Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1989
Misha Alperin - pian, melodica, voce
Arkady Shilkloper - French horn, jagdhorn, fluegelhorn, voce
Pianistul Mikhail Alperin si cornistul Arkady Shilkloper reprezinta doua treimi din Moscow Art Trio. Nascut in Ucraina si educat la Chisinau si Balti, Alperin propune o muzica originala, in care se simt si influentele folclorului romanesc.
1974
John Abercrombie - chitara
Jan Hammer - orga, sintetizatoare, pian
Jack DeJohnette - tobe
This evergreen stands tall in the ECM forest. There is no sense of competition, only mutual reveling in a distinctly nuclear sound. One could easily call it fusion, but if anything it is fused with itself, for it has created every element it seeks to combine. Timeless indeed.
2017
Mathias Eick - trompeta, voce
Hakon Aase - vioara
Andreas Ulvo - pian
Audun Erlien - bas electric
Torstein Lofthus - tobe
Helge Andreas Norbakken - tobe, percutie
Eick's compositions have an overall darkness about them though their sophistication and accents, the punctuation of bass and percussion, makes for a highly listenable blend of emotions, without jolting fluctuations. As with Midwest the music on Ravensburg is deeply atmospheric. [ AllAboutJazz ]
2019
Joe Lovano - saxofon tenor
Marilyn Crispell - pian
Carmen Castaldi - tobe
The album, produced by Manfred Eicher at New York’s Sear Sound studio, draws upon Lovano’s history and development as a player who has addressed both jazz tradition and exploratory improvisation. “For me this recording is a statement of where I am, where I’ve been and where I may be headed.” In a performer’s note in the CD booklet he says of the recording, “The divine timing of interplay and interaction is magical. Trio Tapestry is a melodic, harmonic, rhythmic musical tapestry throughout, sustaining moods and atmospheres.”
2018
Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Eric Harland - tobe
Where The River Goes carries the story forward from Rising Grace, Austrian guitarist Wolfgang Muthspiel’s widely acclaimed 2016 recording, returning his cast of musicians to the same studio in southern France, for more of the intuitive magic and deep listening that characterised the earlier album. “The disc’s ambience,” said Downbeat of Rising Grace, “is meditative yet optimistic and joyful. Percolating grooves propel the flow; elemental melodies and classical harmonies provide signposts.”
1977
Keith Jarrett - pian
Jan Garbarek - saxofon tenor
Palle Danielsson - bas
Jon Christensen - tobe
AllMusic: "In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-'70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle Danielsson, and drummer Jon Christensen. Due to the popularity of the haunting "My Song," this album is the best known of the Jarrett-Garbarek collaborations and it actually is their most rewarding meeting on record. Jarrett contributed all six compositions and the results are relaxed and introspective yet full of inner tension."
1977
Terje Rypdal - electric guitar, keyboard, synthesizer
Palle Mikkelborg - trumpet, fluegelhorn, RMI, tac piano, ring modulator
Sveinung Hovensjo - basses
Jon Christensen - drums, percussion
Terje Rypdal’s Waves (recorded 1977) announced the beginning of the Norwegian guitarist’s association with Danish trumpeter Palle Mikkelborg, which continues to this day. The album also introduced one of Terje’s most enduringly popular pieces, “Per Ulv.” “Rypdal’s album is a series of sonic excursions ranging from the expressionist to the impressionist…” wrote Record World. “Rypdal’s guitar and Mikkelborg’s trumpet are well-matched, with Manfred Eicher’s typically superb production putting it all in focus.”
Initially published in January 1978, vinyl is reissued in October 2016 as audiophile pressing taken from the original analog tapes.
The notoriously self-critical trumpeter Kenny Wheeler maintained that Deer Wan (recorded 1976) was his favourite among his own albums (“I like the overall form of this one best”). A tremendous band plays Wheeler’s tunes here. Kenny and Jan Garbarek sing together gloriously on the themes, and intermingle lines. The “Gateway” trio of John Abercrombie, Dave Holland and Jack DeJohnette drives the music with great verve. Guest Ralph Towner adds his distinctive 12-string guitar to a lilting Wheeler waltz.
Initially published in January 1978, vinyl is reissued in October 2016 as audiophile pressing taken from the original analog tapes.
2018
Andrew Cyrille - tobe
Wadada Leo Smith - trompeta
Bill Frisell - chitara electrica
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers.
A generous leader, Cyrille gives plenty of room to his cohorts, and all three musicians bring in compositions, with “Turiya”, Wadada’s elegant dedication to Alice Coltrane, unfurling slowly over its 17-minute duration. In his own pieces, including the title track and the closing “Pretty Beauty”, Cyrille rarely puts the focus on the drums, preferring to play melodically and interactively, sensitive to pitch and to space. There are references to West African music and the blues as well as the history of jazz drumming, but Cyrille’s priority today is an elliptical style in which meter is implied rather than stated.
1972
Dave Holland - contrabas
Sam Rivers - instrumente de suflat cu ancie, flaut
Anthony Braxton - instrumente de suflat cu ancie, flaut
Barry Altschul - percutie, marimba
An album of driving, progressive jazz it is also of historical significance as the only occasion when Sam Rivers and Anthony Braxton, two of the music’s most strikingly original saxophonists, recorded together. Inside Dave’s compositions they could meet – if briefly - and share ideas.
This summit meeting received raves from the press. “If you’ve found the new music lacking in swing, cohesion and variety, get to this album,” insisted Down Beat in a five star review. “It’s Holland’s date but each man contributes equally. The six Holland tunes offer great improvisational frameworks, and his bass playing, both arco and pizzicato, couldn’t be better… Don’t miss this one.”
Reeditat de pe benzile master analogice originale
1978 - album reeditat in 2017 dupa benzile master analogice
Jan Garbarek - saxofoane
Bill Connors - chitara
John Taylor - pian, orga
Jack DeJohnette - tobe
Places brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener.
2017
Avishai Cohen - trompeta
Yonathan Avishai - pian
Barak Mori - contrabas
Nasheet Waits - tobe
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. His hope is that the music contributes to a healing process. [ AllAboutJazz ]
2017
John Abercrombie - chitara
Marc Copland - pian
Drew Gress - contrabas
Joey Baron - tobe
Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple and sinewy companions.
2017
Chris Potter - saxofoane, clarinet, bas clarinet, flaut, sampling
David Virelles - piano, celesta
Joe Martin - contrabas
Marcus Gilmore - tobe, percutie
AllAboutJazz :
"Multi-reedist and composer Chris Potter has been an in-demand artist since his late teen years when he began playing the New York clubs. With a diverse catalog that runs from Steely Dan to regular collaborations with Dave Holland, Potter has picked up a number of Grammy nominations and wins. His versatile abilities have made him equally at home touring with the lyrical Jim Hall or recording in the angular style of Steve Swallow's Damaged in Transit (WATT/ECM, 2003). The Dreamer Is the Dream is Potter's third leader release on the ECM label.
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