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Muzica CD
CD ECM Records Dino Saluzzi: Andina
1988
Dino Saluzzi - bandoneon
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Dino Saluzzi’s solo bandoneon breathes songs of Andean mountain villages, family histories, the changing seasons and more, and draws you into the player’s world of memory, where chorales and tangos and waltzes resound. Saluzzi epitomises the musician-as-storyteller and his compositions on this 1988 recording paint pictures in the mind. Jean-Luc Godard responded to the implied images of Andina and used its music in both Nouvelle Vague and Histoire(s) du Cinéma.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Dave Holland Quintet: Seeds Of Time
1985
Dave Holland - contrabas
Kenny Wheeler - trompeta, cornet, flugelhorn
Steve Coleman - flaut, saxofon alto si sopran
Julian Priester - trombone
Marvin “Smitty” Smith - tobe, percutie
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
As well as being a mighty bassist, Dave Holland has long been a wise band leader, filling his groups with players of differing background and experience and drawing on their collected knowledge and energies. Holland recognised the individuality of Steve Coleman’s skills as soloist and composer early on and featured him in the quintet alongside veterans Kenny Wheeler and Julian Priester, who also brought in material ‒ as did the leader, whose tune “Homecoming” is among the highlights. Between them, this team could reference the whole history of modern jazz.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records John Abercrombie: Night
1984
John Abercrombie - chitara
Jan Hammer - claviaturi
Jack DeJohnette - tobe
Mike Brecker - saxofon tenor
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Night reconvenes the guitar/keyboards/drums trio that made Abercrombie’s classic Timeless, and adds Mike Brecker on tenor sax for extra emphasis at strategic moments on an album described by the Penguin Guide to Jazz as “surprisingly funky”. All compositions are by Abercrombie apart from “Ethereggae”, the esoteric half-time shuffle tune by Jan Hammer, which opens the proceedings.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Kenny Wheeler: Double Double You
1983
Kenny Wheeler - trompeta, flugelhorn
Michael Brecker - saxofon tenor
John Taylor - pian
Dave Holland - contrabas
Jack DeJohnette - tobe
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Canadian trumpeter Kenny Wheeler was both a major jazz composer and a soloist given to free flights, thriving on the creative tension between lyricism and fiery interplay. Musicians loved the challenges implied in his writing, as is apparent in every minute of this 1983 session. Wheeler and Michael Brecker make a very fine, mutually-inspiring frontline, and Double, Double You also draws upon several long-established creative relationships. Wheeler and Holland had been close musical associates since the 1960s. Holland and DeJohnette established themselves as one of the great rhythm sections in Miles Davis’s band and on many ECM discs (including Kenny’s Gnu High and Deer Wan). And Wheeler and Taylor were forever in each other’s groups, at the time of this recording also playing in the trio Azimuth.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Stephan Micus: To The Evening Child
1992
Stephan Micus - steel drum, voce, dilruba, suling, kortholt, nay, sinding
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
Stephan Micus shapes his music by taking the instruments of the world out of their cultural, historical or traditional contexts and blending them in new ways. The colours of To The Evening Child are established through instrumental combinations involving dilruba (a string instrument associated with Hindustani classical music), suling (reed flute of the Balinese gamelan orchestra), nay (end-blown flute of the Middle East), sinding (West African harp), kortholt (German renaissance reed instrument) and steel drum (associated with West Indian calypso). “This music sounds in those hushed spaces where the universe inhales, the sound that keeps all celestial bodies spinning” – Tyran Grillo, Between Sound and Space
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Mick Goodrick: In Pas(s)ing
1978
Mick Goodrick: chitara
John Surman: saxofon sopran si bariton, bas clarinet
Eddie Gomez: contrabas
Jack DeJohnette: tobe
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
