Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Testeaza in showroom Cotroceni
1982 - "Love Over Gold is not just the title of Dire Straits’ fourth album, it is a statement of purpose. In almost suicidal defiance of commercial good sense, singer-songwriter-guitarist Mark Knopfler has chosen to follow his muse, fashioning a collection of radically expanded epics and evocative tone poems that demand the listener’s undivided attention. Certainly a quantum leap from the organic R&B impressionism of the band’s early LPs (Dire Straits and Communique) and the gripping short stories of Making Movies, its 1980 best seller, Love Over Gold is an ambitious, sometimes difficult record that is exhilarating in its successes and, at the very least, fascinating in its indulgences." Rolling Stone
Mastered from the original analogue and digital masters by Bernie Grundman and Bob Ludwig
The Road to Hell is the tenth studio album by English singer-songwriter Chris Rea, released in 1989. It is Rea's most successful studio album, topping the UK Albums Chart for three weeks, and was certified 6x Platinum by BPI until 2004. The second part of the two-part title track, "The Road to Hell (Pt. 2)", is also one of Rea's most famous songs.
45 RPM / 2LP marbled
1974
John Abercrombie - chitara
Jan Hammer - orga, sintetizatoare, pian
Jack DeJohnette - tobe
This evergreen stands tall in the ECM forest. There is no sense of competition, only mutual reveling in a distinctly nuclear sound. One could easily call it fusion, but if anything it is fused with itself, for it has created every element it seeks to combine. Timeless indeed.
1971 - Keith Jarrett, pian solo
AllMusicGuide:
"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Koln Concert. "
12" EP
[allmusic ] As the follow-up album to Oxygene, Equinoxe offers the same mesmerizing affect, with rapid spinning sequencer washes and bubbling synthesizer portions all lilting back and forth to stardust scatterings of electronic pastiches. Using more than 13 different types of synthesizers, Jarre combines whirling soundscapes of multi-textured effects, passages, and sometimes suites to culminate interesting electronic atmospheres. Never repeating the same sounds twice, it is obvious that the science fiction hype of the late '70s played a large part in the making of this album. Computerized rhythms and keyboard-soaked transitions scurry by, replaced by even quicker, more illustrious ones soon after. There is always a pulsating beat or a fluttering tempo happening somewhere in each of the tracks, which are titled as a numbered sequence one to eight. Each track harbors its own energy and electronic fleetness, but none are identical in sound or pace. So much electronic color is added to every track that it is impossible to concentrate on any particular segment, resulting in waves of synth drowning the ears at high tide.
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