Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Cesária is a Cape Verdean morna and coladeira album by Cesária Évora. The album was released by Paris-based Lusafrica on 18 July 1995. The album was nominated for a Grammy Award in the World Music category in 1996.
Testeaza in showroom Cotroceni
1989
Shankar - vioara dubla
Zakir Hussain - tabla
Vikku Vinayakram - ghatam
Jon Christensen - tobe
Multi-instrumentalist L. Shankar’s fascinating evolution as a musician and composer took yet another intimate turn with M.R.C.S. Dedicated to Shankar’s father, V. Lakshminarayana, it also boasts master percussionists Zakir Hussain (tabla), Vikku Vinayakram (ghatam), and drummer Jon Christensen. The depths of the album’s experiences are forever aquatic, as in the opening “Adagio,” which floats Shankar’s double violin insights on a dark and winding current. Filmic and vivid, its gauche stretches a fine canvas for the pigments that follow.
“All I Care” marries the rhythmic edge of “March” (an interlude from Christensen) with Shankar’s cosmic pizzicato and gossamer comet trails, the latter reaching glorious improvisational heights that can only end in fadeout, lest their perpetuity be harmed. The music travels away from us, ever tuneful, into the tabla-infused “Reasons.” Here, Hussain trail-marks a scurrying snare, backing more winged artistry from the leader.
Rolling Stone named it 50th on their list of 50 best albums of 2013.
[ Pitchfork ] In 2012, Beck published a book of sheet music called Song Reader. This collection features versions of those songs by artists including Jack White, Norah Jones, Jeff Tweedy, and Jarvis Cocker, and the set was executive produced by Wes Anderson music supervisor Randall Poster.
1990
Stephan Micus - Dilruba, gong, Kortholt, Sho, chitara, Suling (flaut din bambus), english flageolet
AllMusic: "German multi-instrumentalist Stephan Micus was making his own rather idiosyncratic version of world music years before it became fashionable to do so. Micus specializes in taking ethnic instruments from all over the planet and using them, in ways that transcend their traditional contexts, to play his own moody and somewhat austere compositions.
1990
Anouar Brahem - oud
Bechir Selmi - vioara
Lassad Hosni - percutie
Recorded in 1990, Barzakh was the ECM debut of Tunisian oud master Anouar Brahem, and an album that immediately captured the attention of press and public with its gracefulness and authority. “Phenomenal…this is pure Arab music, without ‘world music’ frippery,” wrote Karl Lippegaus in Stereo. Brahem is joined here by Bechir Selmi, the sensitive violinist from the Musical Ensemble of Tunis, and percussionist Lassad Hosni, whose earthy frame drum and speeding darbouka would come to be important components of later Brahem recordings including Conte de l’incroyable amour and Astrakan Café. Beyond the improvisatory brilliance, Barzakh gave notice also of Brahem’s gift for writing arresting themes and luminous melody, as illustrated by “Raf Raf”, “Parfum de Gitane”, “Kerkenah” and other pieces here.
Initially published in April 1991, vinyl is reissued in October 2017 as audiophile 180g pressing.
1967 ( remaster 2014 )
In 1967, John Martyn became the first white solo act to sign with Island Records. While this is notable in the history of the label, his initial release, London Conversation, on the other hand, stands as a mere footnote. The record, though incorporating touches of blues and his characteristic guitar and vocal, doesn't really prepare you for what's to come from Martyn. The album is a basic, no-frills, guitar and voice effort, although one track, the droning dulcimer and flute-driven "Rolling Home," shows Martyn's urge to stretch, which would become much more evident in the coming years. His vocal delivery is traditionally British, while his playing is steeped in the eclectic folk of British artists such as Davey Graham and Bert Jansch, as well as American blues and folk. London Conversation, whose material (written primarily by Martyn) reflects the era and his age (18 years old), comes across as a young, although soon to be important artist looking for a voice.
Intra in contul tau si ai acces la
Urmareste-ne pe Facebook si Google+
si vei avea acces la: