Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1998
James Hetfield - Kirk Hammett - Jason Newsted / Cliff Burton - Lars Ulrich
Wiki: The day after Metallica finished the North American leg of the Poor Re-Touring Me Tour in San Diego's Coors Amphitheatre, they hit the studio to start recording a new album of cover versions. As Lars Ulrich explained, the band wanted to do something different after "three pretty serious albums in a row, starting with the Black album and then Load and ReLoad", and the process would be easier by working with covers, especially as the band had a tradition of taking other people's songs and "turn them into something very Metallica, different from what the original artist did". Given the band had recorded many covers that were spread across various releases, such as B-sides of their singles and the 1987 EP The $5.98 E.P.: Garage Days Re-Revisited, the band would "put them all in a nice little packaging for easy listening" along with the newly recorded cover versions, chosen through a group decision. Only one of the eleven songs in the "New Recordings '98" disk was not done in the three-week sessions, a version of Lynyrd Skynyrd's "Tuesday's Gone" the band recorded for a radio broadcast along with friends such as Les Claypool, John Popper and Gary Rossington.
Piese decantate în starea lor originară: emoția pură, într-un disc vinil transparent. Acustic înseamnă cele mai bune melodii Vița de Vie, reorchestrate într-o manieră neobișnuită, mergând uneori până la clasic, jazz sau bossanova.
Forever Young is the debut album released by German synthpop group Alphaville on September 27, 1984, by Warner Music Group. It charted well, hitting the Top 20 in six European countries and reaching number 1 in Norway and Sweden. Alphaville followed up with their second album in 1986 with the release of Afternoons in Utopia.
2009
[ BBC ] : As if to underline the artlessness of 90 percent of 'modern' pop acts who currently trade in 80s recreations, acts like U2 and the Pet Shop Boys are currently back to doing what they used to do so well. It's as if they're saying: ''hold on, we're not dead yet. stop dancing on graves that haven't even been dug.'' And now, joining 2009's roster of middle aged marvels, here come Depeche Mode. Sounds Of The Universe, the band's first album for four years reveals, here a trio who still sound just as committed and creative as they did 20 years ago. Maybe more so.
Testeaza in showroom Cotroceni
2017
Anouar Brahem - oud
Jack DeJohnette - tobe
Dave Holland - contrabas
Django Bates - pian
‘Blue Maqams’ will not only go down as one of the year's best ECM Records releases; it's a classic-in-the-making that should ultimately be considered one of the label's very best recordings in its nearly fifty-year history. [ John Kelman, All About Jazz ]
This glitzy lineup features his bass-playing soulmate Dave Holland, drums star Jack DeJohnette, and a wild card in the form of the UK’s Django Bates on piano. The result achieves a spellbinding balance between gently melodic Mediterranean song forms and the one-touch rhythmic elasticity and melodic ingenuity of the best jazz. The presence of Bates (producer Manfred Eicher’s idea, Brahem never having heard the English maverick before) is an inspiration, for his lyrical restraint, creative spaciousness, and diverse references. […] It’s a real meeting of hearts and minds. [ John Fordham, The Guardian ]
Ummagumma is the fourth album by the English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records.
The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at Abbey Road Studios.
The stereo remastered album on heavyweight 180ɢ vinyl
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
Original UK release date: October 1969
Sinatra's Ultimate Hits! Features 24 of "The Chairman Of The Board's" best from Columbia, Capitol, and Reprise. Together for the very first time on two deluxe 180 gram LPs.
A compilation of R.E.M.'s early B-sides and rarities, released in 1987.
1975 - Keith Jarrett - pian
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
2008
Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice
It's too easy to fall into the trap of calling the last recording by a recently deceased artist "his best ever" or "a fitting end to his recorded legacy," but in the case of the final release by Swedish jazz superstars e.s.t. before their titular leader, pianist Esbjörn Svensson, died in a tragic diving accident in June, 2008, it's the only way to describe it. Leucocyte is an album that's like nothing the trio has released before, yet it possesses the unmistakable personality that caused the group to rise from obscurity in the mid-1990s to rock star-like fame (at least, in relative jazz terms) in recent years with albums including Tuesday Wonderland (ACT, 2006) and the particularly noteworthy Live in Hamburg (ACT, 2007).
Culled from two days of free improvisations recorded in an Australian studio in the middle of a tour, it's proof that, despite the production veneer that gave earlier albums like Viaticum (ACT, 2005) a pop-like sensibility, e.s.t. was, at its heart, an improvising band. Many of its compositions—sometimes complex writing that remained completely accessible, but other times profoundly lyrical music of spare simplicity—stemmed from ad hoc days spent experimenting in recording studios. But while the group would normally take the results and shape them into more defined form, Leucocyte is presented as it was recorded—with, of course, the additional post-production that always broadened the group's aural landscape into something that drew on elements as far-reaching as Keith Jarrett, Radiohead and Motorhead.
Like a Prayer is the fourth studio album by American singer and songwriter Madonna, released on March 21, 1989 by Sire Records. Madonna worked with Stephen Bray, Patrick Leonard, and Prince on the album while co-writing and co-producing all the songs.
2009
AllMusic : Anyone familiar with the industrial metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FÜR ALLE DA ("Love Is There for Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album, Sehnsucht, with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********," or the opening theme song "Rammlied" and nostalgic cabaret pieces that conjure the spirits of Weil and Brecht at a goth club.
Sputnik: If Rammstein were to never make another album again, this would be a good way to checkout.
Frank is the debut studio album by English singer and songwriter Amy Winehouse. It was released on 20 October 2003 by Island Records. Production for the album took place during 2002 to 2003 and was handled by Winehouse, Salaam Remi, Commissioner Gordon, Jimmy Hogarth and Matt Rowe. Its title alludes to the nature and tone of Winehouse's lyrics on the album, as well as one of her influences, Frank Sinatra.
Who Made Who is a soundtrack album by Australian band AC/DC, released May 24, 1986 as the soundtrack to the Stephen King film Maximum Overdrive. It was re-released in 2003 as part of the AC/DC Remasters series.
Reissue, Remastered, 180 Gram
Mastered At Gateway Mastering
Lacquer Cut At Abbey Road Studios
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