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Muzica CD
CD ECM Records Chris Potter: The Dreamer Is The Dream
2017
Chris Potter - saxofoane, clarinet, bas clarinet, flaut, sampling
David Virelles - piano, celesta
Joe Martin - contrabas
Marcus Gilmore - tobe, percutie
AllAboutJazz :
"Multi-reedist and composer Chris Potter has been an in-demand artist since his late teen years when he began playing the New York clubs. With a diverse catalog that runs from Steely Dan to regular collaborations with Dave Holland, Potter has picked up a number of Grammy nominations and wins. His versatile abilities have made him equally at home touring with the lyrical Jim Hall or recording in the angular style of Steve Swallow's Damaged in Transit (WATT/ECM, 2003). The Dreamer Is the Dream is Potter's third leader release on the ECM label.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Stephan Micus: Garden Of Mirrors
1997
Stephan Micus - Voice, Bolombatto, Steel Drums, Sinding, Bowed Sinding, Suling, Percussion, Shakuhachi, Nay, Tin Whistle
This extraordinary multi-instrumentalist is actually one of the few to have grasped in its essence what was the song of the world. With him there exist no territories or cultural atavisms, but a planetary polyphony projected on a horizon of eternity.His instruments exchange once more the out-lines of their countries of origin to become instruments without nationality in the hands of this nomad musician. Exceptional.
Keyboards, France
Micus's music possesses gossamer beauty. Timeless, magical music with a universal appeal.
The Times, UK
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Towards The Wind
2002
Stephan Micus - Bass Duduk, Kalimba, Steel-String Guitar, Shakuhachi, Dondon, Duduk, Sattar, 14-String Guitar, Voice
“Towards The Wind”, the 15th ECM recording by the perennially popular world-traveller and multi-instrumentalist, features his debut performances on the Armenian duduk, that exceptionally expressive forerunner of the oboe and the clarinet. Stephan Micus was inspired by recordings of the great duduk virtuoso Jivan Gasparian and was able to study with Armenia’s greatest folk musician in Yerevan in the autumn of 1999. Gasparian passed along to him some of the instrument’s secrets, the ways in which its wealth of textures and sounds can be annexed.
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Stephan Micus: Implosions
1977
Stephan Micus - Sitars, Acoustic Guitar, Vocal, Bavarian Zithers, Shakuhachi, Sho, Thai Flute, Rabab
Although Micus has most often crafted albums at his home studio and sent them to Eicher for mixing and mastering, earlier ones such as this were recorded at Tonstudio Bauer in Ludwigsburg, Germany, where many of ECM’s formative releases were also realized. The studio dynamics imbue these travels with a rather different intimacy, one which brings its own climate and bounces back sunlight like the moon. Three Bavarian zithers, each with its own signature, form a dense and percussive bed for Micus’s singing in “Borkenkind.” His floating transpositions trail sutras of memory, spinning from them a yarn of forgetting. This becomes the sole purpose of the music: to detach oneself from the snares of fame and recognition until only the sound and the ear are left to dance unhindered. And indeed, when Micus sings again in “For M’schr And Djingis Khan,” accompanied by the uncut diamond of the rabab (Afghani lute), he balances on a tipping point into infinity, his mouth filled with empty pages. [ ecm reviews ]
- Numar discuri: 1
- Gen muzica: World
CD ECM Records Keith Jarrett: The Koln Concert
1975 - Keith Jarrett - pian
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Changeless
1989
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
AllMusic:
"One of only a handful of Keith Jarrett "Standards" Trio records without a standard within earshot, this is a triumph, for Jarrett has successfully brought the organically evolving patterns of his solo concerts into the group format.
