Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Havana Moon is a 1983 album by Carlos Santana released as a solo project. It features covers of Bo Diddley and Chuck Berry songs and performances by Booker T & the MGs, Willie Nelson and the Fabulous Thunderbirds, and also Carlos' father Jose singing "Vereda Tropical", a song Carlos had first heard when his father was serenading his mother following an argument.
Wiener Philharmoniker, dirijeaza Zubin Mehta
Mahler: Simfonia Nr. 2
Lansat cu ocazia aniversarii lui Zubin Mehta, Decca a reeditat acest album in colaborare cu Pro-Ject Audio Systems ( inregistrare din 1975 ). Vinil de 180 grame, machetare grafica identica cu originalul, masterizare speciala facuta dupa benzile master la Abbey Road Studios.
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Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
“Can’t stand jazz? e.s.t. could be the band to change your mind“ (The Guardian, Jan. 2005)
“…a mastery and empathetic synergy which goes beyond intelligent, sensitive musical response. [...] An infinite river of creativity” (Mojo, Feb. 2005)
Deluxe Edition, Reissue, Remastered, 180 Gram
Quadruple LP pressed on 180-gram vinyl. Comes with a 28-page booklet.
The Cappella Gabetta, with cellist Sol Gabetta joined by a Baroque chamber ensemble led by her brother Andrés, has attracted top-notch vocal collaborators: first Vivica Genaux on an album of music by Handel and Hasse, and now no less than Cecilia Bartoli on this collection of Baroque arias featuring solo cello. It may sound like an arcane concept, and the breezy project graphics may have little or nothing to do with it, but the two performers do seem to have fun with the music and to deliver the "sweet duels" promised by the title. Sample the enticing "What passion cannot music raise and quell," from the Ode for St. Cecilia's Day, for a taste of the two "voices" that complement each other as well as in any vocal duet. The performers went to some lengths to find arias with this particular configuration, and it speaks well of their efforts that they've located some rather rare works that stick in the ear. The aria by Haydn's teacher Porpora does not set off vocal fireworks, but it must have been written to showcase the talents of a cellist, and it's as satisfying a duet today as it was on the day it came into existence. The final Cello Concerto No. 10 in D major of Boccherini does not quite fit with the rest stylistically; one of Vivaldi's cello concertos might have been a better bet. Yet this is in the main a fine offbeat choice featuring some star performers.
1986 ( remaster 2016 ) Remastered By – Simon Heyworth / Lacquer Cut By – Mike Marsh
[ Rolling Stone ] : Routinely dismissed as a band of synth-pop robots, Depeche Mode actually uses its machines to make some of the most human sounds around. Black Celebration is certainly this British quartet’s most melodic effort to date: the clanging disco-concrete fusion of early LPs like Construction Time Again has mellowed into a brand of brooding, romantic music only hinted at on last year’s Some Great Reward. “I haven’t felt so alive in years,” gushes singer Dave Gahan on “But Not Tonight,” this LP’s ghostly closer, although for composer-lyricist Martin Gore, even celebration is pretty bleak.
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