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Muzica CD

CD ECM Records Steve Swallow, Robert Creeley: So There

2006

Steve Swallow - bas
Robert Creeley - voce
Steve Kuhn - pian
Henrik Hannisdal - vioara
Odd Hannisdal - vioara
Marek Konstantynowicz - viola
Morten Hannisdal - violoncel


Poetry and jazz together can be treacherous territory, forcing narrators into a mannered mimicry of swing, but these short pieces strike an almost ideal balance between Creeley’s offhand, pragmatic pieces, Kuhn’s glossy postbop fluency and Swallow’s famously melodic, zither-like electric bass sound, with a string quartet sometimes adding dolorous mysteries. The jazz is straightahead, classy enough to hook the music’s regular audience; the strings writing is very sophisticated, and it all enhances the musicality of Creeley’s hypnotic narrative. [ John Fordham, The Guardian ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Rainer Bruninghaus: Freigeweht

1980

Interpreti:
Rainer Bruninghaus - pian, sintetizator
Kenny Wheeler - fluegelhorn
Jon Christensen - tobe
Brynjar Hoff - oboi

ecmreviews:
"After bringing his Midas touch to the projects of Eberhard Weber, it was only a matter of time before Rainer Brüninghaus would be given an opportunity to lead, and did so at last to soaring effect on Freigeweht (Free-blown) with a group of sympathetic musicians and a compositional aptitude to match."

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Jazz Ensemble Des HR: Atmospheric Conditions Permitting

1995

Tony Scott - clarinet
Joki Freund - saxofon tenor
Heinz Sauer - saxofon tenor, sintetizator
Albert Mangelsdorff - trombon
Ralf-R. Huebner - tobe
Bob Degen - pian
Bill Frisell - chitara
Eberhard Weber - bas
Rainer Bruninghaus - pian electric
Paul Lovens - tobe, percutie
Lee Konitz - saxofon alto
Wilhelm Liefland - narator

Subtitled 'radio recordings 1967-1993', Atmospheric Conditions Permitting enters the archives of Frankfurt Radio (Hessischer Rundfunk) and retrieves material from 31 sessions featuring a total of 50 musicians. The resultant double CD amounts to a panorama of German jazz, primarily featuring the long-established Jazzensemble des Hessichen Rundfunks (founded 1958) as well as groups of overlapping personnel, such as the Albert Mangelsdorff Quintet and the Joki Freund Septet. But there are also appearances by guest musicians. These include an Alexander von Schlippenbach band deconstructing a walz, the Thomas Heberer-Aki Takase duo reworking a 50-year-old German pop song, and Bulgarians Milcho Leviev and Theodossij Spassov exploring the interface between Eastern European folk and modern jazz, with Spassov soloing persuasively on the kaval.

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett Quartet: Sleeper

inregistrat live in 1979 la Tokyo
Keith Jarrett - pian
Jan Garbarek - saxofon tenor
Palle Danielsson - bas

AllMusic: "The double album Sleeper contains a previously unreleased live concert by Keith Jarrett's European quartet from the '70s, recorded at Tokyo's Nakano Sun Plaza on April 16, 1979.

Together with saxophonist Jan Garbarek, bassist Palle Danielsson, and drummer Jon Christensen, Jarrett performs seven of his own compositions: "Personal Mountains," "Innocence," "So Tender," "Oasis," "Chant of the Soil," "Prism," and "New Dance" -- the latter song being the shortest here at seven minutes, while "Oasis" clocks in at over 28 minutes!
Jon Christensen - tobe

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: Nude Ants

1979 - inregistrare live la Village Vanguard, New York

Keith Jarrett - pian, percutie
Jan Garbarek - saxofon sopran si tenor
Palle Danielsson - contrabas
Jon Christensen - tobe, percutie

ecmreviews.com:
"Something about Keith Jarrett’s very presence seems to draw out from even the most highly regarded musicians unexpected levels of performance, commitment, and above all faith in the musical moment. Nude Ants, easily one of his most uplifting live dates (this time at the Village Vanguard) on record and the pinnacle of his quartet activities, exemplifies this to the nth degree.