Each of the first three selections is built upon a constant revolving ostinato, and each evolves from one stage to the next like a Jarrett solo piano improvisation. "Dancing" has a swaying Latin beat in the percussion and bass; "Endless" is full of lyrical invention at a slower tempo; "Lifeline" is catchy and hypnotic; and the fourth number, "Ecstasy," grows out of "Lifeline," closing the album perhaps inevitably with a drawn-out, peaceful piano tremolo.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Stefano Battaglia Trio: The River Of Anyder
2011
Stefano Battaglia - pian
Salvatore Maiore - contrabas
Roberto Dani - tobe
A direct and accessible statement brimming with musical riches, „The River of Anyder“ rests on an entirely different plane to Battaglia’s earlier, riskier ECM output. In using this most classic of instrumental formats, he has created a brilliant benchmark that should catapult his career onwards and upwards. [ Fred Grand, Jazz Journal ]
„Warm, vigorous and accessible, it´s a music that feels both firmly contemporary and resolutely independent of it.“ [ Ray Comiskey, Properganda ]
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Louis Sclavis Atlas Trio: Sources
2011
Louis Sclavis - clarinet, bas clarinet
Benjamin Moussay - pian, claviaturi, Fender Rhodes
Gilles Coronado - chitara electrica
Louis Sclavis’s band of the season is the Atlas Trio, an ensemble with a global reach of reference. Chamber-improvisation, polyrhythmic grooves, minimalistic pulse patterns, enveloping ambience, rhapsodic piano and funky Fender Rhodes, distorted guitar, clarinet soliloquies, contrapuntal themes, free group playing, a bit of everything. An open-form aesthetic applies in multi-facetted music simultaneously exploratory and involving. Recorded in the South of France last September, the album - Louis’s ninth for ECM – features a programme of new Sclavis compositions, and is issued in time for tour dates including a major showcase at the Europa Jazz Festival in Le Mans.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Trygve Seim: Helsinki Songs
2018
Trygve Seim - saxofoane
Kristjan Randalu - pian
Mats Eilertsen - contrabas
Markku Ounaskari - tobe
With its overt lyricism, strong themes and a sense of perpetual melodic invention, Norwegian saxophonist Trygve Seim’s new album quickly identifies itself as a classic-in-the-making. Themes of dedication run through Seim’s Helsinki Songs album, a set of tunes composed – for the most part – in the Finnish capital, and radiating tributes in many directions.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Bobo Stenson Trio: Indicum
2012
Bobo Stenson - pian
Anders Jormin - contrabas
Jon Falt - tobe
Free playing, Danish composer Carl Nielsen’s “Oft Am I Glad”, tunes by Bill Evans and George Russell, a Norwegian hymn, contemporary composition by Ola Gjeilo, a Wolf Biermann protest song, Ariel Ramirez.’s folkloric “La Peregrinacion”, ... Wide-ranging repertoire has become a hallmark of Bobo Stenson albums. But it’s not just the eclecticism that is striking: Stenson, Jormin and Fält take these far-flung sources and make an organic, breathing music out of them ... Stenson, of course, has long been one of the greats of Scandinavian jazz, and an ECM artist since the first years of the label. But there is a balance of energies in this particular trio – clear-edged lyrical piano playing, rootedness and keen choice of notes from the bass, and detailed, textural drumming – that is especially satisfying. Recorded in Lugano in November and December 2011.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Don Cherry, Collin Walcott, Nana Vasconcelos: The Codona Trilogy (3 CD-Box)
1978-1982
Codona:
Collin Walcott sitar, tabla, hammered dulcimer, sanza, voce
Don Cherry - trompeta, flaute, doussn'gouni, voce
Nana Vasconcelos - berimbau, cuica, percutie, voce
Pure wizardry. The art of the improvisers beyond all borders. Preaching equality for all the idioms, anticipating the gathering wave of “world music”, drawing on traditions from all the continents, Codona was like no other band.
- Numar discuri: 3
- Gen muzica: World
CD ACT Scott DuBois: Autumn Wind
2017
Scott DuBois - chitara
Gebhard Ullmann - saxofon tenor, bas clarinet
Thomas Morgan - bas
Kresten Osgood - tobe
DuBois takes the “seasons” concept to a whole new level with a series of pieces in celebration of the restless, unpredictable nature of autumn. At each step of the way, DuBois’ quartet takes us on a mesmerizingly impressionistic musical journey that is an organic yet highly cohesive mix of elements drawn from the likes of modern jazz, contemporary classical music and Americana.
