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Muzica CD
CD ECM Records Jan Garbarek: Twelve Moons
1992
Jan Garbarek saxofoane, claviaturi
Rainer Bruninghaus claviaturi
Eberhard Weber bas
Manu Katche tobe
Marilyn Mazur percutie
A flawless classic, Twelve Moons offers a rich bouquet for the ears with melodies and rhythms that go straight to the heart of anyone who loves to listen.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD Okeh Dhafer Youssef: Birds Requiem
2013
Dhafer Youssef - oud, voce
Kristjan Randalu - pian
Phil Donkin - contrabas
Chander Sardjoe - tobe
Husnu Senlendirici - clarinet
Eivind Aarset - chitara electrica, electronice
Nils Petter Molvaer - trompeta
"Tunisian oud maestro Dhafer Youssef imparts a holistic world music vista, encompassing jazz, rock and spiritual inclinations while retaining the core Arabic modalities on the aurally picturesque Birds Requiem. And his chant-like, resonating vocals entwine mystical attributes with near-flawless control amid passages that induce an impression of sacred exchanges with a higher entity. [ AllAboutJazz ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
/Bucata
CD ACT Esbjorn Svensson Trio: Plays Monk
1996
Esbjorn Svensson - pian
Dan Berglund - bas
Magnus Ostrom - tobe
Ten of the worlds most beloved songs by Thelonious Monk, arguably one of the truly great international piano geniuses have been lovingly laid out here by Esbjörn Svensson, one of the truly great piano talents on the Scandinavian jazz scene, and making their mark around the world as well.
In EST, who previously has released some critically acclaimed albums, we have Magnus Öström on drums, Dan Berglund on double-bass and, of course, Esbjörn Svensson himself, who was an infant, when he practically leaned to walk to the sound of "In Walked Bud". "My father was and is a great jazz lover. So I was very young when I first came in touch with Monk´s music. He’s the kind of composer that can not be avoided", says Esbjörn Svensson.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Youn Sun Nah: Same Girl
2010
Youn Sun Nah - voce, kalimba, music box, kazoo
Ulf Wakenius - chitari
Lars Danielsson - contrabas, violoncel
Xavier Desandre-Navarre - percutie
If one were to listen only to "My Favorite Things," the Richard Rodgers-Oscar Hammerstein Great American Songbook standard that opens Same Girl, one might deduce that Korea's Youn Sun Nah is just another cabaret singer with a pretty voice. The kalimba with which she is accompanying herself as she sings -- the sole instrument heard -- lends a sense of purity to the tune, and although the vocalist avoids the usual routes taken with the song, there's no real reason to get excited. Yet. Then things get interesting, fast. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ECM Records Bill Frisell Band: Lookout For Hope
Martie 1987
Bill Frisell - chitara electrica si acustica, banjo
Hank Roberts - violoncel, voce
Kermit Driscoll - bas
Joey Baron - tobe
"On this, another seminal effort on ECM’s Touchstones, Frisell continued to chart his inimitable sound. The wordless vocals of Hank Roberts in the album’s title opener waver like something from the dream diary of Pat Metheny, with whom Frisell shares much insofar as it is almost impossible to listen to either guitarist without seeing epic films of vivid imagery.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
50
CD ACT Esbjorn Svensson Trio: Tuesday Wonderland
2006
Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice
Though there are traditional elements at work, Tuesday Wonderland thrives on being unconventional. On the opening track "Fading Maid Pendulum," just as it's hypnotizing with a gentle, classically tinged piano melody, Dan Berglund jumps in with a brooding, distorted heavy metal bass craziness and drummer Magnus Ostrom goes cymbal crazy. It's electro-ambient jazz gone mad. The title track features Svensson's David Benoit-like, melodic dark-meets-light piano dichotomy over Ostrom's sharp, off-meter drums before some spacy electronica takes over for a spell. "Brewery of Beggars" is another inspired dose of insanity, darting from busy cymbal-piano swirls to softer, contemplative piano-bass moments. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Magnus Ostrom: Searching For Jupiter
2013
Magnus Ostrom - tobe, percutie, voce, claviaturi
Andreas Hourdakis - chitara electrica si acustica, banjo
Daniel Karlsson - piano, claviaturi
Thobias Gabrielson - bas electric, bass synthesizer, claviaturi
Given Swedish pianist Esbjörn Svensson's accidental death in 2008, it's easy to get fixated on the apparent lifting of his drummer (and childhood friend) Magnus Öström's spirits with his second post-EST album as leader. But there's no doubt that the music here is lighter, idiomatically broader and more spontaneous than it was on his Thread of Life in 2011. Searching for Jupiter's textures are intensified by Öström's teenage art-rock interests; some hear Pink Floyd in the layering textures of The Moon (And the Air It Moves). [ The Guardian ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Youn Sun Nah: Voyage
Youn Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ECM Records Keith Jarrett: Solo Concerts Bremen / Lausanne
Martie / Iulie 1973
Keith Jarrett - pian
