Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2010. Interpreti: Youn Sun Nah, Ulf Wakenius, Lars Danielsson, Xavier Desandre-Navarre, Roland Brival
2008
Esbjorn Svensson - pian, claviaturi, electronice
Dan Berglund - bas, electronice
Magnus Ostrom - tobe, percutie, electronice
It's too easy to fall into the trap of calling the last recording by a recently deceased artist "his best ever" or "a fitting end to his recorded legacy," but in the case of the final release by Swedish jazz superstars e.s.t. before their titular leader, pianist Esbjörn Svensson, died in a tragic diving accident in June, 2008, it's the only way to describe it. Leucocyte is an album that's like nothing the trio has released before, yet it possesses the unmistakable personality that caused the group to rise from obscurity in the mid-1990s to rock star-like fame (at least, in relative jazz terms) in recent years with albums including Tuesday Wonderland (ACT, 2006) and the particularly noteworthy Live in Hamburg (ACT, 2007).
Culled from two days of free improvisations recorded in an Australian studio in the middle of a tour, it's proof that, despite the production veneer that gave earlier albums like Viaticum (ACT, 2005) a pop-like sensibility, e.s.t. was, at its heart, an improvising band. Many of its compositions—sometimes complex writing that remained completely accessible, but other times profoundly lyrical music of spare simplicity—stemmed from ad hoc days spent experimenting in recording studios. But while the group would normally take the results and shape them into more defined form, Leucocyte is presented as it was recorded—with, of course, the additional post-production that always broadened the group's aural landscape into something that drew on elements as far-reaching as Keith Jarrett, Radiohead and Motorhead.
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Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
“Can’t stand jazz? e.s.t. could be the band to change your mind“ (The Guardian, Jan. 2005)
“…a mastery and empathetic synergy which goes beyond intelligent, sensitive musical response. [...] An infinite river of creativity” (Mojo, Feb. 2005)
2013. Interpreti: Youn Sun Nah, Ulf Wakenius, Lars Danielsson, Xavier Desandre-Navarre, Vincent Peirani
2019
Joachim Kuhn - pian
It is extremely rare that German jazz musicians reach as much international acclaim as pianist Joachim Kühn - from his early years in the former GDR, over his escape and work in Western Germany to France and finally the US and collaborations with artists from all over the world. On "Melodic Ornette Coleman" Kühn performs original compositions by his long-time duo-partner which, for most part, have never been recorded before. A virtual encounter of two of the harmonically and melodically most complex musicians of our time.
As the title intimates, "Last Spring" is a revisiting of spring. It is not an exulting, whirling awakening, but a sustained, minimalistic meditation, oriented strongly towards the details, the variance of the melodies, the breadth and beauty of the sound. It is based on the most perfect interaction possible: Wesseltoft's soft piano daubs melt like wax into the pizzicato melodies that Kraggerud entices out of his 1744 Guarneri violin, his Harald Lund viola and his unique six-stringed viola Concorda.
2014
Marius Neset / tenor and soprano saxophone
Hanna Paulsberg / tenor saxophone
Peter Fuglsang / alto saxophone, flute and clarinet
Eirik Hegdal / baritone and soprano saxophone
Eivind Lonning & Erik Eilertsen / trumpet
Erik Johannesen / trombone
Daniel Herskedal / tuba
Jovan Pavlovic / accordion
Espen Berg / piano
Petter Eldh / bass
Gard Nilssen / drums, percussion
“Marius Neset combines Michael Brecker’s power and Jan Garbarek’s tonal delicacy [...] The Norwegian saxophonist is on his way to being one of the biggest new draws on the circuit” (The Guardian). His ACT debut is energetic, wild and colourful – like a lion ferociously chasing its prey.
2017
Bugge Wesseltoft - pian
Bugge Wesseltoft and producer Siggi Loch have returned to the original concept of “Snowing” in “Everybody Loves Angels”. The title is a metaphor for the kind of weightless ease which the music conveys; and this time it's not just for winter...The success story started in 1997. Bugge Wesseltoft had just released the album “New Conception Of Jazz” on his own newly-founded label Jazzland. That album broke new ground...
Youn Sun Nah – voce
Ulf Wakenius – chitara
Lars Danielsson – violoncel, contrabas, melodica
Xavier Desandre-Navarre – percutie
Mathias Eick – trompeta
In our time and age, a jazz singer from Korea may still seem like an exotic concept. But anyone who knows how much effort Asian countries invest in education and promotion also knows about the growing circle of jazz fans in the region. So with notable exceptions it’s astounding that there aren’t more artists from Korea or Japan whose names are on everyone’s lips. However, Youn Sun Nah could change all that, and as the first Korean artist exclusively under contract with ACT, anyone listening to her debut album Voyage (ACT 9019-2) will understand why.
2007
Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
Anybody who wants the quintessential Esbjörn Svensson gig (if they're fans, that is - EST's music is viewed as a slick hit-formula by some improv fundamentalists) can tick this CD as a must. EST's mix of jazz-ballad delicacy, rock melodrama, subtle electronic colouring, and hypnotic Jarrett and Mehldau-inspired extemporisation consistently produces powerful live shows. [ The Guardian ]
Youn Sun Nah - voce, kalimba
Jamie Saft - pian, claviaturi
Brad Jones - contrabas
Dan Rieser - tobe
Marc Ribot - chitara electrica si acustica
In “She Moves On” this chameleonic and delightful artist has reinvented herself once again.In South Korea Youn Sun Nah is a national celebrity. She first made her name in a musical, with a role in the Korean version of the successful German show “Line 1” – and that led to the blossoming of her solo career.
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