxofon sopran
Dominique Pifarely - vioara
Francois Raulin - pian, sintetizator
Bruno Chevillon - bas
Christian Ville - tobe


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Clarinettist/saxophonist Louis Sclavis’s first ECM album (recorded 1991) brims over with ideas, creating something fresh at the intersection of jazz and chamber music. Compositions and arrangements on Rouge twist and turn in unexpected ways, keeping listeners on the edge of their seats. With their inspired exchanges at the front of the highly disciplined band on this album, Sclavis and brilliant violinist Dominique Pifarély established themselves as two of the most strikingly original voices on the European improvising scene.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records John Surman, John Warren: The Brass Project

In stoc

1992

John Surman - saxofon sopran si bariton, alto si bas clarinet, pian
Henry Lowther, Steve Waterman, Stuart Brooks - trompeta
Malcolm Griffiths, Chris Pyne- trombon
David Stewart, Richard Edwards - trombon bas
Chris Laurence - contrabas
John Marshall - tobe, percutie
John Warren - dirijor

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The original conceptual idea for the Brass Project was to set John Surman’s improvising trio with bassist Chris Laurence and drummer John Marshall at the centre of a radiant brass choir of trumpets and trombones. With John Warren invited to contribute compositions and to conduct the group, the Brass Project quickly evolved into a more organic large ensemble, and by the time of this 1992 recording had become one of the most creative configurations in Britain. The elegant arrangements of Warren’s and Surman’s profoundly melodic music inspire many eloquent and touching solos.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Barre Phillips: Mountainscapes

In stoc

1976

John Surman - saxofoane, bas clarinet, sintetizator
Barre Phillips - contrabas
Stu Martin - tobe, sintetizator
Dieter Feichtner - sintetizator
John Abercrombie - chitara

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Barre Phillips’s Mountainscapes brings together strongly contrasting elements, the furious high-energy playing of the Surman/Phillips/Martin trio juxtaposed with spacious impressionistic pieces originally created for Carolyn Carlson’s ballet dancers. The integration of acoustic instruments and electronics (with three of the musicians playing synthesizers) is beautifully balanced in the production. John Abercrombie dropped by the studio to jam on the last track, raising the energy level still higher. Recorded in March 1976, Mountainscapes was described by Melody Maker as “vast, awesome and glorious” and “a starting point for the shape of jazz to come.”

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Chick Corea: Piano Improvisations Vol. 1

1971

Chick Corea - pian

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Chick Corea’s first unaccompanied album initiated the solo piano idiom at ECM, and proved to be extremely influential. Alongside music created in the moment, some powerful melodies are explored here, not least that of “Sometime Ago”, soon to be a theme song for the Return To Forever band. “I found it quite easy to select what I felt was the single best disc [of 1971]. Chick Corea’s Piano Improvisations Volume One is a true masterpiece of music and a very important album” - Michael Cuscuna, Record World.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Stephan Micus: To The Evening Child

In stoc

1992

Stephan Micus - steel drum, voce, dilruba, suling, kortholt, nay, sinding

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Stephan Micus shapes his music by taking the instruments of the world out of their cultural, historical or traditional contexts and blending them in new ways. The colours of To The Evening Child are established through instrumental combinations involving dilruba (a string instrument associated with Hindustani classical music), suling (reed flute of the Balinese gamelan orchestra), nay (end-blown flute of the Middle East), sinding (West African harp), kortholt (German renaissance reed instrument) and steel drum (associated with West Indian calypso). “This music sounds in those hushed spaces where the universe inhales, the sound that keeps all celestial bodies spinning” – Tyran Grillo, Between Sound and Space

  • Numar discuri: 1
  • Gen muzica: World

CD ECM Records Mick Goodrick: In Pas(s)ing

In stoc

1978

Mick Goodrick: chitara
John Surman: saxofon sopran si bariton, bas clarinet
Eddie Gomez: contrabas
Jack DeJohnette: tobe

