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Muzica CD
CD ACT Magnus Ostrom: Searching For Jupiter
2013
Magnus Ostrom - tobe, percutie, voce, claviaturi
Andreas Hourdakis - chitara electrica si acustica, banjo
Daniel Karlsson - piano, claviaturi
Thobias Gabrielson - bas electric, bass synthesizer, claviaturi
Given Swedish pianist Esbjörn Svensson's accidental death in 2008, it's easy to get fixated on the apparent lifting of his drummer (and childhood friend) Magnus Öström's spirits with his second post-EST album as leader. But there's no doubt that the music here is lighter, idiomatically broader and more spontaneous than it was on his Thread of Life in 2011. Searching for Jupiter's textures are intensified by Öström's teenage art-rock interests; some hear Pink Floyd in the layering textures of The Moon (And the Air It Moves). [ The Guardian ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
75
CD ACT Vincent Peirani: Living Being II - Night Walker
2017
Vincent Peirani - acordeon, voce
Emile Parisien - saxofon sopran
Tony Paeleman - claviaturi
Julien Hern- bas si chitara electrica
Yoann Serra - tobe
Valentin Liechti - electronice
On “Night Walker” the Frenchman shines. His quintet with extensive experience of playing together produces fiery Led Zeppelin covers and has a sound that not only crosses genres but is also completely unique.The accordionist and composer is celebrated throughout Europe, something that was already the case before he made his debut as leader with the 2013 album “Thrill Box” - Peirani was winning prizes in France as a teenager. Later he earned the title “Artist of the Year” from “Jazz Magazine”, and has received a German ECHO Jazz award four times
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
75
CD ECM Records Anouar Brahem: Khomsa
Septembrie 1994
Anouar Brahem - oud
Richard Galliano - acordeon
Francois Couturier - pian
Jean Marc Larch - saxofon sopran
Bechir Selmi - vioara
Palle Danielsson - contrabas
Jon Christensen - tobe
"Anouar Brahem’s third leader date for ECM explores the oud player’s incidental music for Tunisian film and theatre as interpreted by a shifting nexus of musicians, new and old alike. His compositional side takes precedence this time around, for it is accordionist Richard Galliano who lights the foreground with “Comme un depart” and hardly recedes until “Des rayons et des ombres,” the latter a superbly jazzy romp with Palle Danielsson and Jon Christensen. Bassist and drummer, respectively, add buoyancy to “E la nave va” and “Aïn ghazel,” culminating in the shadow of Jean-Marc Larché’s soprano for the title track.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Pat Metheny & Lyle Mays: As Falls Wichita, So Falls Wichita Falls
1981
Pat Metheny - chitara electrica, bas electric
Lyle Mays - pian , sintetizator, orga, claviaturi
Nana Vasconcelos - tobe, percutie, voce, berimbau
This joint solo effort by Metheny and regular pianist and collaborator Lyle Mays is an impressive outing. In the process of stretching out away from the confines of the quartet setting of prior albums, Metheny and Mays presage the sleeker and more ethereal sound of the band's Geffen years on portions of the title track.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Jan Garbarek, Hilliard Ensemble: Officium
1993
Jan Garbarek - saxofon tenor si sopran
The Hilliard Ensemble:
David James - contratenor
Rogers Covey-Crump - tenor
John Potter - tenor
Gordon Jones - bariton
Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly.
Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. [ AllMusic ]
"Officium is what Coltrane hears in heaven."
- Numar discuri: 1
- Gen muzica: Contemporana
Pret:
70
CD ECM Records Jan Garbarek, Hilliard Ensemble: Mnemosyne
1999
Jan Garbarek Soprano Saxophone, Tenor Saxophone
The Hilliard Ensemble
David James - contratenor
John Potter - tenor
Rogers Covey-Crump - tenor
Gordon Jones - bariton
A sign we are, inexplicable without pain ... .’ The words are by the nineteenth-century German poet Friedrich Holderlin, taken from Mnemosyne, one of the cryptic hymns that he wrote before descending into madness. ECM publishes the entire first strophe as a sort of legend, and the reference is telling. ‘Mnemosyne’ was the mother of the muses, and the word also means ‘memory’. For Holderlin, song was an ‘abandoned, flowing nature’, a description that fits this album beautifully.
Memory, ecstasy, pain, joy, reconciliation: all are, at one time or another, signalled in the present programme. It is very different to Officium, The Hilliard’s first collaboration with Jan Garbarek (10/94). Tenor John Potter writes that for Mnemosyne, a good deal of the repertoire ‘consists of very small amounts of material with minimal notation’. Officium was a mellifluous melding of sensual sax improvisation and early choral music; Mnemosyne embraces a wider musical world and occasionally takes a harder musical line.
Garbarek spices the English thirteenth-century Alleluia nativitatis that opens the second disc with some unexpectedly Eastern-sounding modulations.
