Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1973
Gary Burton - vibrafon
Michael Goodrick - chitara
Steve Swallow - bas
Ted Seibs - tobe
ecmreviews:
"If one were to draw a line between the ensemble aesthetics of Eberhard Weber and Keith Jarrett, then one might plot the compositions of orchestral jazz legend Mike Gibbs somewhere along the way. Born in 1937 in what was then Southern Rhodesia, and a graduate of Boston’s Berklee College of Music, Gibbs has laid down a musical path as diverse as his travels. On Seven Songs for Chamber Orchestra, one gains vision of a mind looking not so much to cross over into uncharted waters as to expand the inclusivity of jazz’s already broad topography. At the heart of this project is Gibbs’s most famous student, the inimitable Gary Burton, who presents a lovingly realized program of his mentor’s own design.
2017
Avishai Cohen - trompeta
Yonathan Avishai - pian
Barak Mori - contrabas
Nasheet Waits - tobe
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. His hope is that the music contributes to a healing process. [ AllAboutJazz ]
Reissue, Remastered, 180 Gram
Mastered At Gateway Mastering
Lacquer Cut At Abbey Road Studios
Rolling Stone : "Despite its occasional lapses. Peter Gabriel is a tremendous record. At the very least, Gabriel has discarded the florid hedging that’s dominated his work since Genesis. He’s not backing off from anything now, including his excesses. He flinches, it’s true, but he never yields. For once, you get an idea of where the artist stands and what he’s afraid of. In such songs as “Intruder” and “Games without Frontiers,” in which the booming, almost disco-style bass drum slows to an ebbing pulse while the guitars and synthesizers jangle like wracked nerves and the vocals crackle with detached doom, Gabriel’s music resembles his cover portrait: features in disintegration, slowly melting away, all distinctions disappearing and not a damn thing anyone can do about it. Peter Gabriel has seen a hellish future, and there’s no exit."
+ CD
3LP + 2CD
2009
[ BBC ] : As if to underline the artlessness of 90 percent of 'modern' pop acts who currently trade in 80s recreations, acts like U2 and the Pet Shop Boys are currently back to doing what they used to do so well. It's as if they're saying: ''hold on, we're not dead yet. stop dancing on graves that haven't even been dug.'' And now, joining 2009's roster of middle aged marvels, here come Depeche Mode. Sounds Of The Universe, the band's first album for four years reveals, here a trio who still sound just as committed and creative as they did 20 years ago. Maybe more so.
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