Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP standard
LP 180g
LP standard
2LP albastre
LP 180g gatefold, Acoustic Sounds Series
12", 45rpm
LP 180g gatefold, remasterizat, half-speed mastered
2LP gatefold, remasterizat
2LP
The Guardian: "Twenty-five years ago, during the summer of Blur’s Parklife and Oasis’s Definitely Maybe, a darker, stranger record was released that would soon become huge. Its title and mood was inspired by a 1970s TV drama of the same name, about a young deaf woman in Yorkshire who becomes a prostitute. The lyrics spoke of emotional extremes, sung in an extraordinary, rural-tinged, English blues by the Devon-born Beth Gibbons, of “the blackness, the darkness, forever” in Wandering Star, or of the feeling that “nobody loves me, it’s true, not like you do” in Sour Times.
Its sound, woven together by Geoff Barrow and Adrian Utley, helped define what is known today in music as hauntology, the sampling of older, spectral sounds to evoke deeper cultural memories (Boards of Canada’s TV-sampling electronica, Burial’s dubstep, and the Ghost Box label’s folk horror soundworlds would follow their lead). But despite its starkness, Dummy became a triple-platinum seller and a Mercury prizewinner, perhaps because it struck a nerve in what Barrow calls our “sonic unconscious… when sounds can merge with other sounds from somewhere else, and ultimately create emotion".
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