"In his timeless solo concerts, Jarrett displays the uncanny ability to drop himself into a piece of improvised music as if it has been playing invisibly in the ether all along, requiring him only to pick up from whichever measure he encounters and leave the music to continue on after he has left the stage. This album predates Jarrett’s Köln concert by just two years and was the one that really put him on the map before that legendary successor. Yet we cannot simply say that Jarrett is channeling the cosmos and leave it at that, for he inhabits a melodic space that is tangible, his own. Though filed under jazz, this music is something far more than any generic summary could express. Still, I persist in trying. [ ecmreviews.com ]
- Numar discuri: 2
- Gen muzica: Jazz
Nota
( 5 )
bazata pe un review
Pret:
93
CD ECM Records Hilliard Ensemble: Transeamus
2012
The Hilliard Ensemble :
David James - contratenor
Rogers Covey-Crump - tenor
Steven Harrold - tenor
Gordon Jones - bariton
The English four-man Hilliard Ensemble weaves a gorgeous polyphonic patchwork of warm colors from countertenor, tenor and baritone voices on English carols and motets dating from the 15th century. Enchanting rather than narcotizing, the ancient choral music replenishes itself through the quartet’s interpretative finesse. [ Frank-John Hadley, DownBeat ]
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
65
CD ACT Esbjorn Svensson Trio: Leucocyte
2008
Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice
It's too easy to fall into the trap of calling the last recording by a recently deceased artist "his best ever" or "a fitting end to his recorded legacy," but in the case of the final release by Swedish jazz superstars e.s.t. before their titular leader, pianist Esbjörn Svensson, died in a tragic diving accident in June, 2008, it's the only way to describe it. Leucocyte is an album that's like nothing the trio has released before, yet it possesses the unmistakable personality that caused the group to rise from obscurity in the mid-1990s to rock star-like fame (at least, in relative jazz terms) in recent years with albums including Tuesday Wonderland (ACT, 2006) and the particularly noteworthy Live in Hamburg (ACT, 2007).
Culled from two days of free improvisations recorded in an Australian studio in the middle of a tour, it's proof that, despite the production veneer that gave earlier albums like Viaticum (ACT, 2005) a pop-like sensibility, e.s.t. was, at its heart, an improvising band. Many of its compositions—sometimes complex writing that remained completely accessible, but other times profoundly lyrical music of spare simplicity—stemmed from ad hoc days spent experimenting in recording studios. But while the group would normally take the results and shape them into more defined form, Leucocyte is presented as it was recorded—with, of course, the additional post-production that always broadened the group's aural landscape into something that drew on elements as far-reaching as Keith Jarrett, Radiohead and Motorhead.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Esbjorn Svensson Trio: Viaticum
2005
Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
“Can’t stand jazz? e.s.t. could be the band to change your mind“ (The Guardian, Jan. 2005)
“…a mastery and empathetic synergy which goes beyond intelligent, sensitive musical response. [...] An infinite river of creativity” (Mojo, Feb. 2005)
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Esbjorn Svensson Trio: From Gagarin's Point Of View
1999
Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
"The album is forcefully controlled, quite ethereal, and classical in both style and grace. The trajectory of the music is understated, with improvising being hardly essential, merely hinted at, as it seems that E.S.T. work as three entities ... those being the band, the individuals, and the music, where they sound as if they’re talking in chord sequences, in a rhythmic cycle that ebbs and flows, before bending back onto themselves, and stepping into a new space to begin the whole process again. What one needs to grasp is the notion of strategies, rather than improvisation, hence the change that allows for E.S.T. to create atmospheric textures that are as much jazz as they are ambient washes of emotion.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Youn Sun Nah: She Moves On
Youn Sun Nah - voce, kalimba
Jamie Saft - pian, claviaturi
Brad Jones - contrabas
Dan Rieser - tobe
Marc Ribot - chitara electrica si acustica
In “She Moves On” this chameleonic and delightful artist has reinvented herself once again.In South Korea Youn Sun Nah is a national celebrity. She first made her name in a musical, with a role in the Korean version of the successful German show “Line 1” – and that led to the blossoming of her solo career.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ACT Vincent Peirani: Living Being II - Night Walker
2017
Vincent Peirani - acordeon, voce
Emile Parisien - saxofon sopran
Tony Paeleman - claviaturi
Julien Hern- bas si chitara electrica
Yoann Serra - tobe
Valentin Liechti - electronice
On “Night Walker” the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.The accordionist and composer is celebrated throughout Europe, something that was already the case before he made his debut as leader with the 2013 album “Thrill Box” - Peirani was winning prizes in France as a teenager. Later he earned the title “Artist of the Year” from “Jazz Magazine”, and has received a German ECHO Jazz award four times
