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Please is the debut album by English electronic music duo Pet Shop Boys, released on 24 March 1986 by Parlophone Records in the United Kingdom and by EMI America Records in the United States.
Stravinsky: The Firebird Suite, The Song of the Nightingale
Minnesota Orchestra, dirijeaza Eiji Oue
Produs de casa de discuri Reference Recordings, acest album este cu adevarat unul de referinta atat in ceea ce priveste interpretarea, cat si din punct de vedere al sunetului.
Esbjorn Svensson - pian, claviaturi, percutie Dan Berglund - bas, percutie Magnus Ostrom - tobe, percutie
The album is forcefully controlled, quite ethereal, and classical in both style and grace. The trajectory of the music is understated, with improvising being hardly essential, merely hinted at, as it seems that E.S.T. work as three entities ... those being the band, the individuals, and the music, where they sound as if they’re talking in chord sequences, in a rhythmic cycle that ebbs and flows, before bending back onto themselves, and stepping into a new space to begin the whole process again. What one needs to grasp is the notion of strategies, rather than improvisation, hence the change that allows for E.S.T. to create atmospheric textures that are as much jazz as they are ambient washes of emotion.
From Gagarin’s Point Of View is cool, laid back, and spontaneous in restrained manner that creates a dynamic tension that holds one’s attention, and inspires an inquisitive nature, anticipating where the music is headed as it’s happening, and joyfully holding on for the ride without feeling battered or waylaid.
Chick Corea - pian electric Joe Farrell - flaut, saxofon sopran Flora Purim - voce, percutie Stan Clarke - bas Airto Moreira - tobe, percutie
Steve Huey ( AllMusicGuide ): "The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke.
It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock.
“This is the chill-out as a state of grace, and it can go as deep as you like. Sublime,” wrote the Independent on Sunday of the Gustavsen’s trio’s Being There, released in 2007.
Over the last decade Tord has explored other ensemble forms and formats, but on The Other Side - recorded at Oslo’s Rainbow Studio in January 2018 – he opens a new chapter in his piano trio story, with faithful drummer Jarle Vespestad, and excellent new bassist Sigurd Hole. Hole’s approach to his instrument, drawing on folk influences as well as modern jazz, is ideally suited to Gustavsen’s slowly-developing, deeply melodic pieces. The album, produced by Manfred Eicher, is issued on the eve of a major tour.
Recorded in 1975 at the Koln Opera House and released the same year, this disc has, along with its revelatory music, some attendant cultural baggage that is unfair in one sense: Every pot-smoking and dazed and confused college kid -- and a few of the more sophisticated ones in high school -- owned this as one of the truly classic jazz records, along with Bitches Brew, Kind of Blue, Take Five, A Love Supreme, and something by Grover Washington, Jr. Such is cultural miscegenation. It also gets unfairly blamed for creating George Winston, but that's another story.
Produced by Giles Martin for this year’s universally heralded ‘Sgt. Pepper’ Anniversary Edition releases, the album’s new stereo mix was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by Giles’ father, George Martin. Praised by fans and music critics around the world, The Beatles’ ‘Sgt. Pepper’ Anniversary Edition is 2017’s most celebrated historical music release and an ideal gift for Beatle People here, there, and everywhere.