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In Pas(s)ing was Mick Goodrick’s recording debut as leader, after some years with Gary Burton and before that, a spell with Woody Herman. Never very tigerish about self-promotion, Goodrick has spent most of his life teaching in Boston: Jazz Times has called him “perhaps the most influential mentor in the history of jazz guitar.” This 1978 production emphasizes what a creative player he is in his own right, inspired by the great team of players assembled for the session. The playful album title, by the way, alludes to ECM’s first office address, which was, yes, in Pasing.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD Naim Havard Gimse, Henning Kraggerud: Schubert, Schumann

In stoc

2006

Havard Gimse - pian
Henning Kraggerud - viola

Franz Schubert: Arpeggione Sonata D 821
Franz Schubert: Piano Sonata In A Minor D 784
Robert Schumann: Kinderszenen Op. 15

  • Numar discuri: 1
  • Gen muzica: Clasica

CD ECM Records Susanne Abbuehl: Compass

2004

Susanne Abbuehl Vocals
Wolfert Brederode Piano
Christof May Clarinet, Bass Clarinet
Lucas Niggli Drums, Percussion
Michel Portal Clarinet

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Compass is a voyage at many levels: through music and text, with images evoking the freshness of sea air and the colours of wildflowers. A voyage through polar extreme of jazz – from Chick Corea to Sun Ra, through folk song in the slipstream of Luciano Berio, through poetry of James Joyce and William Carlos Williams. Also a journey through subtly undulating chamber music, improvised and otherwise. Through it all, Susanne Abbuehl’s cool, undemonstrative-yet-strangely-mesmeric voice is the unifying factor. She sings and speaks and whispers directly into the listener’s ear: an intimate, ‘interior’ voice, singing like thinking aloud. Recorded 2003 and 2004.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Julian Priester Pepo Mtoto: Love, Love

1973

Julian Priester Trombones, Horns, Whistle Flute, Syntheziers
Pat Gleeson Syntheziers
Hadley Caliman Flute, Saxophones, Bass Clarinet
Bayete Umbra Zindiko Pianos, Clavinet
Nyimbo Henry Franklin Basses
Ndugu Leon Chancler Drums
Mguanda David Johnson Flute, Soprano Saxophone
Kamau Eric Gravatt Drums, Congas
Bill Connors Electric Guitar

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After leaving Herbie Hancock’s Mwandishi band trombonist Julian Priester and synthesizer pioneer Dr Patrick Gleeson put together this now-legendary album in two sessions in 1973. Extending the experiments of the Hancock sextet this music can also be related to Miles Davis’s robust Afro-funk-slanted electric group music of the period. Pumping bass ostinati, riffs and a big ‘tribal’ beat connect Love, Love to the music of Sly Stone and Funkadelic as well, while the shifting clouds of spacey improvising can also make a listener think of minimal music or Sun Ra. More than 40 years later this slice of proto-cyberfunk is still thoroughly enjoyable and timely.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Paul Motian: Tribute

1979

Jan Garbarek - saxofon tenor si sopran, flaut din lemn
Kjell Johnsen - orga

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Recorded in a Stockholm church in 1979, Aftenland documents a fascinating encounter between Jan Garbarek, improviser par excellence, and classical organist Kjell Johnsen. “Preparing and realizing Aftenland was one of the most interesting experiences in my entire career,” Johnsen has said. “A major artistic achievement”, wrote Contemporary Keyboard.

  • Numar discuri: 1
  • Gen muzica: Jazz

CD ECM Records Gary Burton: The New Quartet

In stoc

1973

Gary Burton Vibraphone
Michael Goodrick Guitar
Abraham Laboriel Bass
Harry Blazer Drums


As well as being the great vibes innovator of the era, Gary Burton has been a most astute talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would shortly become one of the most in-demand session players across all genres. “It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work,” wrote Melody Maker. Guitarist Mick Goodrick also emerged as a player to watch with this album, shining in a well-conceived programme with compositions of Keith Jarrett, Chick Corea, Carla Bley, Mike Gibbs and bandleader Burton.

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  • Numar discuri: 1
  • Gen muzica: Jazz

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