Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
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Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
“Can’t stand jazz? e.s.t. could be the band to change your mind“ (The Guardian, Jan. 2005)
“…a mastery and empathetic synergy which goes beyond intelligent, sensitive musical response. [...] An infinite river of creativity” (Mojo, Feb. 2005)
2008
Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice
It's too easy to fall into the trap of calling the last recording by a recently deceased artist "his best ever" or "a fitting end to his recorded legacy," but in the case of the final release by Swedish jazz superstars e.s.t. before their titular leader, pianist Esbjörn Svensson, died in a tragic diving accident in June, 2008, it's the only way to describe it. Leucocyte is an album that's like nothing the trio has released before, yet it possesses the unmistakable personality that caused the group to rise from obscurity in the mid-1990s to rock star-like fame (at least, in relative jazz terms) in recent years with albums including Tuesday Wonderland (ACT, 2006) and the particularly noteworthy Live in Hamburg (ACT, 2007).
Culled from two days of free improvisations recorded in an Australian studio in the middle of a tour, it's proof that, despite the production veneer that gave earlier albums like Viaticum (ACT, 2005) a pop-like sensibility, e.s.t. was, at its heart, an improvising band. Many of its compositions—sometimes complex writing that remained completely accessible, but other times profoundly lyrical music of spare simplicity—stemmed from ad hoc days spent experimenting in recording studios. But while the group would normally take the results and shape them into more defined form, Leucocyte is presented as it was recorded—with, of course, the additional post-production that always broadened the group's aural landscape into something that drew on elements as far-reaching as Keith Jarrett, Radiohead and Motorhead.
From “E.T.” to “Harry Potter” and “Jurassic Park” – Great Music from the Movies for Solo Piano. Austrian jazz pianist David Helbock plays music by multiple Oscar- and Grammy-winning American film composer John Williams.
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Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
The album is forcefully controlled, quite ethereal, and classical in both style and grace. The trajectory of the music is understated, with improvising being hardly essential, merely hinted at, as it seems that E.S.T. work as three entities ... those being the band, the individuals, and the music, where they sound as if they’re talking in chord sequences, in a rhythmic cycle that ebbs and flows, before bending back onto themselves, and stepping into a new space to begin the whole process again. What one needs to grasp is the notion of strategies, rather than improvisation, hence the change that allows for E.S.T. to create atmospheric textures that are as much jazz as they are ambient washes of emotion.
From Gagarin’s Point Of View is cool, laid back, and spontaneous in restrained manner that creates a dynamic tension that holds one’s attention, and inspires an inquisitive nature, anticipating where the music is headed as it’s happening, and joyfully holding on for the ride without feeling battered or waylaid.
2018
Nils Landgren / trombone & vocals
Michael Wollny / piano
Lars Danielsson / bass & cello
Wolfgang Haffner / drums
Four European jazz stars for the very first time as a quartet: 4 Wheel Drive as an ensemble is like a high-performance four-cylinder engine with all the gears meshing perfectly. And the fuel: jazz.
The two guitar icons Larry Coryell and Philip Catherine have a long history and a close musical affinity, despite their different influences on this and the other side of the Atlantic. Recorded on January 27, 2017 as part of the "Jazz at Berlin Philharmonic" series, "The Last Call" is the last recording of Larry Coryell, who passed away four weeks later on February 19, 2017
2013
In The Country:
Morten Qvenild - pian, electronice
Roger Arntzen - contrabas, electronice
Pal Hausken - tobe, percutie, vibrafon, electronice
Genuine novelistic: Morten Qvenilds piano trio oscillates between tradition and experiment, minimalism, moody chants and anthemic intensity.
LPul include si varianta CD ( in mapa de carton )
Youn Sun Nah - voce, kalimba
Jamie Saft - pian, claviaturi
Brad Jones - contrabas
Dan Rieser - tobe
Marc Ribot - chitara electrica si acustica
In “She Moves On” this chameleonic and delightful artist has reinvented herself once again.In South Korea Youn Sun Nah is a national celebrity. She first made her name in a musical, with a role in the Korean version of the successful German show “Line 1” – and that led to the blossoming of her solo career.
2019
Joachim Kuhn - pian
It is extremely rare that German jazz musicians reach as much international acclaim as pianist Joachim Kühn - from his early years in the former GDR, over his escape and work in Western Germany to France and finally the US and collaborations with artists from all over the world. On "Melodic Ornette Coleman" Kühn performs original compositions by his long-time duo-partner which, for most part, have never been recorded before. A virtual encounter of two of the harmonically and melodically most complex musicians of our time.
The sound world of “Kristallen” relishes the moment when the surfaces and edges of crystals shimmer and cast off unexpected colours.
“Europe is different, every country is different,” says violinist Adam Bałdych, “but music is a language which can bring us together, to one place.” He, Dutch pianist Rogier Telderman and French cellist Vincent Courtois combine and juxtapose their different sounds and heritages. That is the central concept behind the trio of equals that they formed two years ago. “We have three very different personalities, we each bring very different colours,” says Bałdych.The group gave its inaugural concert at a festival which carries a strong European mission in its name: the artistic director of the ‘Sounds of Europe Festival’ which had it very first edition in Breda in Holland in February 2018 gave Dutch pianist Rogier Telderman carte blanche to form a new ensemble, and the pianist chose to invite Bałdych and Courtois.
Youn Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
LP + CD
2013. Interpreti: Youn Sun Nah, Ulf Wakenius, Lars Danielsson, Xavier Desandre-Navarre, Vincent Peirani
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