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Marcin Wasilewski - pian Slawomir Kurkiewicz - contrabas Michal Miskiewicz - tobe
For years, fans of Poland's Marcin Wasilewski Trio have been asking for a live album. The group made this one "by accident", unaware that their August 2016 performance at Jazz Middelheim in Antwerp had been recorded by the festival.
The trio is certainly in energetic, extroverted mode, fanning the flames of their 'Spark of Life' repertoire and drawing on the deep understanding Marcin Wasilewski, Slawomir Kurkiewicz and Michal Miskiewicz have established in the course of a quarter century of shared musical endeavour. As Jazz Journal has noted, "Wasilewski's music celebrates a vast dynamic range, from the most deftly struck pianistic delicacies to gloriously intense emotional exuberance, the chords pounded with unrestrained joy, yet always within a marvellously melodic concept."
Avishai Cohen - trompeta Yonathan Avishai - pian Barak Mori - contrabas Nasheet Waits - tobe
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. His hope is that the music contributes to a healing process. [ AllAboutJazz ]
1977 Keith Jarrett - pian, saxofon, percutie Dewey Redman - saxofon tenor, percutie Charlie Haden - contrabas Paul Motian - tobe, percutie
The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents.
Initially published in January 1977, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.
The first live album and ACT debut of the worldwide reknown drummer: A great night at the Parisian New Morning full of intensity, spirit and magic. As a special bonus for vinyl lovers the LP consists of two more songs live from the concert: "Lovely Walk" & "Rose"
Scott DuBois - chitara Gebhard Ullmann - saxofon tenor, bas clarinet Thomas Morgan - bas Kresten Osgood - tobe
DuBois takes the “seasons” concept to a whole new level with a series of pieces in celebration of the restless, unpredictable nature of autumn. At each step of the way, DuBois’ quartet takes us on a mesmerizingly impressionistic musical journey that is an organic yet highly cohesive mix of elements drawn from the likes of modern jazz, contemporary classical music and Americana.
This duo of superb musicians can simultaneously be highly refined, and yet completely off-the-wall. They are two of the brightest lights of the international firmament of jazz as seen through a European prism. They have also put down a marker with “Tandem”: their stellar collaboration is most definitely going places. The dialogue between Wollny and Peirani constantly brims with ideas, and they also have a perfect way of circling in and out of each other’s way.
This one-of-a-kind vinyl set, hand etched by Tristan Duke (Jack White’s Lazaretto) of Infinity Light Science, offers a 3D hologram experience featuring the Mil-lennium Falcon on Disc 1/Side B and a TIE Fighter on Disc 2/Side B. For optimal viewing, use a direct light source or simply hold a mobile phone flashlight above the vinyl to view the holograms.
Shankar - vioara, voce , sintetizatoare, drum machine Caroline - voce, sintetizatoare, tambura Steve Vai - chitara electrica Gilbert Kaufman - sintetizator Percy Jones - bas electric
ecmreviews: "When I first slid this CD into my computer, the Gracenote Media Database upped my anticipation by filling in its genre as “Traditional.” Which is exactly what this album is not. But if you’re looking for a quirky lollipop that has baffled ECM and Shankar enthusiasts for decades, by all means lick away. With endearing vocals by Caroline, not to mention the collaborative edge of having guitar legend Steve Vai and bassist Percy Jones (of Brand X fame) in the same studio, one can only imagine the possibilities of throwing Shankar’s astounding virtuosity into such a milieu.
Orchestra Jazz Siciliana Gary Valente - trombon Steve Swallow - bas
Carla Bley - aranjamente
"Carla Bley's sometimes comical, always compelling compositions provide the material for this respectful repertory album from The Orchestra Jazz Sicilina. The roster features mainly European musicians, and the album emphasizes band interaction and ensemble execution rather than solo skills and individual voices." [ AllMusic ]
Enrico Rava - trompeta Stefano Bollani - pian Mark Turner - saxofon tenor Larry Grenadier - contrabas Paul Motian - tobe
In assessing Enrico Rava's lengthy career, while it is clear that he is still reaching for the unattainable, in recent years the Italian trumpeter's context has been considerably more centrist. Easy Living (ECM, 2004) and The Words and the Days (ECM, 2007) were undeniably mainstream, albeit with an unmistakable European and, at times, Mediterranean bent. New York Days teams Rava and pianist Stefano Bollani—last heard in duet on the marvelous The Third Man (ECM, 2008)—together with perennially underrated tenor saxophonist Mark Turner, increasingly ubiquitous bassist FLY and drum icon Paul Motian for a set of nine originals and two free improvisations that, like The Third Man combine innate lyricism and swing with some of Rava's freest playing in years. [ John Kelman ]
Compozitori - Dmitri Shostakovici si Erwin Schulhoff - Interpreti: Gidon Kremer, Thomas Zehetmair, Yuzuko Horigome, Philip Hirschhorn, Kim Kashkashian, Nobuko Imai, Veronika Hagen, Boris Pergamentschikow, David Geringas, Julius Berger, Thomas Demenga, James Tocco
Paolo Fresu - trompeta, flugelhorn Richard Galliano - acordeon, bandoneon Jan Lundgren - pian
The Long Wait is Over. Mare Nostrum presents 'The Sound of Europe'….. Part Two.Sardinian trumpeter Paolo Fresu, French accordionist Richard Galliano and Swedish pianist Jan Lundgren form the trio “Mare Nostrum” (meaning our sea, and the Romans' name for the Mediterranean). This band forges connections between the discrete musical cultures of its three protagonists.
