Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2014 - "The maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona." AllMusic
2016
Avishai Cohen - trompeta
Yonathan Avishai - pian
Bill McHenry - saxofon tenor
Eric Revis - contrabas
Nasheet Waits - tobe
“Cohen is a multicultural jazz musician, among whose ancestors is Miles Davis. Like Davis, he can make the trumpet a vehicle for uttering the most poignant human cries.”
– Jazz Times
1986
Kim Kashkashian - viola
Robert Levin - pian
Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]
1988
Paul Giger - vioara
"Describing the music of Paul Giger is like trying to draw with one’s eyes closed: one can only go so far before the shapes begin to break down. Each section of this chiefly improvised work was recorded in respective titular areas of the cathedral at Chartres. Giger possesses a uniquely intimate understanding of the violin, which he brings to every movement of his playing.
The alternating ferocity and gentility with which he approaches his instrument is both inspired and inspiring. Melodically these pieces are incredibly robust, singing and shouting and praying their way through a virtuosic journey. Yet the music is anything but pretentious. Giger paints a veritable image of the cathedral, hollowing it from the inside out with the edge of his bow, respecting the space that gives his music life. [ ecmreviews ]
Testeaza in showroom Cotroceni
1981
Pat Metheny - chitara electrica si acustica
Lyle Mays - claviaturi, Synclavier
Steve Rodby - bas
Nana Vasconcelos - percutie, berimbau, voce
Dan Gottlieb - tobe
AllMusic : "If 1980's As Falls Wichita, So Falls Wichita Falls was defined by Pat Metheny's charisma, its less accessible but certainly rewarding successor, Offramp, finds him leaning more toward the abstract. But as cerebral as Metheny gets on such atmospheric pieces as "Are You Going with Me?" and "Au Lait," his playing remains decidedly lyrical and melodic. Clearly influenced by Jim Hall, the thoughtful Metheny makes excellent use of space, choosing his notes wisely and reminding listeners that, while he has heavy-duty chops, he's not one to beat everybody over the head with them. Even when he picks up the tempo for the difficult and angular title song, he shuns empty musical acrobatics.
Testeaza in showroom Cotroceni
1972
Chick Corea - pian electric
Joe Farrell - flaut, saxofon sopran
Flora Purim - voce, percutie
Stan Clarke - bas
Airto Moreira - tobe, percutie
Steve Huey ( AllMusicGuide ): "The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke.
It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock.
2017
Bjorn Meyer - bas electric si acustic
There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem.
Together with the Vienna Philharmonics Riccardo Muti created a true masterpiece of Mozart‘s symphonies No. 25, 35 and 39. Both are within the most respected artists of classical music of the modern era and this vinyl record combines outstanding interpretation and unrivalled sound experience that preserves the soft warm ambience of Wiener Musikverein.
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row".
1987 ( remaster 2016 ) Remastered By – Simon Heyworth / Lacquer Cut By – Mike Marsh
[ Sputnik ] Depeche suddenly learn to blend dark, alluring songscapes with an arena-friendly sound. The result is the start of the DM golden age
Magical Mystery Tour is an album by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. Produced by George Martin, it includes the soundtrack to the 1967 film of the same name.
2017
The confessional, folky sound of guitarist Daudi Matsiko is much in demand, after his collaborations with electronic acts Booka Shade and Kyodai, an appearance at Red Bull Music Academy, and tours with Keaton Henson, GoGo Penguin and Portico Quartet.
The mellow fingerpicking guitar of Daudi Matsiko really gets to you.
Turbo is the tenth studio album by British heavy metal band Judas Priest, released by Columbia on 14 April 1986. A remastered CD was released in 2001, including two bonus tracks. A 30th anniversary edition, released on 3 February 2017 titled Turbo 30
Like a Virgin is the second studio album by American singer and songwriter Madonna, released on November 12, 1984, by Sire Records. Following the success of her self-titled debut album, Madonna wanted to become the record producer of her next album.
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