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Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
“Can’t stand jazz? e.s.t. could be the band to change your mind“ (The Guardian, Jan. 2005)
“…a mastery and empathetic synergy which goes beyond intelligent, sensitive musical response. [...] An infinite river of creativity” (Mojo, Feb. 2005)
10 inch EP
12" EP
2-LP Vinyl
Remixed in 2019 from the original master tapes
Heavyweight 180 gram pressing
24-page booklet
1977
Terje Rypdal - electric guitar, keyboard, synthesizer
Palle Mikkelborg - trumpet, fluegelhorn, RMI, tac piano, ring modulator
Sveinung Hovensjo - basses
Jon Christensen - drums, percussion
Terje Rypdal’s Waves (recorded 1977) announced the beginning of the Norwegian guitarist’s association with Danish trumpeter Palle Mikkelborg, which continues to this day. The album also introduced one of Terje’s most enduringly popular pieces, “Per Ulv.” “Rypdal’s album is a series of sonic excursions ranging from the expressionist to the impressionist…” wrote Record World. “Rypdal’s guitar and Mikkelborg’s trumpet are well-matched, with Manfred Eicher’s typically superb production putting it all in focus.”
Initially published in January 1978, vinyl is reissued in October 2016 as audiophile pressing taken from the original analog tapes.
1981
Ralph Towner - chitara clasica, double-six
John Abercrombie - chitara acustica, , electrica, mandolina electrica
John Abercrombie is unique among guitarists in that whenever he becomes enraptured his sound becomes neither louder nor more pronounced but becomes somehow mysterious, liberated. Ralph Towner, on the other hand, revels in the crackling ruptures that so characterize his playing. Yet these roles seem reversed in this follow-up to the duo’s Sargasso Sea. A far more fragile carnation than its predecessor, it seems to forego the usual bag of tricks in favor of something more, as the album’s title would imply, reflective. This is especially apparent in the three improvisations with which the set list is dotted, and nowhere more so than in “Late Night Passenger,” where Abercrombie’s laddered filaments provide stunning berth for the other’s muted, jangling starlight. [ ecmreviews ]
1977
Egberto Gismonti - chitara, pian, voce, flaute
Nana Vasconcelos - percutie, berimbau, voce
Egberto Gismonti’s Dança das Cabeças (recorded 1976) was the first ECM disc from the brilliant Brazilian guitarist and pianist and the first document of Egberto’s collaboration with percussionist Nana Vasconcelos. It was a revelatory blending of sounds, Gismonti’s finely sculpted compositions irradiated by Nana’s Afro-Brazilian rhythm concept and his rainforest sounds. Dança das Cabeças won the German Record Critics Prize as Album of the Year in 1977.
Initially published in March 1977, vinyl is reissued in October 2016 as audiophile pressing taken from the original analog tapes.
Octombrie 1969
Abdullah Ibrahim ( aka. Dollar Brand ) - pian
AllMusic (Scott Yanow) :
"Pianist Abdullah Ibrahim was still known as "Dollar Brand" when he recorded this solo piano set for ECM; it has been reissued on CD under his original name. The continuous live performance (which is under 39 minutes) explores eight of Ibrahim's originals...Ibrahim was still in the process of finding his own sound at the time, although his improvisations (which use repetition and vamps effectively) have their interesting moments. Still, Ibrahim's later work is more significant."
Remastered with care and love from the original master tape by Georg Burdicek
This record was produced in cooperation with Pro-Ject Audio Systems to reproduce the original music and sound experience of this famous concert in the Golden Hall at the Wiener Musikverein. Pressed on 180g premium-quality vinyl in highest precision by Pallas Germany.
Dust Bowl is the ninth studio album by blues rock guitarist Joe Bonamassa. It was released worldwide on March 22, 2011. The cover art is based on a famous 1936 photograph by Arthur Rothstein.
Obscured by Clouds is the seventh studio album by the English progressive rock band Pink Floyd, released on 2 June 1972 by Harvest and Capitol Records. It is based on their soundtrack for the French film La Vallée, by Barbet Schroeder. It was recorded in two sessions in France, while they were in the midst of touring, and produced by the band members.
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
Pressed By – Record Industry – 17251
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