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Muzica CD Gen: World
CD ECM Records Ghazal: The Rain
Mai 2001
Kayhan Kalhor - kamancheh
Shujaat Husain Khan - sitar, voce
Sandeep Das - tabla
Recorded live in Berne, Switzerland, The Rain is divided into three long-form improvisations on traditional motifs, averaging 18 minutes each. “Fire” opens with a blush of sitar, a splash of sun on the well-worn path of the kamancheh’s tearful song. The expectation in Khan’s singing, indistinguishably potent through throat and string, marks that path with a mapmaker’s intuition. Khan’s voice is almost startling, providing that moment of satori on which everything hinges. Vocal cues are left intact, loosing the birds of Kalhor’s flights from their cages: signals born of moments yet predestined beyond all sense of time. In contrast, the tabla arises from the very earth, its skins mineral-rough against a backdrop of unforced biorhythms.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Anouar Brahem: Barzakh
1990
Anouar Brahem - oud
Bechir Selmi - vioara
Lassad Hosni - percutie
Recorded in 1990, Barzakh was the ECM debut of Tunisian oud master Anouar Brahem, and an album that immediately captured the attention of press and public with its gracefulness and authority. “Phenomenal…this is pure Arab music, without ‘world music’ frippery,” wrote Karl Lippegaus in Stereo. Brahem is joined here by Bechir Selmi, the sensitive violinist from the Musical Ensemble of Tunis, and percussionist Lassad Hosni, whose earthy frame drum and speeding darbouka would come to be important components of later Brahem recordings including Conte de l’incroyable amour and Astrakan Café. Beyond the improvisatory brilliance, Barzakh gave notice also of Brahem’s gift for writing arresting themes and luminous melody, as illustrated by “Raf Raf”, “Parfum de Gitane”, “Kerkenah” and other pieces here.
Initially published in April 1991, vinyl is reissued in October 2017 as audiophile 180g pressing.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Garden Of Mirrors
1997
Stephan Micus - Voice, Bolombatto, Steel Drums, Sinding, Bowed Sinding, Suling, Percussion, Shakuhachi, Nay, Tin Whistle
This extraordinary multi-instrumentalist is actually one of the few to have grasped in its essence what was the song of the world. With him there exist no territories or cultural atavisms, but a planetary polyphony projected on a horizon of eternity.His instruments exchange once more the out-lines of their countries of origin to become instruments without nationality in the hands of this nomad musician. Exceptional.
Keyboards, France
Micus's music possesses gossamer beauty. Timeless, magical music with a universal appeal.
The Times, UK
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Implosions
1977
Stephan Micus - Sitars, Acoustic Guitar, Vocal, Bavarian Zithers, Shakuhachi, Sho, Thai Flute, Rabab
Although Micus has most often crafted albums at his home studio and sent them to Eicher for mixing and mastering, earlier ones such as this were recorded at Tonstudio Bauer in Ludwigsburg, Germany, where many of ECM’s formative releases were also realized. The studio dynamics imbue these travels with a rather different intimacy, one which brings its own climate and bounces back sunlight like the moon. Three Bavarian zithers, each with its own signature, form a dense and percussive bed for Micus’s singing in “Borkenkind.” His floating transpositions trail sutras of memory, spinning from them a yarn of forgetting. This becomes the sole purpose of the music: to detach oneself from the snares of fame and recognition until only the sound and the ear are left to dance unhindered. And indeed, when Micus sings again in “For M’schr And Djingis Khan,” accompanied by the uncut diamond of the rabab (Afghani lute), he balances on a tipping point into infinity, his mouth filled with empty pages. [ ecm reviews ]
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Anouar Brahem: Conte De L'Incroyable Amour
1991 -
Anouar Brahem - oud
Barbaros Erkose - clarinet
Kudsi Erguner - nai
Lassad Hosni - bendir, darbouka
"This album is all about the composition, stripped to the barest essentials of melodic craft and burrowing straight into the marrow of our past lives. One of Brahem’s best to date." ecm reviews
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: To The Evening Child
1992
Stephan Micus - steel drum, voce, dilruba, suling, kortholt, nay, sinding
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Stephan Micus shapes his music by taking the instruments of the world out of their cultural, historical or traditional contexts and blending them in new ways. The colours of To The Evening Child are established through instrumental combinations involving dilruba (a string instrument associated with Hindustani classical music), suling (reed flute of the Balinese gamelan orchestra), nay (end-blown flute of the Middle East), sinding (West African harp), kortholt (German renaissance reed instrument) and steel drum (associated with West Indian calypso). “This music sounds in those hushed spaces where the universe inhales, the sound that keeps all celestial bodies spinning” – Tyran Grillo, Between Sound and Space
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Zakir Hussain: Making Music
1986
Zakir Hussain - tabla, percutie, voce
Hariprasad Chaurasia - flaute
John McLaughlin - chitara acustica
Jan Garbarek - saxofon sopran si tenor
Vechi prieteni ( poate va amintiti de grupul Shakti din anii '70 ), Zakir Hussain si JohnMcLaughlin se reunesc pentru acest album minunat cu celebrul flautist indian Hariprasad Chaurasia si cu saxofonistul norvegian Jan Garbarek.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Egberto Gismonti: Musica De Sobrevivencia
1993
Egberto Gismonti - pian, chitara, flaut
Nando Carneiro - sintetizator, chitara, caxixi
Jaques Morelenbaum - violoncel
Zeca Assumpcao - bas
"The opening arpeggios of “Carmem” earn our trust at once with a timeworn and familiar comfort. The pebbles of Gismonti’s plunking notes sink into nostalgic waters, pulled by arco threads into the hands of light that loosed them.