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ECM Records Keith Jarrett : A Multitude Of Angels
2016
Keith Jarrett - pian
If ‘A Multitude of Angels’ represents the last, 20 years later, of Jarrett's epic improvisational forays to be released, it's as strong a swan song of that period in his life as any. More, truthfully, because in its revelatory nature, surprising energy and persistent invention, this collection of four outstanding concerts that few could manage in good health, let alone Jarrett's declining physical condition—where the pianist writes that he ‘was busy playing as though it was the last time’—stands amongst the very best of the pianist's long-form solo piano releases. It's a set whose importance cannot be underestimated and should not be undervalued. [ John Kelman, All About Jazz ]
- Numar discuri: 4
- Gen muzica: Jazz
Pret:
199
CD ECM Records Anouar Brahem: Astrakan Cafe
2000
Anouar Brahem - oud
Barbaros Erkose - clarinet
Lassad Hosni - percutie
The ECM label is usually linked with a pre-world music generation of musicians who absorbed international influences into a basically Western style. Here, though, is one of its select few stars from further afield, the oud player Anouar Brahem, in a haunting album of quiet, concentrated and poetic duos and trios with the Turkish clarinettist Barbaros Erköse and percussionist Lassad Hosni. The café of the title is symbolic of both transience and rootedness. Pace, rhythm and colour emerge from these simple resources, lightly poised and often catchy, though there are some heady improvisations and an arresting start as Erköse phrases his unaccompanied line with the sensitivity of a hushed voice.
BBC Music Magazine
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ECM Records Anouar Brahem: Le Pas Du Chat Noir
2002
Anouar Brahem - oud
Francois Couturier - pian
Jean-Louis Matinier - acordeon
The album is like a sad rhapsody, full of shadowy mirages and blue echoes, the prevailing melancholy not dour and heavy but rather light and cloudy. Names like Satie, Debussy, Mounir Bachir, even Eno in acoustic mode keep flashing across your mental screen as you listen. This is academy music with no clothes on, naked and awkward, honest and beautiful. Shut your eyes and you could be in the port of Dar el Baida, a seagull swooping over a grey-blue sea and huge cranes and rusty hulled freighters in the background, the light and forgetful breeze brushing your cheek. Le pas du chat noir features uncontrived performances of cat-like agility – soft, bright-eyed and magical. It is a brilliant piece of work. [ Andy Morgan, Songlines ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
65
CD ECM Records Anouar Brahem: Souvenance
2015
Souvenance - Music for oud, quartet and string orchestra
Anouar Brahem - oud
Francois Couturier - pian
Klaus Gesing - bas clarinet, saxofon soprano
Bjorn Meyer - bas electric
The music of Souvenance, by turns graceful, hypnotic, and taut and starkly dramatic, was recorded in 2014 – six years after oud-master Anouar Brahem’s last ECM album, The Astounding Eyes of Rita. “It took a long time to write this music,” he acknowledges, noting that his emotional world had been usurped by the unfolding story of political upheaval sweeping first through Tunisia then through the neighbouring countries.
Meaning ‘remembrance’, ‘Souvenance’, is the Tunisian oud master’s new album after a five year gap following quartet recording ‘The Astounding Eyes of Rita’ also on ECM that also featured Gesing and Meyer. In reuniting his former colleagues, Brahem has written a commanding and all embracing set that seamlessly captures and portrays emotions ranging from despair to joy, and pessimism to optimism that shows a real depth of vision. […] This is a wonderful album and Brahem should be congratulated for bringing together such passion and emotion in a set that for all its serenity speaks volumes. [ Nick Lea, Jazz Views ]
- Numar discuri: 2
- Gen muzica: Jazz
Pret:
93
CD ECM Records Jan Garbarek: Dansere (3 CD-Box)
Boxsetul este o reeditare a albumelor "Sart" ( 1971), "Witchi-Tai-To" (1973) si "Dansere" (1975)
Jan Garbarek - saxofoane, flaut
Bobo Stenson - pian, pian electric
Terje Rypdal - chitara electrica
Arild Andersen - bas
Palle Danielsson - contrabas
Jon Christensen - tobe, percutie
A welcome return to the ECM catalog for three of the most striking of the early recordings which Jan Garbarek made for the label in the 1970s. In different but related ways Sart (1971), Witchi-Tai-To (1973) and Dansere (1975) brought freshly intelligent and invigorating perspective to bear on questions of dynamics, group sound, interaction and swing, the relation of improvisation and abstraction to the roots of jazz, and the relevance of archetypal yet freshly inflected folk forms to contemporary music. Two ensembles are heard here – Garbarek/Stenson/Rypdal/Andersen/Christensen on the exploratory Sart, and the spirited Jan Garbarek-Bobo Stenson Quartet, one of the most exciting groups of the era.
- Numar discuri: 3
- Gen muzica: Jazz
Pret:
99
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