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CD ACT Esbjorn Svensson Trio: Symphony
Marius Neset - saxofon
Verneri Pohjola - trompeta
Johan Lindstrom - pedal steel
Iiro Rantala - pian
Dan Berglund - bas
Magnus Ostrom - tobe
Royal Stockholm Philharmonic Orchestra dirijata de Hans Ek
Esbjörn Svensson, the Swedish original who consistently turned crossovers between jazz, pop and classical music into lasting art with EST, would have got around to this orchestral venture himself but for his accidental death in 2008.
With its shapely themes, subtle pacing and big climaxes, his popular trio’s music was ideal material, eloquently confirmed here by arranger Hans Ek, the Royal Stockholm Philharmonic and four star jazz soloists, including brilliant Finnish pianist Iiro Rantala and Norwegian saxophonist Marius Neset. [ The Guardan ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Same Girl
2010
Youn Sun Nah - voce, kalimba, music box, kazoo
Ulf Wakenius - chitari
Lars Danielsson - contrabas, violoncel
Xavier Desandre-Navarre - percutie
If one were to listen only to "My Favorite Things," the Richard Rodgers-Oscar Hammerstein Great American Songbook standard that opens Same Girl, one might deduce that Korea's Youn Sun Nah is just another cabaret singer with a pretty voice. The kalimba with which she is accompanying herself as she sings -- the sole instrument heard -- lends a sense of purity to the tune, and although the vocalist avoids the usual routes taken with the song, there's no real reason to get excited. Yet. Then things get interesting, fast. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Youn Sun Nah: Voyage
Youn Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
- Numar discuri: 1
- Gen muzica: Jazz
CD ACT Vincent Peirani: Living Being II - Night Walker
2017
Vincent Peirani - acordeon, voce
Emile Parisien - saxofon sopran
Tony Paeleman - claviaturi
Julien Hern- bas si chitara electrica
Yoann Serra - tobe
Valentin Liechti - electronice
On “Night Walker” the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.The accordionist and composer is celebrated throughout Europe, something that was already the case before he made his debut as leader with the 2013 album “Thrill Box” - Peirani was winning prizes in France as a teenager. Later he earned the title “Artist of the Year” from “Jazz Magazine”, and has received a German ECHO Jazz award four times
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Anouar Brahem: Blue Maqams
2017
Anouar Brahem - oud
Jack DeJohnette - tobe
Dave Holland - contrabas
Django Bates - pian
‘Blue Maqams’ will not only go down as one of the year's best ECM Records releases; it's a classic-in-the-making that should ultimately be considered one of the label's very best recordings in its nearly fifty-year history. [ John Kelman, All About Jazz ]
This glitzy lineup features his bass-playing soulmate Dave Holland, drums star Jack DeJohnette, and a wild card in the form of the UK’s Django Bates on piano. The result achieves a spellbinding balance between gently melodic Mediterranean song forms and the one-touch rhythmic elasticity and melodic ingenuity of the best jazz. The presence of Bates (producer Manfred Eicher’s idea, Brahem never having heard the English maverick before) is an inspiration, for his lyrical restraint, creative spaciousness, and diverse references. […] It’s a real meeting of hearts and minds. [ John Fordham, The Guardian ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Anouar Brahem: Souvenance
2015
Souvenance - Music for oud, quartet and string orchestra
Anouar Brahem - oud
Francois Couturier - pian
Klaus Gesing - bas clarinet, saxofon soprano
Bjorn Meyer - bas electric
The music of Souvenance, by turns graceful, hypnotic, and taut and starkly dramatic, was recorded in 2014 – six years after oud-master Anouar Brahem’s last ECM album, The Astounding Eyes of Rita. “It took a long time to write this music,” he acknowledges, noting that his emotional world had been usurped by the unfolding story of political upheaval sweeping first through Tunisia then through the neighbouring countries.