Countless listeners worldwide have been captivated by their music, by this distinctive 'sound of Europe.'When the first album “Mare Nostrum” appeared in 2007, critics in many countries were unanimous in their opinion that these three musicians had succeeded, they had found their way to forging something of timeless beauty. This “lyrical jazz ensemble with a keen sense of composure” (Downbeat, USA) had created “a wonderful album of genuine warmth”
Marius Neset - saxofon tenor si sopran Ivo Neame - pian, orga Hammond, clavinet Jim Hart - vibrafon, marimba, percutie Petter Eldh - contrabas Anton Eger - tobe si percutie
“Marius Neset is one of the great new tenor sax players of our age, in the tradition of Michael Brecker and Jan Garbarek” (Jazzwise)
1971 opera jazz avantgardista pe un libret inspirat de Paul Haines
Jack Bruce, Linda Ronstadt , Viva, Jeanne Lee, Paul Jones, Perry Robinson, Carla Bley, Don Preston, Sheila Jordan, Don Cherry, Tod Papageorge, Bob Stewart, Howard Johnson, Karen Mantler, Bill Leonard, Rosalind Hupp, Roswell Rudd, Jane Blackstone, Charlie Haden, Timothy Marquand + Jazz Composer's Orchestra
Esbjorn Svensson - pian, claviaturi, percutie Dan Berglund - bas, percutie Magnus Ostrom - tobe, percutie
The album is forcefully controlled, quite ethereal, and classical in both style and grace. The trajectory of the music is understated, with improvising being hardly essential, merely hinted at, as it seems that E.S.T. work as three entities ... those being the band, the individuals, and the music, where they sound as if they’re talking in chord sequences, in a rhythmic cycle that ebbs and flows, before bending back onto themselves, and stepping into a new space to begin the whole process again. What one needs to grasp is the notion of strategies, rather than improvisation, hence the change that allows for E.S.T. to create atmospheric textures that are as much jazz as they are ambient washes of emotion.
From Gagarin’s Point Of View is cool, laid back, and spontaneous in restrained manner that creates a dynamic tension that holds one’s attention, and inspires an inquisitive nature, anticipating where the music is headed as it’s happening, and joyfully holding on for the ride without feeling battered or waylaid.
Adam Baldych - vioara Helge Lien - pian Frode Berg - bas Per Oddvar Johansen - tobe
Bałdych builds bridges The virtuosity of Polish violinist Adam Bałdych enables him to pass with astonishing ease through all kinds of borders: the boundaries of his instrument, the barriers between genres, the seams between composing and improvising.
These dividing lines fall away as his playing coalesces with that of his fellow musicians. These attributes have led the UK magazine Jazzwise to call him “a refreshingly different European jazz star”. As a player who is “a virtuoso and capable of delivering high emotion” (Fono Forum) with his "dervish-like intensity" (Jazz thing), he uses the tradition as the point of departure for new and exploratory journeys up and away beyond jazz.
The album consists of four pieces in five tracks, each simply demarcated in Roman numerals. A swaying rhythm dominates a beautiful string of overtones in “IV.” “II” distinguishes itself by its daunting 24-minute length and rapid arpeggios that work their way into a glorious spiral. Occasional passages played sul tasto (i.e., over the fingerboard) are particularly striking for their almost bell-like quality. The overall effect is nothing short of meditative. Fahndrich scrapes at the strings in “III” to produce a veritable symphony of avian peeps and insectile chirps in the album’s most organic diversion. “VI” a call-and-response of harmonics and fuller notes. [ ecmreviews ]
Vijay Iyer - pian Stephan Crump - contrabas Marcus Gilmore - tobe
"Though Break Stuff is Vijay Iyer's third appearance on ECM in less than year, it is the debut offering from the longstanding trio on the label. The pianist and composer has been working with bassist Stephen Crump and drummer Marcus Gilmore for more than a decade. They've issued two previous recordings together. Iyer usually works conceptually, and Break Stuff is no exception. In the press release he states that "a break in music is still music: a span of time in which to act. [ AllMusic ]
Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]
Markus Stockhausen - trompeta, corn, sintetizator Gary Peacock - contrabas Fabrizio Ottaviucci - pian Zoro Babel - tobe
Cunoscut pentru albumele cu Aparis, Markus este fiul compozitorului contemporan cu acelasi nume ( Karlheinz ). Spre deosebire de tatal sau, Markus face o muzica meditativa, introspectiva , dar muzicala, melodioasa, fara nici o legatura cu muzica concreta, doar utilizarea mijloacelor electronice de expresie pe langa instrumentele normale.
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