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Viniluri Gen: Jazz


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Viniluri Gen: Jazz (344 rezultate)

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  • Numar discuri: 1
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

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Crystal clear vinyl & rainbow slipmat

  • Numar discuri: 2
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

Pret: 175 Pret lista 200 RON RON
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  • Numar discuri: 1
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

Pret: 85 Pret lista 100 RON RON
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Release: 2018
Format: 2 x Vinyl, LP, Compilation, Stere

  • Numar discuri: 2
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

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1975 - Keith Jarrett - pian

Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.

  • Numar discuri: 2
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe un review
Pret: 149 RON
In stoc

Ella and Louis is a 1956 studio album by Ella Fitzgerald and Louis Armstrong, accompanied by the Oscar Peterson Quartet. Having previously collaborated in the late 1940s for the Decca label, this was the first of three albums that Fitzgerald and Armstrong were to record together for Verve Records, later followed by 1957's Ella and Louis Again and 1959's Porgy and Bess.

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

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1971 - Keith Jarrett, pian solo

AllMusicGuide:

"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Koln Concert. "

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

Nota
( 4 ) bazata pe un review
Pret: 109 RON
In stoc

Pentru prima data pe vinil !

Anouar Brahem - oud
Francois Couturier - pian
Jean-Louis Matinier - acordeon

The album is like a sad rhapsody, full of shadowy mirages and blue echoes, the prevailing melancholy not dour and heavy but rather light and cloudy. Names like Satie, Debussy, Mounir Bachir, even Eno in acoustic mode keep flashing across your mental screen as you listen. This is academy music with no clothes on, naked and awkward, honest and beautiful. Shut your eyes and you could be in the port of Dar el Baida, a seagull swooping over a grey-blue sea and huge cranes and rusty hulled freighters in the background, the light and forgetful breeze brushing your cheek. Le pas du chat noir features uncontrived performances of cat-like agility – soft, bright-eyed and magical. It is a brilliant piece of work. [ Andy Morgan, Songlines ]

  • Numar discuri: 1
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

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Original ¼" analog mono tapes were used for all tracks.

'Newly discovered previously unreleased music from The Classic Quartet'

Printed inner sleeve.

Previously unreleased music for the Gilles Groulx movie 'Le chat dans le sac', recorded on June 24, 1964 at Van Gelder Studios.

The recordings were made in June 1964, in between the sessions for ‘Crescent’ and ‘A Love Supreme.’

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

  • Testeaza in showroom Cotroceni

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1973:
Chick Corea - pian
Gary Burton - vibrafon

The Corea/Burton duo was brought together by producer Manfred Eicher, and Crystal Silence (recorded in 1972) brought a new chamber music sensibility into jazz improvisation, distinguished by an effervescence of melody and countermelody, with synchronized cascades of sound in continually changing harmonic movement. “It becomes a little magical,” said Corea. Stereo: “Crystal Silence is an album of extraordinary musicianship and rare beauty. Rarely have two musicians been so perfectly matched and rarely do we hear an album of such consistent excellence and originality. “

Initially published in April 1973, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

In stoc

2010. Interpreti: Youn Sun Nah, Ulf Wakenius, Lars Danielsson, Xavier Desandre-Navarre, Roland Brival

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

In stoc
  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

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2018
Nik Bartsch - pian
Sha - bas clarinet, saxofon alto
Thomy Jordi - bas
Kaspar Rast - tobe

Bärtsch speaks of a new-found freedom and flexibility in the approach to the material, with “greater transparency, more interaction, more joy in every performance”. The freedom here extends to revisiting earlier Bärtsch modules alongside new compositions including, for the first time on a Ronin record, a piece by reedman Sha. “We’ve spent a long time working on the new repertoire, really checking out and fine tuning all the details.”

Awase, a term from Aikido, means “moving together” in the sense of matching energies, a fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Ronin today. In the old band, Bärtsch often chose to present Björn Meyer’s flamboyant 6-string bass as a lead instrument. Thomy Jordi’s 4-string bass guitar tends to be deployed within the fabric of the pieces, creatively fulfilling a more traditional bass function and locking in with Kaspar Rast’s powerful drums. With Bärtsch also scaling back his own solo playing, listeners are encouraged to hear the whole music and its layered, shifting approach to interaction in new ways.

