Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Limited Edition / Coloured Vinyl- Blue ( 2023 press )
Esbjorn Svensson - pian
Dan Berglund - bas
Magnus Ostrom - tobe
Ten of the worlds most beloved songs by Thelonious Monk, arguably one of the truly great international piano geniuses have been lovingly laid out here by Esbjörn Svensson, one of the truly great piano talents on the Scandinavian jazz scene, and making their mark around the world as well.
In EST, who previously has released some critically acclaimed albums, we have Magnus Öström on drums, Dan Berglund on double-bass and, of course, Esbjörn Svensson himself, who was an infant, when he practically leaned to walk to the sound of "In Walked Bud". "My father was and is a great jazz lover. So I was very young when I first came in touch with Monk´s music. He’s the kind of composer that can not be avoided", says Esbjörn Svensson.
2LP 180g, gatefold
2LP 180g gatefold, remasterizat
2LP roșii
2LP+CD
1990-1991
Paul Giger - vioara
Jan Garbarek - saxofon tenor si sopran
Pierre Favre - percutie
"Violin virtuoso Paul Giger revisits his roots with this, his second solo recording, Alpstein, which features pieces for violin, saxophone, and percussion based on the folk traditions of the Alpstein region of Switzerland. Three pieces here are entitled "Zäuerli" -- named after the sad majestic "natur yodel" tradition of the Outer Rhoden region. These are sweeping and majestic with high harmonic bowstrokes. This recording features the saxophone work of Jan Garbarek and the percussion of Pierre Favre. Both add an incredible warmth to the recording on the pieces they are featured on, most notably "Alpsegen" with its soaring sax lines and manic percussion. Also notable is "Chlauseschuppel," featuring the sounds of cowbells specific to that region. Informative booklet included." [ AllMusic ]
2018
Barre Phillips - contrabas
End to End is a solo bass album by one of the great pioneers of the idiom. Over the last fifty years Barre Phillips, California-born but long a resident of France, has periodically issued solo recordings, considering them the musical equivalent of diary entries (the first one, in 1968, was called Journal violone), updates on his ever-evolving relationship to his chosen instrument. This one, he says, will be the last of his albums in this format, so it is of special interest to those who have followed the story so far and, indeed, to anyone wishing to hear a masterful improviser at work, refocussing lessons learned in the course of a long, creative life. “It’s the end of a cycle,” says Barre, now 83, of the present recording. “Not a summing up, but the last pages of a journal that began fifty years ago.”
2017
He uses ‘Gnosis’ to refer to ancient collective knowledge, and this music is about the intersection of cultures—contemporary improvisational language and Cuban sources, especially the sacred Abakuá percussion ensemble. There are over a dozen instrumentalists and vocalists employed, but they are mostly broken up into various small ensembles: the concert premiere was billed as ‘futuristic Afro-Cuban chamber music.’ […] Sections with the full ensemble (often with Allison Loggins-Hull's flute in the lead) such as ‘Tierra’ and ‘Visiones Sonoras’ alternate with more vocal selections, another feature for Morgan's bass with percussion (‘Nuná’), and solo piano. In fact Virelles closes out the set on piano with two unaccompanied tracks (‘De Cuando Era Chiquita’ and ‘De Coral’). Yet the entire program maintains a consistent tone, simultaneously ancient and contemporary: a ritual for the modern world.
Mark Sullivan, All About Jazz
In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improvisers. Strings, woodwinds and percussion all have their roles to play in Gnosis, viewed by Virelles as “several families functioning within one unit: this dynamic symbolizes multicultural interaction.” Virelles’ responsive piano and the vocals and percussion of Román Díaz, a profound figure in the transmission of Afro-Cuban musical history, are at the centre of the action. Gnosis was recorded at New York’s Avatar Studios in May 2016 and produced by Manfred Eicher.
Cesária is a Cape Verdean morna and coladeira album by Cesária Évora. The album was released by Paris-based Lusafrica on 18 July 1995. The album was nominated for a Grammy Award in the World Music category in 1996.
2018
Nils Landgren / trombone & vocals
Michael Wollny / piano
Lars Danielsson / bass & cello
Wolfgang Haffner / drums
Four European jazz stars for the very first time as a quartet: 4 Wheel Drive as an ensemble is like a high-performance four-cylinder engine with all the gears meshing perfectly. And the fuel: jazz.
2008 - "If In Utero is a suicide note, MTV Unplugged in New York is a message from beyond the grave, a summation of Kurt Cobain's talents and pain so fascinating, it's hard to listen to repeatedly" AllMusic
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