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Muzica CD

CD Naim Antonio Forcione: Live

2000

Antonio Forcione - chitara

"There is a special magic, an intimate vibrancy in a live performance which is impossible to recreate in the studio. I have often been asked to record live - a prospect which I have aspired to and dreaded at the same time - and I am delighted to finally have had the chance to do so. Here is some food for thought without any additives, sugar or preservatives. Enjoy."

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 60          

CD Naim Antonio Forcione: Dedicato

1996

Antonio Forcione - chitara

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 60          

CD Naim Charlie Haden: The Private Collection

Charlie Haden 50th Birthday Concert, August 6th 1987 Recorded at `At My Place' Santa Monica, California, USA An intimate and private concert in which an astounding line-up of Haden (bass), Ernie Watts (sax), Alan Broadbent (piano) and Billy Higgins (drums), perform a range of classics by Metheny, Charlie Parker, Miles Davis and more.

Charlie Haden with Quartet West, April 4th 1988 Recorded live at Webster University, St Louis A magical Missouri homecoming show, with an indomitable line-up featuring two members of Haden's Quartet West (Broadbent & Watts) and old friend Paul Motian (with whom Haden formed the rhythm section in both Keith Jarrett Trio and American Quartet in the late 60s.)

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 60          

CD Naim Daniel Mulhern: Pigeon Coup

2006

Pigeon Coup is the debut album from London-based singer songwriter Daniel Mulhern. Recorded at Ray Davies' Konk Studios, the album was recorded with a group of hugely talented musicians, the end result being a set of melodious and perfectly crafted pop songs.

The album was recorded using predominantly vintage equipment which has captured the immediacy of the performances and complimented the songs with warmth and clarity.

Why the title? It became apparent to Daniel at an early stage of the recording that pigeons were a recurring theme; in the recording studio, in his flat… he realised he was living in a modern day version of The Birds, thankfully without the eye pecking.

  • Numar discuri: 1
  • Gen muzica: Rock

Pret: 60          

CD Naim Fred Simon: Since Forever

2009

Fred Simon - pian
Paul McCandless - English horn, oboi,saxofon sopran, bas clarinet, fluier
Steve Rodby - contrabas
Mark Walker - percutie

A pianist of rare compositional lyricism, it's remarkable how one event in Fred Simon's life has led, almost inescapably, to the present. Touring with woodwind multi-instrumentalist Paul McCandless in support of the Oregon co-founder's Premonition (Windham Hill, 1992), the keyboardist found himself onstage with Pat Metheny Group bassist Steve Rodby and soon-to-be-Oregon drummer, Mark Walker. That tour ultimately led to Simon's Remember the River (NAIM, 2004), an intimate chamber jazz affair featuring Rodby and McCandless. With that trio still intact, Simon now aims for more propulsive territory by introducing Walker to the mix

If Remember the River was an album of grace, charm, and dignity, then Since Forever recaptures those same qualities but ups the ante with a stronger rhythmic force and more advanced group interaction. A beautiful, True Stereo recording, it's sure to be a sleeper hit of 2009—an album of impassioned sensitivity, more expansive dynamics, and even clearer narrative arc. [ AllAboutJazz ]

  • Numar discuri: 1
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

Pret: 60          

CD Naim Laurence Hobgood: When The Heart Dances

2008

Laurence Hobgood - pian
Charlie Haden - bas
Kurt Elling - voce

Kurt Elling's long-time pianist, Laurence Hobgood, is no stranger to leading a recording session. He has released four previous recordings on Naim Jazz in the last 10 years. He is a durable pianist, a bit of a cross between Red Garland and George Winston, with a smidge of Bill Evans thrown in for seasoning. On When the Heart Dances, Hobgood duets with bassist Charlie Haden and is joined by Elling on three of the eleven selections. [AllAboutJazz]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 60          

CD ACT Veneri Pohjola: Aurora

2009

Verneri Pohjola / trumpet
Juhani Aaltonen & Pepa Paivinen / reeds
Ilmari Pohjola / trombone
Aki Rissanen / piano
Antti Lotjonen & Pekka Pohjola / bass
Joonas Riippa / drums
Meta4 string quartet

Pohjola is a name with great symbolic power in Finland. It is the main place in the national epic poem Kalevala, and the surname of one of the country’s best known jazz musician families. With Aurora, trumpeter Verneri Pohjola is now creating quite a stir outside his homeland. In Finland his debut won the Emma award as leader, the Finnish Grammy, as “Best Jazz Album of 2009”.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ECM Records Heinz Holliger: Machaut-Transkriptionen

Swiss composer Heinz Holliger’s Machaut-Transkriptionen is comprised of a spacious cycle of pieces written over a ten year period beginning in 2001.