In Pas(s)ing was Mick Goodrick’s recording debut as leader, after some years with Gary Burton and before that, a spell with Woody Herman. Never very tigerish about self-promotion, Goodrick has spent most of his life teaching in Boston: Jazz Times has called him “perhaps the most influential mentor in the history of jazz guitar.” This 1978 production emphasizes what a creative player he is in his own right, inspired by the great team of players assembled for the session. The playful album title, by the way, alludes to ECM’s first office address, which was, yes, in Pasing.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Dominic Miller: Silent Light
2017
Dominic Miller - chitara, bas electric
Miles Bould - tobe, percutie
Miller's ECM label debut offers a pleasant spin through some colorful tones of the places his travels have taken him. […] Silent Light is a recording as peaceful and evocative as its title suggests: exotic motifs convey moods from several continents, chord structures can be left ambiguous or implied rather than stated, and extra sounds are sprinkled around with a light touch only where they're judged to add something. [Geno Thackara All About Jazz ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Tarkovsky Quartet:
2011
Francois Couturier - pian
Anja Lechner - violoncel
Jean-Louis Matinier - acordeon
Jean-Marc Larche - saxofon sopran
The music on this album, with ist suite like sequence of compositions that flow like a cinematic reverie, comes across as a film-like invitation to a voyage. The spare, gently unfolding and intensely atmospheric melodies and moods deliver an invitation to listen with open ears … and to dream. Couturier has delivered a wondrous offering with compositions that open a path to a secret world. [ Nenad Georgievski, All About Jazz ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Jakob Bro, Thomas Morgan, Joey Baron: Bay Of Rainbows
2018
Jakob Bro - chitara
Thomas Morgan - contrabas
Joey Baron - tobe
“There is no hurry to this music, but there is great depth,” observed London Jazz News about Danish guitarist Jakob Bro’s trio with two kindred-spirit Americans: bassist Thomas Morgan and drummer Joey Baron. This poetically attuned group follows its ECM studio album of 2016, Streams – which The New York Times lauded as “ravishing” – with what Bro calls “a dream come true,” an album recorded live in New York City, over two nights at the Jazz Standard. Bay of Rainbows rolls on waves of contemplative emotion as the three musicians explore five pieces from the guitarist’s catalog, with the gorgeous “Copenhagen” a favorite reprised from Gefion, Bro’s 2015 ECM release.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Dominic Miller: Absinthe
2019
Dominic Miller - chitara
Santiago Arias - bandoneon
Mike Lindup - pian
Nicolas Fiszman - contrabas
Manu Katche - tobe
With Absinthe, his second release for ECM, guitarist Dominic Miller has created an album colored by a distinct atmosphere. “The first thing that came to me before I wrote any tunes was the title,” he says. “Living in the South of France, I am fascinated by Impressionism. Sharp light and witchy mistrals, combined with strong alcohol and intense hangovers must have driven some of these artists toward insanity. Skies that are green, faces blue, perspective distorted.” While Miller’s ECM debut, Silent Light, emphasized intimacy in solo and duo settings, Absinthe finds the guitarist fronting a quintet that brings his ever-lyrical compositions to textured life.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Andras Schiff - Franz Schubert: Sonatas, Impromptus
Andras Schiff - Franz Brodmann Fortepiano
Franz Schubert - Vier Impromptus D 899 (op.90)
Franz Schubert - Sonate c-Moll D 958
Franz Schubert - Drei Klavierstücke D 946
Franz Schubert - Sonate A-Dur D 959
In the latest chapter in András Schiff’s ongoing documentation of Franz Schubert’s music, the great pianist plays the Four Impromptus D 899, and compositions from 1828, the last year of Schubert’s too brief life: The Three Pieces D 946 (“impromptus in all but name” notes Misha Donat in the CD booklet), the C minor Sonata D 958 and the A major Sonata D 959. Schiff again chooses to use his fortepiano made by Franz Brodmann in Vienna, around 1820. “It is to me ideally suited to Schubert’s keyboard works,” he has said. “There is something quintessentially Viennese in its timbre, its tender mellowness, its melancholic cantabilità.” Critics have agreed, unanimous also in their praise of Schiff’s interpretations: “I cannot think of anyone of his calibre who has mastered the fortepiano as well as the modern piano and shown such distinction on both,” wrote Stephen Plaistow in an Editor’s Choice review in Gramophone. “In Schubert Schiff has a claim to be considered sovereign among today’s players, carrying forward the reading and interpretation of him into areas that others have not fully explored.”