Lew Soloff - trompeta Guy Barker - trompeta Claude Deppa - trompeta Steven Bernstein - trompeta Gary Valente - trombon Richard Edwards - trombon Fayyaz Virji - trombon Ashley Slater - trombon bas Roger Jannotta - oboi, flaut, saxofon Wolfgang Puschnig - saxofon alto, flaut Andy Sheppard - saxofon tenor si sopran Pete Hurt - saxofon tenor, clarinet Pablo Calogero - saxofon bariton Steve Swallow - bas Karen Mantler - orga Victor Lewis - tobe Don Alias - percutie
Five striking Bley compositions are featured here, including two extended works, 'United States' and 'All Fall Down'. The lasting impression is one of unusual voicings, adventurous soloists, unconventional arranging touches, and dissonant shadings. 'Delightfully quirky, chaotically dynamic, delicately impressionistic, buoyantly upbeat, and brashly bold.' - Downbeat
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson, Eddie Jobson
Lacquer Cut By – Miles Showell Mastered By – Bob Ludwig
AllMusic: " Without Brian Eno, Roxy Music immediately became less experimental, yet they remained adventurous, as Stranded illustrates. Under the direction of Bryan Ferry, Roxy moved toward relatively straightforward territory, adding greater layers of piano and heavy guitars. Even without the washes of Eno's synthesizers, Roxy's music remains unsettling on occasion, yet in this new incarnation, they favor more measured material, whether it's the reflective "A Song for Europe" or the shifting textures of "Psalm." Even the rockers, such as the surging "Street Life" and the segmented "Mother of Pearl," are distinguished by subtle songwriting that emphasizes both Ferry's tortured glamour and Roxy's increasingly impressive grasp of sonic detail. "
AllMusic: "This 22-cut double-disc set finally gets at it. Issuing a single disc of Dire Straits and Mark Knopfler would be a silly thing at best and a hopelessly frustrating one at worst. When the band burst on the scene with "Sultans of Swing," there was a lot happening in rock music, but most of it was under the radar and remains forgotten except in the historic annals of music fanatics. Knopfler and his band were full of rock & roll romance and proved it through their first four recordings time and again. They couldn't help but become superstars and mainstays of MTV. But there is another story told on this best-of, which begins with "Telegraph Road." The story-songs Knopfler wrote were always the best anyway, and this set is full of them, from "Sultans" to "Romeo & Juliet," "Skateaway," "So Far Away," "Walk of Life," and (of course) "Brothers in Arms," which made for the most dramatic marriage of the little screen and rock music when it was featured in the closing sequence of an episode of Miami Vice.
Mastered At – Gateway Mastering Mastered By – Bob Ludwig, Simon Francis
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row".
Born in the U.S.A. is the seventh studio album by American rock singer-songwriter Bruce Springsteen. It was released by Columbia Records on June 4, 1984. The album's music was written by Springsteen and recorded with his E Street Band and producers Chuck Plotkin and Jon Landau at The Power Station and The Hit Factory in New York City.
King Creole is the second soundtrack album by American singer and musician Elvis Presley, issued by RCA Victor, LPM 1884 in mono in September 1958, recorded in four days at Radio Recorders in Hollywood.
Aha Shake Heartbreak is the second studio album by American rock band Kings of Leon. It was released in November 2004, in the UK and February 2005, in the United States. It is the only album by Kings of Leon to have a Parental Advisory label because of the strong language in "Taper Jean Girl", "Rememo", "Soft", and "Four Kicks".
A Hot Night in Paris is the only album by The Phil Collins Big Band, released in 1999 by Atlantic Records. Fronted by Genesis lead singer Phil Collins, the album did not contain any singing. Instead, the album consisted of big band renditions of primarily Collins and Genesis songs, with Collins remaining at the drums.
A Momentary Lapse of Reason is the thirteenth studio album by the English progressive rock band Pink Floyd. It was released in the UK and US on 7 September 1987 by EMI and Columbia. It was recorded primarily on guitarist David Gilmour's converted houseboat, Astoria. Its production was marked by a legal dispute with former member Roger Waters, who departed in 1985, as to who owned the rights to the band's name, an issue resolved several months after the album was released.
Remastered – James Guthrie, Joel Plante, Bernie Grundman Lacquer Cut – Bernie Grundman
Led Zeppelin II is the second album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it also served as Led Zeppelin's first album to use Eddie Kramer as engineer. It was entirely recorded using the core band members, including Page (guitar), Robert Plant (vocals, harmonica), John Paul Jones (bass, keyboards), and John Bonham (drums).
Ballbreaker is the 13th studio album by Australian hard rock band AC/DC. It was the band's twelfth internationally released studio album and the thirteenth to be released in Australia. It was released in 1995 and was re-released in 2005 as part of the AC/DC Remasters series.
Rattle That Lock is the fourth solo studio album by Pink Floyd singer and guitarist David Gilmour. It was originally released in September 2015, on the label Columbia. Gilmour completed short tours of Europe in September and October 2015 and South America in December 2015 to support the album, with a similar tour of the United States and Canada following in March and April 2016.
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