An imaginative re-investigation of the work of the great 14th century French composer-poet Guillaume de Machaut, it is scored for four voices and three violas. Note-for-note transcriptions of Machaut give way to Holliger’s increasingly creative refractions of the music. As Holliger notes, his in-depth study of Machaut opened up new vistas for his compositional activity and his admiration for the source material is mirrored in the outstanding performances of the violists and singers.

The Machaut-Transkriptionen proves a perfect vehicle for the Hilliard Ensemble’s set skills as interpreters of both old and new music, and this recording, made in 2010 in Zürich, captures the vocal group at the heights of its powers.

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Arvo Part: Passio

Martie 1988

The Hilliard Ensemble, Lynne Dawson, Michael George, Elizabeth Layton, Melinda Maxwell, Elisabeth Wilson, Catherine Duckett, Christopher Bowers-Broadbent, Western Wind Chamber Choir / dirijor - Paul Hillier

Arvo Part: Passio Domini Nostri Jesu Christi Secundum Joannem ( 1982 )


Part's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method. The overall sound is significantly bigger than the small ensemble performing it; this is an innovative work, despite the classic subject matter. The text is taken verbatim from the Vulgate. [ AllMusic ]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Arvo Part: Miserere

Compozitor - Arvo Part / Interpreteaza: The Hilliard Ensemble ( dirijor Paul Hillier), Orchester der Beethovenhalle Bonn, Western Wind Chamber Choir (dirijor Dennis Russell Davies), Sarah Leonard, Christopher Bowers-Broadbent, Pierre Favre

"This recording shows a different side of Arvo Part's compositional work. The title composition has unusual instrumentation: winds and brass, choir and soloists, electric guitar, and bass guitar. The lyrics come slowly, one word per bar at a near pppp volume level.

The text comes from Psalm 51, David's "Have Mercy on Me" psalm, before bursting like an apocalyptic fire into the classic "Dies Irae," a tremendous assault of holy terror best listened to in the dark by the fireplace. "Festina Lente" is a shorter work for strings and harp -- short, brisk, and entertaining, developed from a single melody. [AllMusic]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 100          

CD ECM Records Jakob Bro, Thomas Morgan, Joey Baron: Streams

2016

Jakob Bro - chitara
Thomas Morgan - contrabas
Joey Baron - tobe


Danish guitarist Jakob Bro creates magical music, impossible to categorize or capture. The songs on ‘Streams’ are best described as jewels revolving in mid-air, reflecting and refracting light. […] The beauty of ‘Streams’ is in its unknowingness, its sense of wonder and possibility. [ Ken Micallef, Downbeat ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records John Abercrombie: Timeless

1974
John Abercrombie - chitara
Jan Hammer - orga, sintetizatoare, pian
Jack DeJohnette - tobe

This evergreen stands tall in the ECM forest. There is no sense of competition, only mutual reveling in a distinctly nuclear sound. One could easily call it fusion, but if anything it is fused with itself, for it has created every element it seeks to combine. Timeless indeed.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Anouar Brahem, John Surman, Dave Holland: Thimar

1998
Anouar Brahem - oud
John Surman - saxofon sopran, bas clarinet
Dave Holland - contrabas

A strikingly attractive 'transcultural' project initiated by Tunisian oud virtuoso Anouar Brahem, who is both an innovator and a traditionalist in the deepest sense (he has been credited with 'restoring the sovereignty of the oud' in Tunisian music). There is no glib fusion of traditions on Thimar but rather a coming together of three very distinctive musicians who sacrifice none of their individuality in the search for common ground.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records John Surman: Saltash Bells

2012
John Surman - saxofoane, clarinet, bas clarinet, sintetizatoare

John Surman is an exceptionally versatile musician and his instrumental prowess has been showcased in many contexts. Yet his solo albums may be the best sources for insights into his melodic imagination. If you want to understand the wellsprings of his creativity, the solo albums are the place to go; “Saltash Bells” ranks with the best of them.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ACT Esbjorn Svensson Trio: Leucocyte

2008

Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice

It's too easy to fall into the trap of calling the last recording by a recently deceased artist "his best ever" or "a fitting end to his recorded legacy," but in the case of the final release by Swedish jazz superstars e.s.t. before their titular leader, pianist Esbjörn Svensson, died in a tragic diving accident in June, 2008, it's the only way to describe it. Leucocyte is an album that's like nothing the trio has released before, yet it possesses the unmistakable personality that caused the group to rise from obscurity in the mid-1990s to rock star-like fame (at least, in relative jazz terms) in recent years with albums including Tuesday Wonderland (ACT, 2006) and the particularly noteworthy Live in Hamburg (ACT, 2007).