“Bianca” picks at those same threads, frayed like the edge of a carpet in a childhood home through which pass only the ghosts of revolt. Such backward glances are ever-present in Gismonti’s world, whether they are charting the skyward paths of “Lundú #2” or dancing with joy in “Alegrinho #2.” His fingers flutter across piano keys as adeptly as they walk a fingerboard, escorting the group’s cultured sound through a gallery of moods.
Children’s feet map the gray streets of “Forró,” cracked yet held in shape like the shells of hardboiled eggs, and continue to run through “Natura, festa do interior,” a 33.5-minute masterpiece of eroded landscapes. With a sweep as cinematic as it is prosaic, it inscribes a scroll’s worth of love for all things just and familial.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Inland Sea
2017
Stephan Micus - Balanzikom, Nyckelharpa, Zither, Shakuhachi, Voce, Steel String Guitar, Genbri
“When I play,” says Micus, “I am listening to the instrument and telling the stories it has inside it. It’s like a human being and each of us has unique stories to tell. Similarly, if I try a tune I composed for one shakuhachi on another one it somehow doesn’t sound right. The melody was really made for, and with, that particular instrument. A composer is like a guide taking you on a walk. He will take you from where you are, lead you into unknown territory and bring you back.”
The Inland Sea is Stephan Micus’ nyckelharpa journey.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Towards The Wind
2002
Stephan Micus - Bass Duduk, Kalimba, Steel-String Guitar, Shakuhachi, Dondon, Duduk, Sattar, 14-String Guitar, Voice
“Towards The Wind”, the 15th ECM recording by the perennially popular world-traveller and multi-instrumentalist, features his debut performances on the Armenian duduk, that exceptionally expressive forerunner of the oboe and the clarinet. Stephan Micus was inspired by recordings of the great duduk virtuoso Jivan Gasparian and was able to study with Armenia’s greatest folk musician in Yerevan in the autumn of 1999. Gasparian passed along to him some of the instrument’s secrets, the ways in which its wealth of textures and sounds can be annexed.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Snow
2008
Stephan Micus - Doussn' Gouni, Duduk, Maung, Gongs, Tibetan Cymbals, Bavarian Zither, Sinding, Steel-String Guitar, Hammered Dulcimer, Charango, Nay, Bass Duduk, Voice
'Snow' is the title Stephan Micus has given to his 18th album for ECM. It is the outcome of continuous work he has carried out on journeys and in the studio since the release of his 'On the Wing' in early spring 2006. 'To me, snow is one of the most beautiful of all natural phenomena', explains Micus, who has been living in Spain for many years. 'It’s closely associated with lasting impressions of my original home in Bavaria, especially the long moonlit walks I used to take when I lived in the Alpine foothills. I've always regarded snow as the essence of magic, even more so today now that there's so little of it and the glaciers are disappearing.' Micus's music has always drawn on impressions of nature and the countryside. The inspiration for his new album came largely from a long study tour through Armenia, Nagorno-Karabakh and the mountains of the Caucasus. He travelled through these distant and extremely isolated regions partly by Jeep, partly on extended trips by foot. He met people from many walks of life and became acquainted with their living conditions and musical traditions.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Steve Tibbetts: Life Of
2018
Steve Tibbetts - chitara, pian
Marc Anderson - percutie
Michelle Kinney - violoncel, drone
One-of-a-kind guitarist and record-maker Steve Tibbetts has an association with ECM dating back to 1981, with his body of work reflecting that of an artist who follows his own winding, questing path. The BBC has described his music as “an atmospheric brew… brilliant, individual.”
Life Of…, his ninth album for the label, serves as something of a sequel to his 2010 ECM release, Natural Causes, which Jazz Times called “music to get lost in.” Like the earlier album, Life Of… showcases the richness of his Martin 12-string acoustic guitar, along with his gamelan-like piano and artfully deployed field samples of Balinese gongs; the sonic picture also incorporates the sensitive percussion of long-time musical partner Marc Anderson and the almost subliminal cello drones of Michelle Kinney.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Steve Tibbetts: Natural Causes
2010
Steve Tibbetts - chitara, pian, Kalimba, Bouzouki
Marc Anderson - percutie, gonguri
Tibbetts este un chitarist mai putin cunoscut. El propune muzica world-fusion la cel mai inalt nivel, cu
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Agnes Buen Garnas, Jan Garbarek: Rosensfole
1989
Agnes Buen Garnas - voce
Jan Garbarek saxofon tenor si sopran, sintetizatoare, percutie
ecmreviews.com:
"One can hardly overstate the innovativeness of saxophonist Jan Garbarek. Having started as a strong arm of free jazz impressionism, Garbarek quickly turned to the future by mining the past, regaling the world of recorded music with an historical dimension.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Don Cherry, Collin Walcott, Nana Vasconcelos: The Codona Trilogy (3 CD-Box)
1978-1982
Codona:
Collin Walcott sitar, tabla, hammered dulcimer, sanza, voce
Don Cherry - trompeta, flaute, doussn'gouni, voce
Nana Vasconcelos - berimbau, cuica, percutie, voce
Pure wizardry. The art of the improvisers beyond all borders. Preaching equality for all the idioms, anticipating the gathering wave of “world music”, drawing on traditions from all the continents, Codona was like no other band.