- Numar discuri: 2
- Gen muzica: Contemporana
Pret:
105
CD ECM Records Andy Sheppard: Romaria
2018
Andy Sheppard - saxofoane
Eivind Aarset - chitara
Michel Benita - contrabas
Sebastian Rochford - tobe
Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Ranato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. There’s a highly atmospheric, ambient drift to the music which Sheppard clearly finds liberating, as do Michel Benita and Seb Rochford, free to move in and out of conventional rhythm section roles and to make impassioned statements of their own. Romaria was recorded in April 2017 and produced by Manfred Eicher.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Andy Sheppard: Movements In Colour
2009
Andy Sheppard - saxofoane
John Parricelli - chitara
Eivind Aarset - chitara, electronice
Arild Andersen - contrabas
Kuljit Bhamra - tabla, percutie
Although Andy Sheppard has been featured on a dozen albums with Carla Bley for WATT, this is his first album for ECM proper. The British saxophonist heads an international quintet in a programme of self-penned pieces, all buoyant and strongly melodic.
Sheppard’s elegant saxophone and the strongly-contrasting guitars of Parricelli and Aarset are lifted up by the rhythmic drive of Arild Andersen’s muscular bass and the crisp, dynamic tabla of Kuljit Bhamra, a musician well known in the UK as a key figure in the Asian pop and bhangra movements.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Stephan Micus: Inland Sea
2017
Stephan Micus - Balanzikom, Nyckelharpa, Zither, Shakuhachi, Voce, Steel String Guitar, Genbri
“When I play,” says Micus, “I am listening to the instrument and telling the stories it has inside it. It’s like a human being and each of us has unique stories to tell. Similarly, if I try a tune I composed for one shakuhachi on another one it somehow doesn’t sound right. The melody was really made for, and with, that particular instrument. A composer is like a guide taking you on a walk. He will take you from where you are, lead you into unknown territory and bring you back.”
The Inland Sea is Stephan Micus’ nyckelharpa journey.
- Numar discuri: 1
- Gen muzica: World
Pret:
70
CD ECM Records Stephan Micus: Garden Of Mirrors
1997
Stephan Micus - Voice, Bolombatto, Steel Drums, Sinding, Bowed Sinding, Suling, Percussion, Shakuhachi, Nay, Tin Whistle
This extraordinary multi-instrumentalist is actually one of the few to have grasped in its essence what was the song of the world. With him there exist no territories or cultural atavisms, but a planetary polyphony projected on a horizon of eternity.His instruments exchange once more the out-lines of their countries of origin to become instruments without nationality in the hands of this nomad musician. Exceptional.
Keyboards, France
Micus's music possesses gossamer beauty. Timeless, magical music with a universal appeal.
The Times, UK
- Numar discuri: 1
- Gen muzica: World
Pret:
70
CD ECM Records Stephan Micus: Towards The Wind
2002
Stephan Micus - Bass Duduk, Kalimba, Steel-String Guitar, Shakuhachi, Dondon, Duduk, Sattar, 14-String Guitar, Voice
“Towards The Wind”, the 15th ECM recording by the perennially popular world-traveller and multi-instrumentalist, features his debut performances on the Armenian duduk, that exceptionally expressive forerunner of the oboe and the clarinet. Stephan Micus was inspired by recordings of the great duduk virtuoso Jivan Gasparian and was able to study with Armenia’s greatest folk musician in Yerevan in the autumn of 1999. Gasparian passed along to him some of the instrument’s secrets, the ways in which its wealth of textures and sounds can be annexed.
- Numar discuri: 1
- Gen muzica: World
Pret:
70
CD ECM Records Stephan Micus: Implosions
1977
Stephan Micus - Sitars, Acoustic Guitar, Vocal, Bavarian Zithers, Shakuhachi, Sho, Thai Flute, Rabab
Although Micus has most often crafted albums at his home studio and sent them to Eicher for mixing and mastering, earlier ones such as this were recorded at Tonstudio Bauer in Ludwigsburg, Germany, where many of ECM’s formative releases were also realized. The studio dynamics imbue these travels with a rather different intimacy, one which brings its own climate and bounces back sunlight like the moon. Three Bavarian zithers, each with its own signature, form a dense and percussive bed for Micus’s singing in “Borkenkind.” His floating transpositions trail sutras of memory, spinning from them a yarn of forgetting. This becomes the sole purpose of the music: to detach oneself from the snares of fame and recognition until only the sound and the ear are left to dance unhindered. And indeed, when Micus sings again in “For M’schr And Djingis Khan,” accompanied by the uncut diamond of the rabab (Afghani lute), he balances on a tipping point into infinity, his mouth filled with empty pages. [ ecm reviews ]
- Numar discuri: 1
- Gen muzica: World
Pret:
70
CD ECM Records Stephan Micus: Snow
2008
Stephan Micus - Doussn' Gouni, Duduk, Maung, Gongs, Tibetan Cymbals, Bavarian Zither, Sinding, Steel-String Guitar, Hammered Dulcimer, Charango, Nay, Bass Duduk, Voice
'Snow' is the title Stephan Micus has given to his 18th album for ECM. It is the outcome of continuous work he has carried out on journeys and in the studio since the release of his 'On the Wing' in early spring 2006. 'To me, snow is one of the most beautiful of all natural phenomena', explains Micus, who has been living in Spain for many years. 'It’s closely associated with lasting impressions of my original home in Bavaria, especially the long moonlit walks I used to take when I lived in the Alpine foothills. I've always regarded snow as the essence of magic, even more so today now that there's so little of it and the glaciers are disappearing.' Micus's music has always drawn on impressions of nature and the countryside. The inspiration for his new album came largely from a long study tour through Armenia, Nagorno-Karabakh and the mountains of the Caucasus. He travelled through these distant and extremely isolated regions partly by Jeep, partly on extended trips by foot. He met people from many walks of life and became acquainted with their living conditions and musical traditions.
