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Pret lista 185 LEI
LEI
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Mastered By Kevin Gray
Blue Note Classic Vinyl Series
Blue Note Classic Vinyl Series
2018
Thomas Stronen - tobe
Ayumi Tanaka - pian
Hakon Aase - vioara
Lucy Railton - violoncel
Ole Morten Vagan - contrabas
Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka.
1975
Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )
AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.
While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "
1977
Keith Jarrett - pian, saxofon, percutie
Dewey Redman - saxofon tenor, percutie
Charlie Haden - contrabas
Paul Motian - tobe, percutie
The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents.
Initially published in January 1977, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.
1977
Keith Jarrett - pian
Jan Garbarek - saxofon tenor
Palle Danielsson - bas
Jon Christensen - tobe
AllMusic: "In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-'70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle Danielsson, and drummer Jon Christensen. Due to the popularity of the haunting "My Song," this album is the best known of the Jarrett-Garbarek collaborations and it actually is their most rewarding meeting on record. Jarrett contributed all six compositions and the results are relaxed and introspective yet full of inner tension."
2017
DANIEL HERSKEDAL - tuba, trompeta bas
BERGMUND WAAL SKASLIEN - viola
SVANTE HENRYSON - violoncel
EYOLF DALE - pian
HELGE ANDREAS NORBAKKEN - percutie
Over the last 2 years, Daniel Herskedal, Helge Andreas Norbakken and Eyolf Dale have defined themselves as one of the most unique and innovative small ensembles in Europe today, bringing together a vast mix of influences from Folk, Jazz, Classical and Arabic music.
‘A mesmerizingly dramatic soundscape’ ALL ABOUT JAZZ
‘…one of the most interesting and musically diverse small ensembles at work today.’ JAZZWISE
2018
Gadi Stern / piano, rhodes & micro korg
David Michaeli / double bass
Matan Assayag / drums
SHALOSH. It means ‘three’ in Hebrew. It is the name of a piano trio but also denotes a lot more than that. For the three Israeli musicians, pianist Gadi Stern, bassist David Michaeli and drummer Matan Assayag, SHALOSH is more than just a band, it is a lifetime's project. Or as Stern puts it, "SHALOSH is not just a band, it's an idea."SHALOSH doesn't have a leader, and all its music is conceived of collectively.
2019
For over a decade Anton Eger has made his mark in Europe as one of the most exciting and energetically virtuosic drummers on the scene. Following his captivating live performances and recordings with the likes of Phronesis and Marius Neset, ‘Æ’, his eponymous debut, is highly anticipated and will undoubtedly propell his profile to new heights. Full of high-energy drumming, complexity and unpredictability with ‘Æ’ Anton has pulled out all the stops, drawing on an eclectic genre-defying mix of electronica, hardcore contemporary beats and retro musical guilty pleasures.
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