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Muzica CD
CD ECM Records Galina Ustvolskaya
2013
Patricia Kopatchinskaja - vioara
Markus Hinterhauser - pian
Reto Bieri - clarinet
Ustvolskaya was trying to encourage listeners to hear her music on its own supremely self-assured terms. It’s a tough standard to meet, on a recording — though it’s one that any new album of Ustvolskaya works should attempt to create anyway. This one pulls off that task both in its moments of fireworks and in the sections of eerie quiet. For that, we can thank ECM’s all-star cast. Early in the 2014 season, rising violin star Patricia Kopatchinskaja performed two of the pieces on this album at a rapturously received late-night concert at Berlin’s Philharmonie. [ Seth Colter Walls, Wondering Sound ]
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Danish String Quartet - Ades / Norgard / Abrahamsen
2016
Danish String Quartet
Rune Tonsgaard Sorensen - vioara
Frederik Oland - vioara
Asbjorn Norgaard - viola
Fredrik Schoyen Sjolin - violoncel
The Danish String Quartet, one of the most widely-acclaimed chamber groups of the present moment, makes its ECM debut playing a programme of British and Danish music: Thomas Adès’s Arcadiana (composed 1994), Per Nørgård’s Quartetto Breve (1952), and Hans Abrahamsen’s 10 Preludes (1973).
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Kim Kashkashian, Sarah Rothenberg, Steven Schick - Feldman / Satie / Cage: Rothko Chapel
2015
Kim Kashkashian - viola
Sarah Rothenberg - pian, Celeste
Steven Schick - percutie
Sonja Bruzauskas - mezzo-soprana
Lauren Snouffer - soprana
Houston Chamber Choir , dirijor Robert Simpson
Rothko Chapel addresses a network of musical relationships and inspirations. The album opens with Morton Feldman’s Rothko Chapel, named for the Houston, Texas multi-faith chapel built to house Mark Rothko’s site-specific paintings. Feldman considered that his music lay “between categories, between time and space, between painting and music”, and described the score as his “canvas”. Amongst his most important influences were abstract painters, his friend Rothko prominent amongst them. (Rothko, for his part, yearned to “raise painting to the level of music and poetry”.)
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Ivan Monighetti, Tatiana Melentieva - Alexander Knaifel: Blazhenstva
2006
Ivan Monighetti - violoncel, pian, dirijor
Tatiana Melentieva - soprana
Piotr Migunov - bas
State Hermitage Orchestra
Lege Artis Choir
Alexander Knaifel
- Lamento For Violoncello Solo (1967)
- Blazhenstva For Soloists, Orchestra And Choir (1996)
Following on from the critically-acclaimed “Amicta Sole” album, Russian composer Alexander Knaifel presents two strikingly different compositions, inspirationally linked through the figure of Mstislav Rostropovich. Knaifel’s background as a cellist is put to good service in the 18 minute Lamento for solo cello (written 1967, revised 1987).
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Vox Clamantis/Jaan-Eik Tulve: Filia Sion
2010
Vox Clamantis, dirijor Jaan-Eik Tulve
Estonian ensemble Vox Clamantis brings together singers and instrumentalists who share an interest in Gregorian chant as the basis of all European art music. Their interpretation of medieval music is never purely ‘historical’: while always remaining true to the spirit of this repertoire, the approach to the work and the selection of pieces is contemporary.
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Thomas Demenga - Bach: Suiten Fur Violoncello
2017
Thomas Demenga - violoncel
J.S. Bach :
- Suite I G-Dur BWV 1007
- Suite II D-Moll BWV 1008
- Suite III C-Dur BWV 1009
- Suite IV Es-Dur BWV1010
- Suite V C-Moll BWV 1011
- Suite VI D-Dur BWV 1012
Swiss cellist Thomas Demenga returns to Bach’s suites. “To me, Bach is the greatest musical genius who has ever lived. His music is pure, sublime. It possesses something divine and each musician has a lifetime in which to discover new ways of interpreting it.”
