Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP 180g
1982.
Pat Metheny - chitara acustica si electrica
Lyle Mays - pian, sintetizatoare, Synclavier
Steve Rodby - bas
Dan Gottlieb - tobe
Nana Vasconcelos - percutie, voce, berimbau
AllMusicGuide: "Now well into its gliding Brazilian-tinged mode, the Pat Metheny Group hits the road, as this two-CD set catches the band live in Dallas, Philadelphia, Hartford, Sacramento, and Nacogdoches, TX.
Percussionist Nana Vasconcelos is still listed as a "special guest," but ever since Wichita Falls, he had not only been a part of the group, he was the transforming element in the Metheny "sound," adding his various shakers, effects and ethereal vocals.
Testeaza in showroom Herastrau
LP 180g
2LP
Testeaza in showroom Herastrau
LP 180g, gatefold, Blue Note Tone Poet series
LP 180g gatefold, Blue Note Tone Poet series
LP 180g, gatefold, Acoustic Sounds series
LP 180g, gatefold, ediție audiofilă Blue Note Tone Poet series
LP 180g gatefold, ediție audiolifă Blue Note Tone Poet series
LP albastru
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
1975
Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )
AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.
While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "
2016
Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Brian Blade - tobe
AllAboutJazz :
"Austrian guitarist Wolfgang Muthspiel made a big splash early in his career, playing with vibraphonist Gary Burton and recording for PolyGram Records (including 1990's The Promise, produced by Burton). Since founding his own label Material Records in 2000 he has had a somewhat lower profile, although in addition to a number of his projects the label released From A Dream (2009), the stunning debut of the cooperative trio MGT (with fellow guitarists Slava Grigoryan and Ralph Towner). Muthspiel made his ECM debut with that trio on 2013's Travel Guide, followed by his leader debut in 2014 with the trio album Driftwood (with bassist Larry Grenadier and drummer Brian Blade).
1973
Gary Burton - vibrafon
Michael Goodrick - chitara
Steve Swallow - bas
Ted Seibs - tobe
ecmreviews:
"If one were to draw a line between the ensemble aesthetics of Eberhard Weber and Keith Jarrett, then one might plot the compositions of orchestral jazz legend Mike Gibbs somewhere along the way. Born in 1937 in what was then Southern Rhodesia, and a graduate of Boston’s Berklee College of Music, Gibbs has laid down a musical path as diverse as his travels. On Seven Songs for Chamber Orchestra, one gains vision of a mind looking not so much to cross over into uncharted waters as to expand the inclusivity of jazz’s already broad topography. At the heart of this project is Gibbs’s most famous student, the inimitable Gary Burton, who presents a lovingly realized program of his mentor’s own design.
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