- Numar discuri: 2
- Gen muzica: Clasica
CD Naim Kai Eckhardt: Honour Simplicity Respect The Flow
2000
Kai Eckhardt is a German born musician and composer who plays bass, best known for his work with John McLaughlin, Vital Information, Torsten de Winkel, Billy Cobham and Garaj Mahal—a band he co-founded. Educated at the prestigious Berklee College of Music Eckhardt has also collaborated on projects with guitarist Larry Coryell as well as keyboardist Tom Coster. Eckhardt is known for his fast chordal slap-style abilities, and for his unique combination of funk, jazz, and world music.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Get The Blessing: Lope and Antilope
2014
Conceptually Lope & Antilope is different from previous albums as it makes use of sounds collected whilst on the road but crucially, is almost all improvised. With the urge to leave their comfort zone and break some of their recording habits, the album was recorded in an empty pottery in Pembrokeshire. With nothing written, everything on the album came out of four days of improvising. The starting point was often experimentation with sound effects, both acoustic and electric, to which a groove would be added, then a tune, or a solo and so forth. As the band put it, it's "the culmination of 4 days of recording, 3 years of gigging and 12 years of drinking tea and gin."
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Tears Of Joy
2005
Antonio Forcione - chitara :
"Tears of Joy is my ninth album. Recorded over a residency with hailed engineer Martin Levan at Red Kite Studios in the seclusion of deepest Carmarthenshire, I was joined by a host of world class musicians, including the Antonio Forcione Quartet. For me, Tears of Joy truly marks the affirmation of my vision as a composer and arranger.
An mixture of original material, the music on Tears Of Joy has been written, arranged and produced by myself. I have tried to evoke a wide range of emotions from deep contemplation to ecstatic celebration with emotional depth."
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Ghetto Paradise
1998
Following the success of his other albums on Naim Label, Antonio Forcione has teamed up with the world famous rhythm section of Trilok Gurtu on percussion, and Kai Eckhardt on bass to produce an album that will certainly elevate his international standing further still. Trilok and Kai have previously worked with a host of celebrated musicians including Neneh Cherry, Martin Taylor, Pat Metheny, and John McLaughlin.
All tracks on this recording were written and arranged by Antonio, providing a glowing testimonial to his abilities as a composer, and demonstrating that his considerable musical talent continues to develop.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Touch Wood
2003
Antonio Forcione - chitara :
Antonio has been hailed as "the Jimi Hendrix of the acoustic guitar" and his live performances have established him as one of the most charismatic and talented musicians working in the UK today, a sentiment that would be echoed by his many fans the world over.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Acoustic Revenge
1997
Antonio Forcione - chitara
Described by Scotland's The Herald as "Dynamic, atmospheric and fizzing" and by BBC Radio 2 as "Absolutely marvellous", it is the record that Antonio feels defined his personal style. Remixed and remastered to meet our demanding standards, it provides a stimulating exploration of Antonio's unique talents both as a player and a composer.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Antonio Forcione: Dedicato
1996
Antonio Forcione - chitara
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Daudi Matsiko: An Introduction To Failure
2017
The confessional, folky sound of guitarist Daudi Matsiko is much in demand, after his collaborations with electronic acts Booka Shade and Kyodai, an appearance at Red Bull Music Academy, and tours with Keaton Henson, GoGo Penguin and Portico Quartet.
The mellow fingerpicking guitar of Daudi Matsiko really gets to you.
- Numar discuri: 1
- Gen muzica: Jazz
CD Naim Yazz Ahmed: La Saboteuse
2017
‘Jazz Album of the year’ - The Wire
'The Best Albums of 2017 (All Genres - #18)' - Bandcamp
’The Best Jazz Albums of 2017’ - Bandcamp
‘Editors Favourite Albums of 2017’ - Bandcamp (Marcus J Moore)
‘Top 50 albums of 2017 (all genres) #15 ’ - The Vinyl Factory
“Even if you’re not familiar or terribly interested in jazz, Ahmed’s music deserves your attention, and she’ll most likely make you second guess your thoughts on jazz.” - Headphone Nation
Bahraini-British performer, Yazz Ahmed, is transforming what jazz means in 2017. This trumpet and flugelhorn-playing artist has worked with Radiohead and These New Puritans, experiments with electronic effects, and combines sounds from her shared heritage to author a new narrative for the genre. Part of the new wave of artists credited with stirring up the sound, including Kamasi Washington, Yussef Kamaal, Sons of Kemet and The Comet is Coming, Yazz Ahmed is thrilled by the possibilities of making something new. “I feel like I’m a part of modernising jazz and connecting it with audiences today,” Yazz says. “It’s exciting.”
- Numar discuri: 1
- Gen muzica: Jazz
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