- Numar discuri: 2
- Gen muzica: Clasica
Pret:
105
CD ECM Records Keith Jarrett - Bach: Goldberg Variations
1989
Keith Jarrett - clavecin
Johann Sebastian Bach : Goldberg Variations BWV 988
in one of his earlier recorded voyages into the classical world, Keith Jarrett is up against an imposing legacy as he tackles what has become the most famous set of variations in Western music. First, he chooses to play them on a double-manual harpsichord -- which makes the task somewhat easier, avoiding the finger-tangling cross hand difficulties that can trip up a piano performance. Second, he doesn't seem to treat the Goldbergs as a single cycle, inserting pauses between each variation to create 30 little pieces, bookended by the two renditions of the aria (which is perfectly acceptable). He's not in any hurry, not tempted to showboat or flaunt his considerable technique -- and in no way does this jazz pianist try to make the variations swing a la Jacques Loussier. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Clasica
Pret:
70
CD ECM Records Tigran Mansurian: Requiem
2017
Anja Petersen - soprana
Andrew Redmond - bariton
RIAS Kammerchor + Münchener Kammerorchester, dirijor Alexander Liebreich
Tigran Mansurian has created a Requiem dedicated to the memory of the victims of the Armenian Genocide that occurred in Turkey from 1915 to 1917. Co-commissioned by the Munich Chamber Orchestra and the RIAS Choir Berlin, Mansurian’s Requiem reconciles the sound and sensibility of his country’s traditions with those of Western practices, the combination of ancient Armenian religious and secular music with the Latin Requiem text “giving rise to something unexpected,” the composer says. This is profoundly moving contemporary composition, illuminated by the “glow of Armenian modality,” as Paul Griffiths puts it in his booklet essay. The work is a milestone for Mansurian, widely acknowledged as Armenia’s greatest composer. The Los Angeles Times has described his music as that “in which deep cultural pain is quieted through an eerily calm, heart-wrenching beauty.”
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Shai Maestro: The Dream Thief
2018
Shai Maestro - pian
Jorge Roeder - contrabas
Ofri Nehemya - tobe
The first ECM leader date for Shai Maestro (following his label debut with Theo Bleckmann on Elegy) features the gifted pianist fronting his superlative trio with fellow Israeli Ofri Nehemya on drums and Peruvian bassist Jorge Roeder, and also playing alone. A solo interpretation of Matti Caspi’s “My Second Childhood” opens the curtain on a programme of characteristically thoughtful Maestro originals, each one with a story to tell. “Hearing the Shai Maestro Trio is like awakening to a new world”, All About Jazz has suggested.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Hilliard Ensemble - Gesualdo: Quinto Libero Di Madrigali
2012
The Hilliard Ensemble
Monika Mauch Soprano
David James Countertenor
David Gould Countertenor
Rogers Covey-Crump Tenor
Steven Harrold Tenor
Gordon Jones Baritone
An aristocrat who forged an idiosyncratic style of musical expression, Don Carlo Gesualdo, Prince of Venosa, was one of those composers in music history who can truly be described as being ahead of his time: the creator of a harmonic language bold almost to the point of anarchy, whose every unpredictable interval was viewed with suspicion by the opponents of musical autonomy and guardians of liturgically based sacred music. ... The Hilliard Ensemble’s expressive singing, here also featuring soprano Monika Mauch and countertenor David Gould, conjures up that sound described by the great music historian Hans Redlich as growing out of “the antithesis between extravagant/debauched eroticism and self-castigating longing for death”.