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Ralph Towner: Batik
1978
Ralph Towner - chitara, pian
Eddie Gomez - contrabas
Jack DeJohnette - tobe
There are certain images that seem fail-proof when musically evoked. The “Waterwheel” that inaugurates us into guitarist Ralph Towner’s astonishingly beautiful Batik is one of them. Having since been painted for us by such varied talents as Hamza El Din (see the Kronos Quartet’s Pieces of Africa) and Marina Belica (former leader of the October Project, of which their self-titled debut is a personal all-time favorite), Towner’s particular configuration embodies the best of all worlds with the precision of his fingers magnified to great effect by Jack DeJohnette on drums and soothingly animated by the bass of Eddie Gomez.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records John Abercrombie / Ralph Towner: Sargasso Sea
1976
John Abercrombie - chitara acustica si electrica
Ralph Towner - chitara clasica, double-six, pian
Given the contrasting but strikingly compatible talents of John Abercrombie and Ralph Towner, this album was bound to happen sooner or later. The aptly titled “Fable” best describes what these two musicians achieve together, for theirs is a tale that sounds as if it were written long ago, coalescing out of life’s improvisations into a memorable narrative. Its pairing of Towner’s 12-string with Abercrombie’s electric represents the duo in its most melodically satisfying comfort zone. We get more of the same in the title track, an uncertain travail with hints of soliloquies caressing our ears from either side, and in the relatively explosive moments of “Elbow Room.” [ ecmreviews ]
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny: New Chautauqua
1978
Pat Metheny - chitara electrica si acustica, chitara harpa cu 15 corzi, bas electric
AllMusic: "When Pat Metheny's New Chautauqua first appeared in 1979, it was his third album for ECM, and was greeted mainly on the strength of its title track, a euphoric, uptempo, multi-layered guitar and bass folk dance. His previous two outings for the label, Bright Size Life and Watercolors, showcased him in the company of other musicians: on the former with Bob Moses and Jaco Pastorius, on the latter with Lyle Mays, Danny Gottlieb, and Eberhard Weber.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny Group: First Circle
1984
Pat Metheny - chitara electrica si acustica, Synclavier
Lyle Mays - instrumente cu claviaturi, sintetizatoare, trompeta
Steve Rodby - bas
Pedro Aznar - chitara, percutie, voce
Paul Wertico - tobe
AllMusic: " In First Circle, the Pat Metheny Group settled into a lineup that lasted for quite a while -- with Metheny, keyboardist Lyle Mays, bassist Steve Rodby, and new drummer Paul Wertico forming the core quartet. The ever-restless Metheny also mixes up the music, not quite leaving the Brazilian glide behind but coming up with some fascinating permutations always affixed with his personal stamp. "Forward March," the album opener, is a bizarre parody full of detuned instruments and half-cocked trumpet from Mays; one wonders if this was directed at a few silly skirmishes of the day (Grenada? the Falklands?).
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny Group: American Garage
1979
Pat Metheny - chitara electrica si acustica
Lyle Mays - claviaturi
Mark Egan - bas
Dan Gottlieb - tobe
AllMusic: " The back liner photo gives the impression of a grungy Midwestern garage band, but no, that doesn't describe this sophisticated jazz-rock quartet, which was simultaneously breaking into mass-market acceptance and away from the contemplative ECM stereotype. The arrangements are more structured, the playing often more intense and searching, with a more pronounced rock influence.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Pat Metheny: Watercolors
Pat Metheny - chitara, double-six, harp-guitar
Lyle Mays - pian
Eberhard Weber - bas
Danny Gottlieb - tobe
“Guitar wonder Metheny has made an astoundingly tasteful and free flowing record here” the Massachusetts Valley Advocate declared. “Metheny’s compositions are perfect vehicles for his guitar, which blends smoothly with the breathtaking ensemble work.” The recording is the first of Pat’s albums to feature Lyle Mays, an important partner for the work ahead: “You can hear them reaching toward the sound that would burst forth a year later on the Pat Metheny Group album”, Down Beat would later note. And with Danny Gottlieb on drums, three quarters of the Metheny Group is present here. The personnel of Watercolors is completed by Eberhard Weber, with whom Metheny had already collaborated creatively in Gary Burton’s band.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Bye Bye Blackbird
1991
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
AllMusic: "This is the Keith Jarrett Trio's -- featuring bassist Gary Peacock and drummer Jack DeJohnette -- elegy for their former employer Miles Davis, recorded only 13 days after the maestro's death. The lonely figure in shadow with a horn on the cover contrasts with the joyous spirit of many of the tracks on this CD, yet there is still a ghostly presence to deal with -- and in keeping with Miles' credo, Jarrett's choice of notes is often more purposefully spare than usual.
There is symmetry in the organization of the album, with "Bye Bye Blackbird" opening and the trio's equally jaunty "Blackbird, Bye Bye" closing the album, and the interior tracks immediately following the former and preceding the latter are "You Won't Forget Me" and "I Thought About You." The centerpiece of the CD is an 18-and-a-half-minute group improvisation, "For Miles," which after some DeJohnette tumbling around becomes a dirge sometimes reminiscent of Miles' own elegy for Duke Ellington, "He Loved Him Madly."
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Standards Vol. 1
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
The protagonists had already recorded together on Gary Peacock’s Tales of Another in 1977, but Jarrett’s Standards project, with its dedication to the Great American Songbook, proposed a new sphere of operation, one that would make this trio among the best-loved bands in all of jazz. This New York Power Station recording from January 1983 established the simple blueprint: honour the standards as compositions and discover where the material can lead a creative improviser. There is fabulous playing here, including a wildly inventive “All The Things You Are”, and heart-rending versions of “Meaning of the Blues” and “It Never Entered My Mind”.
editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate
- Numar discuri: 1
- Gen muzica: Jazz
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