Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2016
Nik Bartsch - pian
Sha - bas clarinet, contrabas clarinet
Kaspar Rast - tobe, percutie
Nicolas Stocker - tobe, percutie
Etienne Abelin - vioara
Ola Sendecki - vioara
David Schnee - viola
Solme Hong - violoncel
Ambrosius Huber - violoncel
Few musicians have continued to hone a concept as singularly unique and instantly recognizable, irrespective of context, as that being explored by Swiss pianist Nik Bärtsch since he first formed Mobile with Don Li, Kaspar Rast and Mats Eser in 1997. First emerging on record in 2001 with Ritual Groove Music (Self-Released, reissued Ronin Rhythm, 2006), Bärtsch has evolved three very different contexts with which to explore the confluence of trance-inducing minimalist elements with rigorous, ritualistic compositional constructs, a deep interest in Japanese culture and other musical touchstones. While all three contexts—in addition to the all-acoustic Mobile, Bärtsch has performed and recorded as a solo pianist, as well as with the more elastic and jazz/funk-centric Ronin—share common DNA-level elements, each context is also different: refracting Bärtsch's underlying architectures through a series of disparate prisms.
LP 180g gatefold
1981
Ralph Towner - chitara clasica, double-six
John Abercrombie - chitara acustica, , electrica, mandolina electrica
John Abercrombie is unique among guitarists in that whenever he becomes enraptured his sound becomes neither louder nor more pronounced but becomes somehow mysterious, liberated. Ralph Towner, on the other hand, revels in the crackling ruptures that so characterize his playing. Yet these roles seem reversed in this follow-up to the duo’s Sargasso Sea. A far more fragile carnation than its predecessor, it seems to forego the usual bag of tricks in favor of something more, as the album’s title would imply, reflective. This is especially apparent in the three improvisations with which the set list is dotted, and nowhere more so than in “Late Night Passenger,” where Abercrombie’s laddered filaments provide stunning berth for the other’s muted, jangling starlight. [ ecmreviews ]
2017
Avishai Cohen - trompeta
Yonathan Avishai - pian
Barak Mori - contrabas
Nasheet Waits - tobe
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. His hope is that the music contributes to a healing process. [ AllAboutJazz ]
The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert.
2LP 180g gatefold
2LP
1978
Pat Metheny - chitara
Lyle Mays - pian, claviaturi
Mark Egan - bas
Dan Gottlieb - tobe
AllAboutJazz:
"This album stands out abit from the others I've reviewed here so far (for a number of reasons). I've been a Metheny fan for half of my life, but had never thought of his work as groove oriented (except for the relatively recent commercially-successful release). But, I was wrong. I recently became more attuned to grooves through a playing experience and it opened my ears to hearing grooves better. When I put this album on recently after a long time since I had listened to it, I was amazed. All of a sudden, I hear the groove. Not that this is incredibly funky stuff—I wouldn't go so far as to call Metheny's work funky- but the pocket is there.
2LP 180g
!!! primele zece comenzi primesc un CD Anne Bisson gratuit !!!!
2 x Vinyl, LP, 45 RPM, Album, Limited Edition, Stereo, 180 g
LP 180g, ediție audiofilă Blue Note Tone Poet series
2010
Mathias Eick - trompeta
Andreas Ulvo - pian
Audun Erlien - bas
Torstein Lofthus - tobe
Gard Nilssen - tobe
Morten Qvenild - claviaturi
Tore Brunborg - saxofon tenor
Sidsel Walstad - harpa
A larger lineup and more detailed arrangements while never losing the lyrical path of the soloist the work is consistently revolving around. Textured layers of lyrical inventiveness. Engaging. While the admitted influences of this release range from calssical to pop, it is the brilliant use of these “pop sensibilities” that make “Skala” a sonic delight. [ Brent Logan Black, Digital Jazz News ]
1980
Pat Metheny - chitara acustica si electrica
Charlie Haden - contrabas
Jack DeJohnette - tobe
Dewey Redman - saxofon tenor
Michael Brecker - saxofon tenor
AllMusicGuide : "Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-CD collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes. [...]
The two original LPs were organized so that the more distinctive Metheny fusions were on sides one and four and the overt jazz tracks occupied sides two and three."
My One and Only Thrill is the spellbinding follow up to Gardot's compelling debut, Worrisome Heart, and eloquently confirms her as a supreme songwriting talent possessed of a truly sublime voice. [...]
Gardot acquits herself with the unfettered precision and unobtrusive panache of a born lyricist, each of the 10 original songs here a masterclass in miniature. Deep Within The Corners of My Heart dances with all the knowing elegance of Bacharach & David; Baby I'm A Fool is Sinatra during his soulful, self-doubting Point of No Return/No One Cares period; Who Will Comfort Me offers a defiant take on Carmel’s Bad Day; Our Love Is Easy is the standout track on the album, an instant classic and a love song of timeless sophistication.
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Reissue, 180 Gram
LP 180g gatefold, Acoustic Sounds series
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
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