- Numar discuri: 1
- Gen muzica: Clasica
Pret:
70
CD ECM Records Andras Schiff - Beethoven: Diabelli-Variationen
2012
Andras Schiff - pian
Ludwig van Beethoven:
Diabelli-Variationen Op. 120
Sonate Nr. 32 In C-Moll Op. 111
Sechs Bagatellen Op. 126
The predictably penetrating, intense playing of the mighty Diabellis on this disc is to be expected from Andras Schiff, but there's a twist: he does them twice, first on a 1921 Bechstein and then on a Hammerflügel fortepiano from Beethoven's era. The result is a primer on pianism, rounded out by Beethoven's final piano sonata and the Opus 126 Bagatelles. [ Zachary Woolfe, The New York Times ]
- Numar discuri: 2
- Gen muzica: Clasica
Pret:
105
CD ECM Records Arvo Part: Tabula Rasa
1977 - 1984
Gidon Kremer, Keith Jarrett, Staatsorchester Stuttgart ( dirijor Dennis Russell Davies ) , The 12 Cellists of the Berlin Philharmonic Orchestra, Tatjana Grindenko, Alfred Schnittke, Lithuanian Chamber Orchestra ( dirijor Saulius Sondeckis )
Arvo Part:
Fratres ( For Violin And Piano )
Cantus In Memory Of Benjamin Britten
Fratres ( For 12 Celli )
Tabula Rasa
More than often modern music is thought that it has to sound like a toolbox descending a staircase. Pärt is the total opposite; his music burns with intense and quiet passion. It almost forces the listener into introspection and contemplation. This work is one of the marvels of the modern age and is still as captivating as when it was first released. Just like the works of the old masters that echo for centuries, this masterpiece by Arvo Pärt will echo and arouse the deepest of emotions eons after it was first released."
- Numar discuri: 1
- Gen muzica: Contemporana
Nota
( 5 )
bazata pe un review
Pret:
70
CD ECM Records Arvo Part: Alina
1995
Vladimir Spivakov - vioara
Sergev Bezrodny - pian
Alexander Malter - pian
Dietmar Schwalke - violoncel
The problem here, if you can call it a problem, is a marked lack of musical 'activity'. Arvo Part eschews the bustle and restlessness of 'reality' in favour of space and relative quietness, and his music reflects that preference. Fur Alina is not minimalism in the sense of 'hypnotic repetition', but 50 minutes or so spent attending to a few simple but beautiful ideas. And who could argue with that? If complexity and busyness can be seen as valid musical options, then why not extreme simplicity?
What we have here is deceptively uncomplicated. Spiegel im Spiegel 'plays' with phrases that grow successively longer and hangs suspended in a major key. The shifts in emphasis and symmetry are subtle, but cumulatively telling. There are three versions of the piece, two for violin and piano and one for cello and piano, and all of them work well. [Gramophone ]
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Arvo Part: The Symphonies
2018
NFM Wroclaw Philharmonic, dirijor Tonu Kaljuste
All four of Arvo Pärt’s symphonies, newly recorded with the NFM Wrocław Philharmonic under the direction his musical accomplice, Tõnu Kaljuste. Each of the symphonies, as the great Estonian composer has noted, is a world unto itself. Heard in chronological order they also tell us much about Pärt’s musical and spiritual journey, and the very different ways in which he has exercised his craft.
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Arvo Part: Arbos
1987
Gidon Kremer - vioara
Vladimir Mendelssohn - viola
Thomas Demenga - violoncel
Brass Ensemble Staatsorchester Stuttgart
The Hilliard Ensemble
Dennis Russell Davies - dirijor
Susan Bickley - alto
Lynne Dawson - soprana
David James - contratenor
Rogers Covey-Crump - tenor
Christopher Bowers-Broadbent - orga
Pärt's 1987 release, Arbos, shows the composer working within his medium, bringing forth a body of music sacred in sound and message and presenting new compositional techniques. Utilizing a limited palette of tones, arranged in repeating patterns, these works are often (understandably) categorized with the works of Glass, Reich, and Riley. The tonal palette is often borrowed from European medieval styles, and this, in conjunction with the liturgical subject matter, make these new compositions feel centuries old. His Pari Intervello, originally scored in 1978 for wind instruments, is here recorded for solo organ. One of his more famous pieces, Stabat Mater, is presented here -- an airy piece that floats just on the threshold of awareness. Scored for vocal trio and string trio, this is a simply beautiful piece -- very expressive and lilting. [ AllMusic ]