- Numar discuri: 3
- Gen muzica: World
CD ECM Records Dino Saluzzi: Kultrum
1982
Dino Saluzzi - bandoneon
Dino Saluzzi as a solo performer is one of the more remarkable musicians in contemporary music, in that he plays several instruments, including his beloved bandoneon with such precision, balance and subtle power. Kultrum is indeed a multi-cultural project that taps into the folkloric, ancestral, and traditional sounds of Native American Indians and his South American roots, enhanced by producer Manfred Eicher's Eurocentric notions.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Egberto Gismonti, Nana Vasconcelos: Duas Vozes
1984
Egberto Gismonti - chitara, pian, flaute, voce
Nana Vasconcelos - percutie, berimbau, voce
The partnership of Egberto Gismonti and Nana Vasconelos brought new colours to improvised music on ECM. Sounds of the rainforest are conveyed in Nanas percussion, and Egbertos guitar, for all its sophistication, always retained an earthy directness.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Nomad Songs
2015
Stephan Micus - Ndingo, Genbri, Steel-String Guitar, Suling, Voice, Nay, Rewab, Rabab, Twelve-String Guitar, Fourteen-String Guitar, Tin Whistle, Shakuhachi
German born Stephan Micus is quite simply one of the most intriguing musicians in music. The multi-instrumentalist has over the course of many decades, concocted his own dialect playing instruments from cultures he has studied across the world. Micus’ albums generally take a few years to create as he builds layer upon layer of instrumentation, crafting each album with a particular theme in mind […] Micus’ twenty first ECM album “Nomad Songs” reflects in some respects cultures that have been uprooted from their traditions, have lived in peace and harmony wandering the land and due to factors beyond their control have had to adapt and relinquish their lifestyles as nomads. He integrates these new instruments into a palette as a pan cultural stew that musically represents harmony from seemingly disparate elements. […] This world melange takes the listener to many established places and even imagined ones, from the mind of one of the most captivating musicians around. The listener is taken on their own nomadic journey, and no matter where it brings them, the depth will reveal something different each time. [ CJ Shearn, Blueceej.com ]
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Egberto Gismonti: Sol Do Meio Dia
1978
Egberto Gismonti -chitara, percutie, kalimba, fluier din lemn, voce
Nana Vasconcelos - percutie, berimbau, tama
Ralph Towner - chitara
Collin Walcott - tabla
Jan Garbarek - saxofon sopran
Inspired by his time spent with the Xingu Indians of the Amazon, to whom the album is also dedicated, Sol Do Meio Dia (Midday Sun) is a consistently intriguing transitional album from multi-instrumentalist Egberto Gismonti. With him are percussionists Nana Vasconcelos and Collin Walcott and guitarist Ralph Towner, as well as Jan Garbarek on soprano saxophone for a brief spell.
At this point in his career, Gismonti was beginning to fill in the porous sound of his 8-string guitar. To this end, Vasconcelos and Walcott flesh out much of the dizzying rhythmic space that defines his sound, while Towner’s 12-string laces the background with more explicit chording. Walcott traces magical circles in “Raga,” for which Gismonti engages us with nimble fingerwork on the guitar’s highest harmonics. Thus begins a chain of sporadic bursts acting in dialogue.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Egberto Gismonti / Charlie Haden / Jan Garbarek: Magico
1980
Jan Garbarek - saxofoane
Egberto Gismonti - chitara, pian
Charlie Haden - contrabas
Along with the work of CODONA, Magico is perhaps a forerunner in what would come to be known as “world music,” and a pinnacle among ECM’s fruitful productions of the 1970s.
Although the talents assembled could hardly be more geographically disparate, their musical heartbeats trace the same calm graph across the EKG paper that is our appreciation. What appears a modest effort in number (the group gives us a humble quintet) plies massive depths in execution. The tracks “Bailarina” and “Silence” alone comprise more than half of the album’s duration.
The former’s graceful arcs and burnished veneer sparkle with understated virtuosity, while the latter features some of the gentlest relays between Garbarek and Haden alongside Gismonti’s frothy pianism. The jangly guitar of the title track guides us confidently through Garbarek’s incisive overlay before Gismonti switches over to classical on through “Spor.”
- Numar discuri: 1
- Gen muzica: World
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