In its European incarnation, Jarrett’s menagerie of yesteryear opens its gates quietly and smoothly with “Chant Of The Soil.” Jarrett digs in alongside one of the most engaging rhythm sections one could ask for (Palle Danielsson and Jon Christensen). The liveness of the performance comes across early in “Innocence.”

  • Numar discuri: 2
  • Gen muzica: Jazz

Pret: 105          

CD ECM Records Keith Jarrett: Personal Mountains

1979 - inregistrat live la Tokyo
Keith Jarrett - pian, percutie
Jan Garbarek - saxofon sopran si tenor
Palle Danielsson - contrabas

ecmreviews.com:
"Despite being recorded in 1979, it would be a full decade before this jewel of a live recording from Keith Jarrett’s unparalleled European quartet (with Jan Garbarek on saxophone, Palle Danielsson on bass, and Jon Christensen on drums) would find itself sleeved and catalogued at last. From note one Personal Mountains paints melodic vistas of great majesty wrapped in a bow of rarified execution.
Jon Christensen - tobe

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Art Ensemble Of Chicago: The Third Decade

1985
Art Ensemble Of Chicago :
Joseph Jarman - saxofone, clarinet, flaute, scoici, vibrafon, gonguri, congas, voce
Roscoe Mitchell - saxofoane, flaute, oboi, clarinet, gonguri
Malachi Favors Maghostut - contrabas, percutie, melodica
Famoudou Don Moye - percutie solara
Lester Bowie - trompeta, celsta, toba mare

ecmreviews.com:
"Drawn from a wealth of sources and enhanced with the usual assortment of found sounds, The Third Decade is another solid outing from the Art Ensemble of Chicago that would be the group’s last on ECM for another seventeen years. One can always expect an eclectic experience on any AEC joint, and this one doesn’t disappoint.

From the snaking synthesizer lines and various nocturnal rustlings of Joseph Jarman’s “Prayer For Jimbo Kwesi,” which sound for all like the soundtrack to a home movie version of 2001: A Space Odyssey, to the freely improvised and maddening (traffic) jam of the title track, there’s bound to be something for everyone. The former, with its subtle horns and nascent bass, is especially fascinating and showcases the AEC’s ability to sustain itself through long, ponderous distances with unwavering interest.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Manu Katche: Third Round

2009

Manu Katche - tobe
Tore Brunborg - saxofoane
Jason Rebello - pian, claviaturi
Pino Palladino - bas
Jacob Young - chitara
Kami Lyle - trompeta, voce

ecmreviews:
"Third Round follows up drummer Manu Katché’s previous ECM albums, Neighbourhood and Playground with his deepest love long yet. Joining him are saxophonist Tore Brunborg, pianist Jason Rebello, bassist Palladino, and guitarist Jacob Young. The latter contributes to three polished tunes: the lovely, piano-driven “Keep On Trippin’,” the gorgeous “Springtime Dancing,” and the sunlit “Flower Skin,” in which his acoustic shines brightest. Also guesting is Kami Lyle, who sings her own lyrics and plays trumpet in the tender “Stay With You.” It’s something of a surprise in a soundscape dominated by grooves and paved improvisational avenues.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Dino Saluzzi: Senderos

2005

Dino Saluzzi - bandoneon
Jon Christensen - percutie

Saluzzi is a master of the bandoneon, the monster accordion that has become the principal instrument of modern Argentinian music. His connection with jazz comes through his devotion to improvisation. This collection of 14 shortish pieces is a good way to get into his music because, as you listen, you gradually absorb the idiom in which he works, its harmonic and melodic language and curiously reticent expressive range. … The only other musician involved is the Norwegian percussionist Jon Christensen, who provides subtle rumblings and rattlings in the background. [ The Observer ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Charles Lloyd: Hyperion With Higgins