  • Numar discuri: 2
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

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1972

Dave Holland - contrabas
Sam Rivers - instrumente de suflat cu ancie, flaut
Anthony Braxton - instrumente de suflat cu ancie, flaut
Barry Altschul - percutie, marimba

An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the music’s most strikingly original saxophonists, recorded together. Inside Dave’s compositions they could meet – if briefly - and share ideas.

This summit meeting received raves from the press. “If you’ve found the new music lacking in swing, cohesion and variety, get to this album,” insisted Down Beat in a five star review. “It’s Holland’s date but each man contributes equally. The six Holland tunes offer great improvisational frameworks, and his bass playing, both arco and pizzicato, couldn’t be better… Don’t miss this one.”

Reeditat de pe benzile master analogice originale

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

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2008

Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice

It's too easy to fall into the trap of calling the last recording by a recently deceased artist "his best ever" or "a fitting end to his recorded legacy," but in the case of the final release by Swedish jazz superstars e.s.t. before their titular leader, pianist Esbjörn Svensson, died in a tragic diving accident in June, 2008, it's the only way to describe it. Leucocyte is an album that's like nothing the trio has released before, yet it possesses the unmistakable personality that caused the group to rise from obscurity in the mid-1990s to rock star-like fame (at least, in relative jazz terms) in recent years with albums including Tuesday Wonderland (ACT, 2006) and the particularly noteworthy Live in Hamburg (ACT, 2007).

Culled from two days of free improvisations recorded in an Australian studio in the middle of a tour, it's proof that, despite the production veneer that gave earlier albums like Viaticum (ACT, 2005) a pop-like sensibility, e.s.t. was, at its heart, an improvising band. Many of its compositions—sometimes complex writing that remained completely accessible, but other times profoundly lyrical music of spare simplicity—stemmed from ad hoc days spent experimenting in recording studios. But while the group would normally take the results and shape them into more defined form, Leucocyte is presented as it was recorded—with, of course, the additional post-production that always broadened the group's aural landscape into something that drew on elements as far-reaching as Keith Jarrett, Radiohead and Motorhead.

  • Numar discuri: 2
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe un review
Pret: 159 RON
In stoc

Miles’ music continues to grow in its beauty, subtlety and sheer magnificence. Bitches’ Brew is a further extension of the basic idea he investigated in his two previous albums, Filles De Kilimanjaro and In A Silent Way. In a larger sense, however, the record is yet another step in the unceasing process of evolution Miles has undergone since the Forties. The man never stops to rest on his accomplishments. Driven forward by a creative elan unequaled in the history of American music, he incorporates each successive triumph into the next leap forward. [RollingStone]

  • Numar discuri: 2
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

Nota
( 5 ) bazata pe un review
Pret: 130 RON
In stoc

Blue Note TONE POET series

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

In stoc

Pastel Blues is a studio album by American jazz singer, songwriter, and pianist Nina Simone. Recorded in 1964 and 1965 in New York City, it was released by Philips Records in 1965. It peaked at number 139 on the Billboard 200 chart, as well as number 8 on the Top R&B/Hip-Hop Albums chart.

  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

  • Testeaza in showroom Cotroceni

In stoc

The Very Best of Diana Krall collects a nice cross-section of tracks the pianist/vocalist recorded beginning with her 1996 breakthrough album, All for You, and moving through to her 2006 effort From This Moment On. These are largely urbane and stylish recordings that range from her intimate and swinging trio work with guitarist Russell Malone and bassist Christian McBride to her lush orchestral and big-band numbers. While this is primarily a compilation for fans of the sophisticated, jazz standards-oriented Krall, Verve does earn some kudos for including at least one cut from her deeply personal and subsequently not as popular effort The Girl in the Other Room. Also featured are cuts from her stellar 2002 concert album Live in Paris. If you're a fan of straight-ahead jazz with a heavy dash of romance and haven't checked out Krall's work, The Very Best is superb place to start.

  • Numar discuri: 2
  • Greutate Vinil: Normal
  • Gen muzica: Jazz

In stoc
  • Numar discuri: 1
  • Greutate Vinil: 180g
  • Gen muzica: Jazz

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