Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2010
Mathias Eick - trompeta
Andreas Ulvo - pian
Audun Erlien - bas
Torstein Lofthus - tobe
Gard Nilssen - tobe
Morten Qvenild - claviaturi
Tore Brunborg - saxofon tenor
Sidsel Walstad - harpa
A larger lineup and more detailed arrangements while never losing the lyrical path of the soloist the work is consistently revolving around. Textured layers of lyrical inventiveness. Engaging. While the admitted influences of this release range from calssical to pop, it is the brilliant use of these “pop sensibilities” that make “Skala” a sonic delight. [ Brent Logan Black, Digital Jazz News ]
2017
Bjorn Meyer - bas electric si acustic
There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem.
1975
Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )
AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.
While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "
In Through the Out Door is the eighth and final studio album by the English rock band Led Zeppelin. It was recorded over a three-week period in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by Swan Song Records on 15 August 1979. In 1980, the band's drummer John Bonham died, and they disbanded soon after.
Remastered by Jimmy Page
1978 - "Dire Straits, an English quartet led by singer songwriter Mark Knopfler, plays tight, spare mixtures of rock, folk and country music with a serene spirit and witty irony. It’s almost as if they were aware that their forte has nothing to do with what’s currently happening in the industry, but couldn’t care less." Rolling Stone
Mastered from the original analogue and digital masters by Bernie Grundman and Bob Ludwig
If You Want Blood You've Got It is the first live album by Australian hard rock band AC/DC, and their only live album with Bon Scott as lead vocalist. It was originally released in the UK and Europe on 13 October 1978, in the US on 21 November 1978, and in Australia on 27 November 1978. The album was re-released in 1994 on Atco Records and in 2003 as part of the AC/DC Remasters series.
A New Day Yesterday is the debut studio album by American blues rock musician Joe Bonamassa. Recorded at Pyramid Recording Studios in Ithaca, New York, it was produced by Tom Dowd and released on October 24, 2000 by independent record label Okeh in tandem with Epic Records and 550 Music. The album registered at number 9 on the US Billboard Top Blues Albums chart and spawned the singles "Miss You, Hate You" in 2001 and "Colour and the Shape" in 2002.
The Piper at the Gates of Dawn is the debut studio album by the English rock band Pink Floyd, and the only one made under founding member Syd Barrett's leadership. The album, named after the title of chapter seven of Kenneth Grahame's The Wind in the Willows and featuring a kaleidoscopic cover photo of the band taken by Vic Singh, was recorded from February to May 1967 and released on 4 August 1967.
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
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