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records John Surman / Terje Rypdal: Nordic Quartet
1995
John Surman - saxofoane, clarinet, bas clarinet
Karin Krog - voce
Terje Rypdal - chitara electrica
Vigleik Storaas - pian
Nordic Quartet bonds an unconventional roster of musicians and conceptual approaches. John Surman reaches into his usual toolkit, favoring the lower range, while vocalist Karin Krog sews her Sheila Jordan-like vibrato into Terje Rypdal’s electric swoons and pianist Vigleik Storaas’s intimate embraces. [ ecm reviews ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Kim Kashkashian, Keith Jarrett - Bach: 3 Sonaten Fur Viola De Gamba Und Cembalo
1994
Kim Kashkashian - viola de gamba
Keith Jarrett - clavecin
J.S. Bach :
Sonate G-Dur BWV 1027
Sonate D-Dur BWV 1028
Sonate G-Moll BWV 1029
The viola da gamba is an obsolete instrument now, but in Bach's day there were two large families of stringed instruments: the older gambas and the newer violins. Although quite similar in construction and performance technique, the soft, husky sound of the gambas was gradually replaced by the steely brilliance of the violins. Indeed, only one member of the family--the double bass--remains in modern use. Today most artists play the music on either a viola or a cello, since the music can be adapted easily to either. Kashkashian plays the viola, and as she is one of the greatest performers on that instrument around, and given Jarrett's clean and limber accompaniments, she acquits herself with honor and grace in this lovely music. [ David Hurwitz ]
- Numar discuri: 1
- Gen muzica: Clasica
Pret:
70
CD ECM Records Kim Kashkashian, Robert Levin - Brahms: Sonaten Fur Viola Und Klavier
1997
Kim Kashkashian - viola
Robert Levin - pian
Johannes Brahms :
Sonate Fur Viola Und Klavier Es-Dur, Op. 120/2
Sonate Fur Viola Und Klavier F-Moll, Op. 120/1
'Brahms' third-to-last works, these sonatas are astonishing pieces looking back to the classical-romantic vocabulary he exploited and refined so fully while prophesying the structural and sonic freedom of 20th century modernism. These extraordinarily effortless and seamless works teem with emotion that is voluptuously abundant yet subsumed to the demands of a melodic structure that itself partakes of a sublime futurity. Listen, then listen again to grasp that one movement is a waltz, another a theme and variations, a third based on a country dance. Kashkashian and Levin perform with ravishing and egoless attention; they and their instruments seem to become the music.' [ Fredric Koepel, The Commercial Appeal ]
- Numar discuri: 1
- Gen muzica: Clasica
Pret:
70
CD ECM Records Steve Reich: The ECM Records (3 CD-Box)
1978-1982
Steve Reich Ensemble
Reeditare a albumelor Music For 18 Musicians, Music For A Large Ensemble si Tehillim, cu ocazia aniversarii a 80 de ani a compozitorului minimalist Steve Reich
Steve Reich has been described by The Guardian as one of “a handful of living composers who can legitimately claim to have altered the direction of musical history" and as “the greatest musical thinker of our time” by The New Yorker.
- Numar discuri: 3
- Gen muzica: Contemporana
Pret:
139
CD ECM Records Gidon Kremer, Kremerata Baltica - Mieczyslaw Weinberg
2014
Gidon Kremer - vioara, dirijor
Daniil Grishin - viola
Giedre Dirvanauskaite - violoncel
Daniil Trifonov - pian
Kremerata Baltica
Mieczysław Weinberg:
- Sonate Nr. 3 Op. 126
- Trio Op. 48
- Sonatine Op. 46
- Concertino Op. 42
- Symphonie No. 10 Op. 98
The affinities between the music of Mieczyslaw Weinberg and his good friend Dmitri Shoastakovich are as obvious as the Beethoven/Brahms connection, which caused the latter to say ‘Any fool can see that’. Those affinites permeate the early works here, Weinberg’s sole String Trio, the sonatina for violin and piano, and the concertino for violin and strings, all written shortly after the second World War. The later pieces – the Symphony No 10 of 1968 and the Sonata No 3 for solo violin of 1979 – are of a different cut, more adventurous and often sonically harsher. The gripping solo sonata is a real discovery, and Gidon Kremer regards it as worth a 20-century place alongside Bartók’s towering solo sonata. He certainly handles the work with that level of conviction. [ Michael Dervan, Irish Times ]
- Numar discuri: 2
- Gen muzica: Contemporana
Pret:
105
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