Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Testeaza in showroom Herastrau
Testeaza in showroom Cotroceni
Primul album solo al artistului Zoli Toth, "Better Together" este un proiect experimental ce imbina elemente sonore de vibrafon, sintetizatoare analogice, instrumente de percutie din materiale reciclate, multe dintre care au fost inregistrate in spatii mai putin conventionale.
Recorded At – Kurhaus Scheveningen, 29 November 1958
Remastered © & ℗ 2017 FONDAMENTA
limited edition 900 copies
180 gr vinyl
Remastered with care and love from the original master tape by Georg Burdicek
This record was produced in cooperation with Pro-Ject Audio Systems to reproduce the original music and sound experience of this famous concert in the Golden Hall at the Wiener Musikverein. Pressed on 180g premium-quality vinyl in highest precision by Pallas Germany.
LP1 recorded 1954 and originally released as MG50046. Dorati. Respighi: Roman Festivals. Church Windows
LP2 recorded 1958 and originally released as SR90190. Dorati. Wienerwalzer Paprika
LP3 recorded 1959 and originally released as SR90223. Hanson. Bloch: Concerti Grossi Nos. 1 & 2
LP4 recorded 1959 and originally released as SR90285. Paray. Franck: Symphony In D Minor
LP5 recorded 1959 and originally released as SR90256. Fennell: Ballet For Band
LP6 recorded 1960 and originally released as SR90232. Paray. Wagner: Overtures To "Rienzi" & "Der Fliegende Holländer". Excerpts From "Die Walküre" And "Die Meistersinger"
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Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
Misguided American media comparisons to the highly overrated the Bad Plus have done pianist Esbjörn Svensson, bassist Dan Berglund, and drummer Magnus Ostrom a grave disservice, as their music is far more wide-ranging and much less gimmicky. Despite occasional forays into rock influences like "O.D.R.I.P." and a few brief passages that skirt the edges of outside free improv, there's an elegance and shapeliness to the trio's work that has more in common with the cerebral cool of Bill Evans (particularly on the quietly gorgeous opener "Ballad for the Unborn") or the effortless melodic grace of the Vince Guaraldi Trio ("Evening in Atlantis," "Believe, Beleft, Below"). [ AllMusic ]
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