VINIL ECM Records Wolfgang Muthspiel: Where The River Goes

2018

Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Eric Harland - tobe

Where The River Goes carries the story forward from Wolfgang Muthspiel’s highly-acclaimed Rising Grace recording of 2016, reuniting the Austrian guitarist with Brad Mehldau, Ambrose Akinmusire and Larry Grenadier, heavy talents all, and bringing in the great Eric Harland on drums. Much more than an “all-star” gathering, the group plays as an ensemble with its own distinct identity, evident both in the interpretation of Muthspiel’s pieces and in the collective playing. The album, recorded at Studios La Buissonne in February 2018, and produced by Manfred Eicher, features six compositions by Wolfgang Muthspiel and one by Brad Mehldau, plus group improvisation. It is issued in both CD and vinyl formats. Wolfgang Muthspiel plays music from Where The River Goes on tour this autumn with concerts at major venues in Germany, Belgium, Austria, Switzerland and Estonia.

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Where The River Goes carries the story forward from Rising Grace, Austrian guitarist Wolfgang Muthspiel’s widely acclaimed 2016 recording, returning his cast of musicians to the same studio in southern France, for more of the intuitive magic and deep listening that characterised the earlier album. “The disc’s ambience,” said Downbeat of Rising Grace, “is meditative yet optimistic and joyful. Percolating grooves propel the flow; elemental melodies and classical harmonies provide signposts.”

On Where The River Goes, Wolfgang Muthspiel, Brad Mehldau, Ambrose Akinmusire and Larry Grenadier, now joined by drummer Eric Harland, again take a creative approach to the bandleader’s compositions, constantly stretching the forms, reharmonizing melodies, embellishing heads, delving into the texture of the pieces. And, though the quintet has, inevitably, been praised as an ‘all-star ensemble’, its energies are very democratically pooled. Solos in the conventional sense are rationed here – although the outgoing “Blueshead”, a Mehldau composition, has energetic features for all five members of the band – but there is a great deal of inspired conversation among the participants, and a shared sense of freedom.

One early instance is the dialogue subtly developed by Muthspiel and Mehldau in the middle of “For Django”, circling each other as they make new music. The opening minutes of “One Day My Prince Was Gone” are similarly intriguing, with multiple lines interweaving in extended free counterpoint before coalescing in Muthspiel’s theme. On “Panorama”, Muthspiel’s arpeggios are beautifully embroidered by Harland’s purring snare drum. Throughout the album Ambrose Akinmusire, juxtaposing pure clear trumpet tone with his vocabulary of painterly smears of sound, continually finds new angles to the material. Muthspiel praises the trumpeter’s fearlessness and has hailed him as “a great new force in the music.”