1999

Charles Lloyd - saxofon tenor, taragot, maracas
Brad Mehldau - pian
John Abercrombie - chitara
Larry Grenadier - bas
Billy Higgins - tobe, percutie

AllMusic: "The December 1999 sessions that produced The Water Is Wide yielded enough material for a second album. Hyperion With Higgins is the result, and its title reflects the sad fact that Billy Higgins, Lloyd's friend and soul mate and the session's drummer, passed away not long after the music was put to tape. The music's spiritual quality is heightened by the after-the-fact dedication. Quite unlike The Water Is Wide, Hyperion With Higgins is comprised entirely of Lloyd's original compositions, although the same lineup is featured: Lloyd, Higgins, John Abercrombie, Brad Mehldau, and Larry Grenadier.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Ketil Bjornstad, David Darling: The River

1997

Ketil Bjornstad -pian
David Darling - violoncel

"Bjørnstad’s love of aquatic themes stretches an ideal surface tension across which Darling may unfurl his sails. The delicate ostinato of one becomes the leviathan drone of the other, drawing threads through opaque expanse (just as Swiss-born artist Mayo Bucher has placed a white edge through this and select other ECM cover paintings). [ ecmreviews ]

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Ketil Bjornstad, Terje Rypdal: The Sea

1995
Ketil Bjornstad - pian
David Darling - violoncel
Terje Rypdal - chitara electrica
Jon Christensen - tobe

"The twelve parts that comprise The Sea are of a proportion far beyond aquatic, for their magic lies in the hands and hearts of four musicians who came together for a session as ever-changing as its namesake. The number would seem to be significant: months in a year, hours in a day, each a cycle rendered timeless through a story that bleeds and weeps. David Darling’s trembling cello lets out the first cry, eddying with all the force of nature at the edge of a bow. " [ ecmreviews ]

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ECM Records Stefano Bollani: Piano Solo

2006

Stefano Bollani - pian

“Piano solo” is a modest title for this encylopaedic recital that romps through the history of jazz and more, and which, in its rapid-fire, quick-witted turnover of ideas, reveals a unique musical personality. Italian pianist Bollani (born 1972) is a major talent, armed with prodigious technique. A taste of this will already have been gleaned from his contributions to Enrico Rava’s “Easy Living” and “Tati” but here his imagination roams widely indeed. Bollani plays a Scott Joplin rag, improvises freely, plays tango music from the early 20th century, plays standards, plays his own compositions. He plays the Beach Boys’ “Don’t Talk” and tunes made famous by Louis Armstrong and Nat King Cole. He improvises on a theme from Prokofiev’s First Piano Concerto... And: he makes this whirlwind journey through the genres seem both logical and necessary.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 70          

CD ACT Lars Danielsson: Liberetto

2011
Lars Danielsson - contrabas, violoncel, pian
Tigran Hamasyan - pian, Fender Rhodes
John Parricelli - chitara
Magnus Ostrom - tobe, percutie, electronice

Happy coincidences can often lead to extraordinary results. No-one could have foreseen that Lars Danielsson and the Armenian pianist Tigran would pair up to form the new dream duo of the European jazz scene, when in fact the two musicians played their first concert together only one week before the scheduled recordings of Liberetto.

  • Numar discuri: 1
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

Pret: 75          

CD ECM Records Jan Garbarek: I Took Up The Runes

1990
Jan Garbarek - saxofon tenor si sopran
Rainer Bruninghaus - pian
Eberhard Weber - bas electric
Nana Vasconcelos - percutie
Manu Katche - tobe
Bugge Wesseltoft - sintetizator
Ingor Antte Ailu Gaup - voce

ecmreviews:
"By 1990, Jan Garbarek had for decades been searching for that one key, navigating a landscape of peaks and valleys, only to find it slumbering within the runes which, with this album, he eponymously took up. [...]