Meaning ‘remembrance’, ‘Souvenance’, is the Tunisian oud master’s new album after a five year gap following quartet recording ‘The Astounding Eyes of Rita’ also on ECM that also featured Gesing and Meyer. In reuniting his former colleagues, Brahem has written a commanding and all embracing set that seamlessly captures and portrays emotions ranging from despair to joy, and pessimism to optimism that shows a real depth of vision. […] This is a wonderful album and Brahem should be congratulated for bringing together such passion and emotion in a set that for all its serenity speaks volumes. [ Nick Lea, Jazz Views ]
- Numar discuri: 2
- Gen muzica: Jazz
CD ECM Records Anouar Brahem: Khomsa
Septembrie 1994
Anouar Brahem - oud
Richard Galliano - acordeon
Francois Couturier - pian
Jean Marc Larch - saxofon sopran
Bechir Selmi - vioara
Palle Danielsson - contrabas
Jon Christensen - tobe
"Anouar Brahem’s third leader date for ECM explores the oud player’s incidental music for Tunisian film and theatre as interpreted by a shifting nexus of musicians, new and old alike. His compositional side takes precedence this time around, for it is accordionist Richard Galliano who lights the foreground with “Comme un depart” and hardly recedes until “Des rayons et des ombres,” the latter a superbly jazzy romp with Palle Danielsson and Jon Christensen. Bassist and drummer, respectively, add buoyancy to “E la nave va” and “Aïn ghazel,” culminating in the shadow of Jean-Marc Larché’s soprano for the title track.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Egberto Gismonti: Musica De Sobrevivencia
1993
Egberto Gismonti - pian, chitara, flaut
Nando Carneiro - sintetizator, chitara, caxixi
Jaques Morelenbaum - violoncel
Zeca Assumpcao - bas
"The opening arpeggios of “Carmem” earn our trust at once with a timeworn and familiar comfort. The pebbles of Gismonti’s plunking notes sink into nostalgic waters, pulled by arco threads into the hands of light that loosed them.
“Bianca” picks at those same threads, frayed like the edge of a carpet in a childhood home through which pass only the ghosts of revolt. Such backward glances are ever-present in Gismonti’s world, whether they are charting the skyward paths of “Lundú #2” or dancing with joy in “Alegrinho #2.” His fingers flutter across piano keys as adeptly as they walk a fingerboard, escorting the group’s cultured sound through a gallery of moods.
Children’s feet map the gray streets of “Forró,” cracked yet held in shape like the shells of hardboiled eggs, and continue to run through “Natura, festa do interior,” a 33.5-minute masterpiece of eroded landscapes. With a sweep as cinematic as it is prosaic, it inscribes a scroll’s worth of love for all things just and familial.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Pat Metheny: Bright Size Life
1976
Pat Metheny - chitara electrica
Jaco Pastorius - bas
Bob Moses - tobe
AllMusic: "Pat Metheny's debut studio album is a good one, a trio date that finds him already laying down the distinctively cottony, slightly withdrawn tone and asymmetrical phrasing that would serve him well through most of the swerves in direction ahead. His original material, all of it lovely, bears the bracing air of his Midwestern upbringing, with titles like "Missouri Uncompromised," "Midwestern Nights Dream," and "Omaha Celebration." There is also a sole harbinger of radical matters way down the road with the inclusion of a loose-jointed treatment of Ornette Coleman's "Round Trip/Broadway Blues," proving that Song X did not come from totally out of the blue. Besides being Metheny's debut, this LP also features one of the earliest recordings of Jaco Pastorius, a fully formed, well-matched contrapuntal force on electric bass, though content to leave the spotlight mostly to Metheny. Bob Moses, who like Metheny played in the Gary Burton Quintet at the time, is the drummer, and he can mix it up, too. "
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny & Lyle Mays: As Falls Wichita, So Falls Wichita Falls
1981
Pat Metheny - chitara electrica, bas electric
Lyle Mays - pian , sintetizator, orga, claviaturi
Nana Vasconcelos - tobe, percutie, voce, berimbau
This joint solo effort by Metheny and regular pianist and collaborator Lyle Mays is an impressive outing. In the process of stretching out away from the confines of the quartet setting of prior albums, Metheny and Mays presage the sleeker and more ethereal sound of the band's Geffen years on portions of the title track.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Steve Tibbetts: Life Of
2018
Steve Tibbetts - chitara, pian
Marc Anderson - percutie
Michelle Kinney - violoncel, drone
One-of-a-kind guitarist and record-maker Steve Tibbetts has an association with ECM dating back to 1981, with his body of work reflecting that of an artist who follows his own winding, questing path. The BBC has described his music as “an atmospheric brew… brilliant, individual.”
Life Of…, his ninth album for the label, serves as something of a sequel to his 2010 ECM release, Natural Causes, which Jazz Times called “music to get lost in.” Like the earlier album, Life Of… showcases the richness of his Martin 12-string acoustic guitar, along with his gamelan-like piano and artfully deployed field samples of Balinese gongs; the sonic picture also incorporates the sensitive percussion of long-time musical partner Marc Anderson and the almost subliminal cello drones of Michelle Kinney.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Steve Tibbetts: Natural Causes
2010
Steve Tibbetts - chitara, pian, Kalimba, Bouzouki
Marc Anderson - percutie, gonguri
Tibbetts este un chitarist mai putin cunoscut. El propune muzica world-fusion la cel mai inalt nivel, cu
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Jan Garbarek, Hilliard Ensemble: Officium
1993
Jan Garbarek - saxofon tenor si sopran
The Hilliard Ensemble:
David James - contratenor
Rogers Covey-Crump - tenor
John Potter - tenor
Gordon Jones - bariton
Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly.
Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. [ AllMusic ]
"Officium is what Coltrane hears in heaven."
- Numar discuri: 1
- Gen muzica: Contemporana
CD ECM Records Agnes Buen Garnas, Jan Garbarek: Rosensfole
1989
Agnes Buen Garnas - voce
Jan Garbarek saxofon tenor si sopran, sintetizatoare, percutie
ecmreviews.com:
"One can hardly overstate the innovativeness of saxophonist Jan Garbarek. Having started as a strong arm of free jazz impressionism, Garbarek quickly turned to the future by mining the past, regaling the world of recorded music with an historical dimension.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Tord Gustavsen Trio: The Other Side
2018
Tord Gustavsen - pian
Sigurd Hole - contrabas
Jarle Vespestad - tobe
“This is the chill-out as a state of grace, and it can go as deep as you like. Sublime,” wrote the Independent on Sunday of the Gustavsen’s trio’s Being There, released in 2007.
Over the last decade Tord has explored other ensemble forms and formats, but on The Other Side - recorded at Oslo’s Rainbow Studio in January 2018 – he opens a new chapter in his piano trio story, with faithful drummer Jarle Vespestad, and excellent new bassist Sigurd Hole. Hole’s approach to his instrument, drawing on folk influences as well as modern jazz, is ideally suited to Gustavsen’s slowly-developing, deeply melodic pieces. The album, produced by Manfred Eicher, is issued on the eve of a major tour.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Andy Sheppard: Romaria
2018
Andy Sheppard - saxofoane
Eivind Aarset - chitara
Michel Benita - contrabas
Sebastian Rochford - tobe
Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Ranato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. There’s a highly atmospheric, ambient drift to the music which Sheppard clearly finds liberating, as do Michel Benita and Seb Rochford, free to move in and out of conventional rhythm section roles and to make impassioned statements of their own. Romaria was recorded in April 2017 and produced by Manfred Eicher.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Andy Sheppard: Movements In Colour
2009
Andy Sheppard - saxofoane
John Parricelli - chitara
Eivind Aarset - chitara, electronice
Arild Andersen - contrabas
Kuljit Bhamra - tabla, percutie
Although Andy Sheppard has been featured on a dozen albums with Carla Bley for WATT, this is his first album for ECM proper. The British saxophonist heads an international quintet in a programme of self-penned pieces, all buoyant and strongly melodic.
Sheppard’s elegant saxophone and the strongly-contrasting guitars of Parricelli and Aarset are lifted up by the rhythmic drive of Arild Andersen’s muscular bass and the crisp, dynamic tabla of Kuljit Bhamra, a musician well known in the UK as a key figure in the Asian pop and bhangra movements.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Chris Potter: The Dreamer Is The Dream
2017
Chris Potter - saxofoane, clarinet, bas clarinet, flaut, sampling
David Virelles - piano, celesta
Joe Martin - contrabas
Marcus Gilmore - tobe, percutie
AllAboutJazz :
"Multi-reedist and composer Chris Potter has been an in-demand artist since his late teen years when he began playing the New York clubs. With a diverse catalog that runs from Steely Dan to regular collaborations with Dave Holland, Potter has picked up a number of Grammy nominations and wins. His versatile abilities have made him equally at home touring with the lyrical Jim Hall or recording in the angular style of Steve Swallow's Damaged in Transit (WATT/ECM, 2003). The Dreamer Is the Dream is Potter's third leader release on the ECM label.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Keith Jarrett: The Koln Concert
1975 - Keith Jarrett - pian
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Changeless
1989
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
AllMusic:
"One of only a handful of Keith Jarrett "Standards" Trio records without a standard within earshot, this is a triumph, for Jarrett has successfully brought the organically evolving patterns of his solo concerts into the group format.
Each of the first three selections is built upon a constant revolving ostinato, and each evolves from one stage to the next like a Jarrett solo piano improvisation. "Dancing" has a swaying Latin beat in the percussion and bass; "Endless" is full of lyrical invention at a slower tempo; "Lifeline" is catchy and hypnotic; and the fourth number, "Ecstasy," grows out of "Lifeline," closing the album perhaps inevitably with a drawn-out, peaceful piano tremolo.
- Numar discuri: 1
- Gen muzica: Jazz
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