Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP 180g
Speak & Spell is the debut studio album by English electronic music band Depeche Mode. It was released on 5 October 1981 by Mute Records. It was the band's only album with Vince Clarke, and as a result, is much lighter in tone than their subsequent releases.
2001 ( remaster 2017 )
Exciter is the tenth studio album by English electronic music band Depeche Mode. It was released in the United Kingdom on 14 May 2001 by Mute Records and in the United States on 15 May by Reprise Records. The album was produced by Mark Bell. It was supported by the Exciter Tour, one of the band's most successful tours.
[AllMusic] Although Kraftwerk's first three albums were groundbreaking in their own right, Autobahn is where the group's hypnotic electronic pulse genuinely came into its own. The main difference between Autobahn and its predecessors is how it develops an insistent, propulsive pulse that makes the repeated rhythms and riffs of the shimmering electronic keyboards and trance-like guitars all the more hypnotizing. The 22-minute title track, in a severely edited form, became an international hit single and remains the peak of the band's achievements -- it encapsulates the band and why they are important within one track -- but the rest of the album provides soundscapes equally as intriguing. Within Autobahn, the roots of electro-funk, ambient, and synth pop are all evident -- it's a pioneering album, even if its electronic trances might not capture the attention of all listeners.
1983 ( remaster 2016 ) Remastered By – Simon Heyworth / Lacquer Cut By – Mike Marsh
[ Sputnik ] The addition of Alan Wilder seemed to propel the bands creativity into overdrive. The result was an album more rich, dense and sample-heavy than any other DM record that came before.
101 is a live album and documentary by English electronic music band Depeche Mode. It was released on 13 March 1989 by Mute Records. It chronicles the final leg of the band's 1987–1988 Music for the Masses Tour and the final show on 18 June 1988 at the Rose Bowl in Pasadena, California.
2LP gatefold, roșu, ed. aniversară
2LP 180g
Speak & Spell is the debut studio album by English electronic music band Depeche Mode. It was released on 5 October 1981 by Mute Records. It was the band's only album with Vince Clarke, and as a result, is much lighter in tone than their subsequent releases.
IMPECABIL
2009
[ BBC ] : As if to underline the artlessness of 90 percent of 'modern' pop acts who currently trade in 80s recreations, acts like U2 and the Pet Shop Boys are currently back to doing what they used to do so well. It's as if they're saying: ''hold on, we're not dead yet. stop dancing on graves that haven't even been dug.'' And now, joining 2009's roster of middle aged marvels, here come Depeche Mode. Sounds Of The Universe, the band's first album for four years reveals, here a trio who still sound just as committed and creative as they did 20 years ago. Maybe more so.
1995
Lacquer Cut By – Bernard Grundman
Rolling Stone: "Like the Beasties, Beck is among the few white-boy hip-hop wanna-be’s with a clue. He truly understands the tenuous thread that connects funk to punk, hip-hop to art rock, and jazz to country blues, and is able to cram his encyclopedic knowledge of 20th-century musical styles into three- and four-minute nuggets of pure pop. But as “Loser” made clear, Beck’s avant-garde, mix-and-mingle approach is not just an intellectual exercise. When he chants, “I got two turntables and a microphone,” over a funky keyboard line and a midtempo drum track on Odelay’s “Where It’s At,” he does so with such giddy enthusiasm you can practically see him rifling through his electro-funk collection for the perfect Afrika Bambaataa groove. It’s nothing short of the sort of passionate fandom that emanates from Keith Richards’ country- and blues-inspired guitar licks on Exile on Main St. or from Bob Dylan’s Jack Kerouac-by-way-of-Woody Guthrie crooning on Highway 61 Revisited."
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