Culled from two days of free improvisations recorded in an Australian studio in the middle of a tour, it's proof that, despite the production veneer that gave earlier albums like Viaticum (ACT, 2005) a pop-like sensibility, e.s.t. was, at its heart, an improvising band. Many of its compositions—sometimes complex writing that remained completely accessible, but other times profoundly lyrical music of spare simplicity—stemmed from ad hoc days spent experimenting in recording studios. But while the group would normally take the results and shape them into more defined form, Leucocyte is presented as it was recorded—with, of course, the additional post-production that always broadened the group's aural landscape into something that drew on elements as far-reaching as Keith Jarrett, Radiohead and Motorhead.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Esbjorn Svensson Trio: From Gagarin's Point Of View

1999

Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie

"The album is forcefully controlled, quite ethereal, and classical in both style and grace. The trajectory of the music is understated, with improvising being hardly essential, merely hinted at, as it seems that E.S.T. work as three entities ... those being the band, the individuals, and the music, where they sound as if they’re talking in chord sequences, in a rhythmic cycle that ebbs and flows, before bending back onto themselves, and stepping into a new space to begin the whole process again. What one needs to grasp is the notion of strategies, rather than improvisation, hence the change that allows for E.S.T. to create atmospheric textures that are as much jazz as they are ambient washes of emotion.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Esbjorn Svensson Trio: Live In Hamburg

2007

Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie

Anybody who wants the quintessential Esbjörn Svensson gig (if they're fans, that is - EST's music is viewed as a slick hit-formula by some improv fundamentalists) can tick this CD as a must. EST's mix of jazz-ballad delicacy, rock melodrama, subtle electronic colouring, and hypnotic Jarrett and Mehldau-inspired extemporisation consistently produces powerful live shows. [ The Guardian ]

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ACT Esbjorn Svensson Trio: Tuesday Wonderland

2006

Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice

Though there are traditional elements at work, Tuesday Wonderland thrives on being unconventional. On the opening track "Fading Maid Pendulum," just as it's hypnotizing with a gentle, classically tinged piano melody, Dan Berglund jumps in with a brooding, distorted heavy metal bass craziness and drummer Magnus Ostrom goes cymbal crazy. It's electro-ambient jazz gone mad. The title track features Svensson's David Benoit-like, melodic dark-meets-light piano dichotomy over Ostrom's sharp, off-meter drums before some spacy electronica takes over for a spell. "Brewery of Beggars" is another inspired dose of insanity, darting from busy cymbal-piano swirls to softer, contemplative piano-bass moments. [ AllMusic ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Esbjorn Svensson Trio: 301

2012

Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice

A couple of months after pianist Esbjörn Svensson passed away in 2008 after a freak diving accident, what was thought to be the band's final album, Leucocyte, was released. It was considered final because the pianist had been involved in its mixing and sequencing as he had each of their previous 11 albums. The release of 301 comes as a surprise. The material included here was chosen from nine hours of tape recorded during the Leucocyte sessions -- which was, interestingly, originally conceived as a double album. The band fully expected another album would be culled from the remaining material. E.S.T. cut Leucocyte while on tour, having no compositions; what emerged came came out of individual ideas or group jams, making this set feel very much like an extension of the previous recording. [ AllMusic ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          

CD ACT Esbjorn Svensson Trio: Symphony

Marius Neset - saxofon
Verneri Pohjola - trompeta
Johan Lindstrom - pedal steel
Iiro Rantala - pian
Dan Berglund - bas
Magnus Ostrom - tobe
Royal Stockholm Philharmonic Orchestra dirijata de Hans Ek

Esbjörn Svensson, the Swedish original who consistently turned crossovers between jazz, pop and classical music into lasting art with EST, would have got around to this orchestral venture himself but for his accidental death in 2008.

With its shapely themes, subtle pacing and big climaxes, his popular trio’s music was ideal material, eloquently confirmed here by arranger Hans Ek, the Royal Stockholm Philharmonic and four star jazz soloists, including brilliant Finnish pianist Iiro Rantala and Norwegian saxophonist Marius Neset. [ The Guardan ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 75          
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