Muzica CD

CD ECM Records Sinikka Langeland: Starflowers

2011

Sinikka Langeland - kantele, voce
Arve Henriksen - trompeta
Trygve Seim saxofon sopran si tenor
Anders Jormin - contrabas
Markku Ounaskari - tobe

“Starflowers” is a fascinating ECM debut for Norwegian vocalist and kantele player Sinikka Langeland. A folk singer from the forest lands near the Swedish border, Langeland explores in her work the relationship between man and nature.

Numar discuri: 1
Gen muzica: World

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CD ECM Records Nils Petter Molvaer: Khmer

1997

Nils Petter Molvaer - trompeta, chitara electrica, chitara bas, percutie, sampling
Eivind Aarset - chitara electrica, efecte, ambient treatments
Ulf W. O. Holand - sampling
Morten Molster - chitara electrica
Roger Ludvigsen - chitara acustica, percutie, dulcimer
Rune Arnesen - tobe
Reidar Skar - sampling, claviaturi

Numar discuri: 1
Gen muzica: Jazz

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CD ECM Records Keith Jarrett: Sunbear Concerts

November 1976. Interpreti: Keith Jarrett

Numar discuri: 6
Gen muzica: Jazz

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Nota

( 5 ) bazata pe un review

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CD ECM Records Enrico Rava: On The Dance Floor

2011

Enrico Rava - trompeta

+ PM Jazz Lab, Andrea Tofanelli, Claudio Corvini, Mauro Ottolini, Daniele Tittarelli, Dan Kinzelman, Franz Bazzani, Giovanni Guidi, Dario Deidda, Marcello Giannini, Zeno de Rossi, Ernesto Lopez Maturell

Numar discuri: 1
Gen muzica: Jazz

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CD ECM Records Miroslav Vitous: Emergence

1986

Miroslav Vitous - contrabas solo

Although Miroslav Ladislav Vitouš has had varying levels of success in the post-Weather Report years as bandleader, we can hardly help but marvel at this gem of a solo recording [ ecmreviews ]

Numar discuri: 1
Gen muzica: Jazz

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CD ECM Records Mathias Eick: Skala

2010

Mathias Eick - trompeta
Andreas Ulvo - pian
Audun Erlien - bas
Torstein Lofthus - tobe
Gard Nilssen - tobe
Morten Qvenild - claviaturi
Tore Brunborg - saxofon tenor
Sidsel Walstad - harpa

A larger lineup and more detailed arrangements while never losing the lyrical path of the soloist the work is consistently revolving around. Textured layers of lyrical inventiveness. Engaging. While the admitted influences of this release range from calssical to pop, it is the brilliant use of these “pop sensibilities” that make “Skala” a sonic delight. [ Brent Logan Black, Digital Jazz News ]

Numar discuri: 1
Greutate Vinil: 180g
Gen muzica: Jazz

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CD ECM Records Carla Bley: The Lost Chords find Paolo Fresu

2007

Carla Bley - pian
Paolo Fresu - trompeta
Andy Sheppard - saxofon sopran si tenor
Steve Swallow - bas
Billy Drummond - tobe

This is a record alive with patient intelligence. Carla Bley’s newish quartet, the Lost Chords, is a reduction of her more commonly known Big Band, and here it’s in no hurry; it just saunters gloriously through her original music. … [ Ben Ratliff, The New York Times ]

Numar discuri: 1
Gen muzica: Jazz

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CD ECM Records Arvo Part: Passio

Martie 1988

The Hilliard Ensemble, Lynne Dawson, Michael George, Elizabeth Layton, Melinda Maxwell, Elisabeth Wilson, Catherine Duckett, Christopher Bowers-Broadbent, Western Wind Chamber Choir / dirijor - Paul Hillier

Arvo Part: Passio Domini Nostri Jesu Christi Secundum Joannem ( 1982 )

Part's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method. The overall sound is significantly bigger than the small ensemble performing it; this is an innovative work, despite the classic subject matter. The text is taken verbatim from the Vulgate. [ AllMusic ]

Numar discuri: 1
Gen muzica: Contemporana

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CD ECM Records Terje Rypdal: Q.E.D.

1993

Terje Rypdal - chitara electrica
Borealis Ensemble , dirijor Christian Eggen

Terje Rypdal :
- Q.E.D. ( Quot Erat Demonstrandum) Op. 52
- Largo Op. 55

Largo seems to me a better work than Q. E. D. because it explores a single, interesting idea, and sustains a 16-minute structure without monotony or strain. It is slow moving and uniform in texture, but the gradual harmonic shifts preserve an effective and engaging level of tension. Nor is there anything simplistic about the unsparing ending. Q. E. D., with four short movements followed by an 18-minute finale, is less well-proportioned, much more diverse, and also less coherent, as if the balance between what is to be played from score and what is to be improvised remained to be worked out on the basis of the experiments which this performance represents. Even in Q. E. D., however, Rypdal is never banal, and never solemn. The recordings are over-bright, the instruments too closely-miked, but the disc celebrates a distinctive talent.' [ Gramophone ]

Numar discuri: 1
Gen muzica: Contemporana

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CD ECM Records Ketil Bjornstad, David Darling: The River

1997

Ketil Bjornstad -pian
David Darling - violoncel

"Bjørnstad’s love of aquatic themes stretches an ideal surface tension across which Darling may unfurl his sails. The delicate ostinato of one becomes the leviathan drone of the other, drawing threads through opaque expanse (just as Swiss-born artist Mayo Bucher has placed a white edge through this and select other ECM cover paintings). [ ecmreviews ]

Numar discuri: 1
Gen muzica: Contemporana

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CD ECM Records Tomasz Stanko Septet: Litania - Music Of Krzystof Komeda

1997

Tomasz Stanko - trompeta
Bernt Rosengren - saxofon tenor
Joakim Milder - saxofon tenor si sopran
Bobo Stenson - pian
Palle Danielsson - contrabas
Jon Christensen - tobe
Terje Rypdal - guitar

Krzysztof Komeda (1931-1969) wrote music for more than 40 films, including classics of the Polish cinema by Roman Polanski and Andrzej Wajda, and Polanski brought him to Hollywood to work on Rosemary's Baby. His soundtrack music, however, was only part of his achievement. Komeda almost singelehandedly instigated the modern jazz movement in Poland and made important contributions toward the shaping of a European aesthetic in jazz composition. Tomasz Stanko was Komeda's closest musical associate. At ECM's urging, Stanko returned to the archive to reinvestigate Komeda's work, rearranging both his intensely melodic film themes and his extended compositions for an all-star Scandinavian band.

Numar discuri: 1
Gen muzica: Jazz

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