Balancing note and movement, Garbarek hones something truly special in the five-part “Molde Canticle,” which draws out the album’s deepest anatomies. Above all, the piece is about time. It speaks in a language that moves us. The gyroscopic quality of Part 2 hums around the centrifugal force of Garbarek’s lyricism as he scales ever higher.

editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Louis Sclavis Quintet: Rouge

1991

Louis Sclavis - clarinete, saxofon sopran
Dominique Pifarely - vioara
Francois Raulin - pian, sintetizator
Bruno Chevillon - bas
Christian Ville - tobe


editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate


Clarinettist/saxophonist Louis Sclavis’s first ECM album (recorded 1991) brims over with ideas, creating something fresh at the intersection of jazz and chamber music. Compositions and arrangements on Rouge twist and turn in unexpected ways, keeping listeners on the edge of their seats. With their inspired exchanges at the front of the highly disciplined band on this album, Sclavis and brilliant violinist Dominique Pifarély established themselves as two of the most strikingly original voices on the European improvising scene.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Chick Corea: Piano Improvisations Vol. 1

1971

Chick Corea - pian

editie Touchstones - format mini-vinil replica, coperti gatefold, cartonate

Chick Corea’s first unaccompanied album initiated the solo piano idiom at ECM, and proved to be extremely influential. Alongside music created in the moment, some powerful melodies are explored here, not least that of “Sometime Ago”, soon to be a theme song for the Return To Forever band. “I found it quite easy to select what I felt was the single best disc [of 1971]. Chick Corea’s Piano Improvisations Volume One is a true masterpiece of music and a very important album” - Michael Cuscuna, Record World.

  • Numar discuri: 1
  • Gen muzica: Jazz

Pret: 50          

CD ECM Records Eleni Karaindrou: Elegy of the Uprooting

2005

In her first concert recording for ECM, Greek composer and pianist Eleni Karaindrou seamlessly weaves samples of her sad but beautiful film and stage music from 13 scores spanning 22 years, producing a stunning career retrospective that transcends genre. The result is a wholly new body of work that she calls Elegy of the Uprooting. It is a remarkable, almost otherworldly, showcase for her intensely moving songs of love and loss.
Greg Cahil, The Absolute Sound

  • Numar discuri: 2
  • Gen muzica: Contemporana

Pret: 105          

CD ECM Records Eleni Karaindrou: Ulisses Gaze

1995

Kim Kashkashian Viola
Vangelis Christopoulos Oboe
Andreas Tsekouras Accordion
Vangelis Skouras Trumpet
Christos Sfetsas Violoncello
Georgia Voulvi Voice
String Orchestra
Lefteris Chalkiadakis Conductor

Ulysses' Gaze was awarded the Grand Jury Prize at the 1995 Cannes Film Festival. Ulysses' Gaze, the album, is the third ECM recording to feature music written by Eleni Karaindrou for her countryman Angelopoulos. The first edition, issued under the title Music For Films focused primarily upon the director's great Trilogy of Silence (Voyage To Cythera, The Beekeeper, and Landscape In The Mist). The second presented music written for The Suspended Step Of The Stork, Angelopoulos' critically-heralded 1991 film.

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          

CD ECM Records Eleni Karaindrou: Eternity And A Day

1998

Music for the Golden Palm winning film by Theo Angelopoulous, writt en by Eleni Karaindrou, whom Time magazine has hailed as 'Greece's most eleoquent living composer'. The worldwide success of Ulysses' Gaze has shown how convincingly Karaindrou's themes can take on a life of their own. Her melodies have been described as 'dark and brooding, redolent of red wine and the salty brine of the sea, at once plaintive and erotically lyrical.' Karaindrou's score for 'Eternity and a Day' makes poetic use of the instruments of Greek folk music, particularly the sound of the clarinet, keening in the mountain air, or hovering over a rich bourdon of strings.

  • Numar discuri: 1
  • Gen muzica: Contemporana

Pret: 70          
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