- Numar discuri: 1
- Gen muzica: World
Pret:
70
CD ECM Records Keith Jarrett: The Koln Concert
1975 - Keith Jarrett - pian
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Keith Jarrett, Gary Peacock, Jack DeJohnette: Changeless
1989
Keith Jarrett - pian
Gary Peacock - contrabas
Jack DeJohnette - tobe
AllMusic:
"One of only a handful of Keith Jarrett "Standards" Trio records without a standard within earshot, this is a triumph, for Jarrett has successfully brought the organically evolving patterns of his solo concerts into the group format.
Each of the first three selections is built upon a constant revolving ostinato, and each evolves from one stage to the next like a Jarrett solo piano improvisation. "Dancing" has a swaying Latin beat in the percussion and bass; "Endless" is full of lyrical invention at a slower tempo; "Lifeline" is catchy and hypnotic; and the fourth number, "Ecstasy," grows out of "Lifeline," closing the album perhaps inevitably with a drawn-out, peaceful piano tremolo.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Tomasz Stanko NY Quartet: December Avenue
2017
Tomasz Stanko - trompeta
David Virelles - pian
Reuben Rogers - contrabas
Gerald Cleaver - tobe
JazzTimes:
Stanko has never had a piano player like Virelles. When his moments came, he configured his own lyrical domain within the world of a Stanko song. For that matter, Stanko has never had a bassist and drummer like Rogers and Cleaver, with their hard edges and their volatile energy.”
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Stefano Battaglia Trio: The River Of Anyder
2011
Stefano Battaglia - pian
Salvatore Maiore - contrabas
Roberto Dani - tobe
A direct and accessible statement brimming with musical riches, „The River of Anyder“ rests on an entirely different plane to Battaglia’s earlier, riskier ECM output. In using this most classic of instrumental formats, he has created a brilliant benchmark that should catapult his career onwards and upwards. [ Fred Grand, Jazz Journal ]
„Warm, vigorous and accessible, it´s a music that feels both firmly contemporary and resolutely independent of it.“ [ Ray Comiskey, Properganda ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Louis Sclavis Atlas Trio: Sources
2011
Louis Sclavis - clarinet, bas clarinet
Benjamin Moussay - pian, claviaturi, Fender Rhodes
Gilles Coronado - chitara electrica
Louis Sclavis’s band of the season is the Atlas Trio, an ensemble with a global reach of reference. Chamber-improvisation, polyrhythmic grooves, minimalistic pulse patterns, enveloping ambience, rhapsodic piano and funky Fender Rhodes, distorted guitar, clarinet soliloquies, contrapuntal themes, free group playing, a bit of everything. An open-form aesthetic applies in multi-facetted music simultaneously exploratory and involving. Recorded in the South of France last September, the album - Louis’s ninth for ECM – features a programme of new Sclavis compositions, and is issued in time for tour dates including a major showcase at the Europa Jazz Festival in Le Mans.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Bobo Stenson Trio: Indicum
2012
Bobo Stenson - pian
Anders Jormin - contrabas
Jon Falt - tobe
Free playing, Danish composer Carl Nielsen’s “Oft Am I Glad”, tunes by Bill Evans and George Russell, a Norwegian hymn, contemporary composition by Ola Gjeilo, a Wolf Biermann protest song, Ariel Ramirez.’s folkloric “La Peregrinacion”, ... Wide-ranging repertoire has become a hallmark of Bobo Stenson albums. But it’s not just the eclecticism that is striking: Stenson, Jormin and Fält take these far-flung sources and make an organic, breathing music out of them ... Stenson, of course, has long been one of the greats of Scandinavian jazz, and an ECM artist since the first years of the label. But there is a balance of energies in this particular trio – clear-edged lyrical piano playing, rootedness and keen choice of notes from the bass, and detailed, textural drumming – that is especially satisfying. Recorded in Lugano in November and December 2011.
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
CD ECM Records Ketil Bjornstad / Terje Rypdal: The Sea II
1996
Ketil Bjornstad - pian
David Darling - violoncel
Terje Rypdal - chitara electrica
Jon Christensen - tobe
If The Sea was a sweeping journey along the surface of its namesake, then this sequel is a plunge into its darkest depths. With the focus of an underwater camera, Ketil Bjørnstad and his peerless group render visible entire worlds we would otherwise never have known. [ ecmreviews ]
- Numar discuri: 1
- Gen muzica: Jazz
Pret:
70
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