Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Octombrie 1969
Abdullah Ibrahim ( aka. Dollar Brand ) - pian
AllMusic (Scott Yanow) :
"Pianist Abdullah Ibrahim was still known as "Dollar Brand" when he recorded this solo piano set for ECM; it has been reissued on CD under his original name. The continuous live performance (which is under 39 minutes) explores eight of Ibrahim's originals...Ibrahim was still in the process of finding his own sound at the time, although his improvisations (which use repetition and vamps effectively) have their interesting moments. Still, Ibrahim's later work is more significant."
A new ECM studio album and a programme of new music from Terje Rypdal is cause for celebration. On Conspiracy the great Norwegian guitarist seems to reconnect with the wild inspiration that fuelled such early masterpieces as Whenever I Seem To Be Far Away, Odyssey and Waves, exploring the sonic potential of the electric guitar with both a rock improviser’s love of raw energy and a composer’s feeling for space and texture.
2015
Mathias Eick - trompeta
Gjermund Larsen - vioara
Jon Balke - pian
Mats Eilertsen - contrabas
Helge Norbakken - percutie
Eick has a beautiful tone and writes attractive themes, by turns haunting and energetic. The inclusion of folk violinist Gjermund Larsen in the band adds a contrasting texture and some truly exciting solos. [ Dave Gelly, The Observer ]
1989
Misha Alperin - pian, melodica, voce
Arkady Shilkloper - French horn, jagdhorn, fluegelhorn, voce
Pianistul Mikhail Alperin si cornistul Arkady Shilkloper reprezinta doua treimi din Moscow Art Trio. Nascut in Ucraina si educat la Chisinau si Balti, Alperin propune o muzica originala, in care se simt si influentele folclorului romanesc.
A striking album of new music from pianist/composer Carla Bley, whose trio with Andy Sheppard and Steve Swallow is now in its 25th year. Individual associations among the players go back much further: bassist Swallow first recorded music by Carla in 1961. So when Bley says “Life Goes On”, a lot of life is alluded to. The album, realized in the Auditorio Stelio Molo Studio in Lugano in May 2019, with Manfred Eicher producing, takes the form of three suites. The title piece begins as a stoical blues, at first melancholic then hopeful. “Beautiful Telephones”, inspired by a US president’s first observation on entering the Oval Office, has plenty of Bley’s dark wit. And “Copycat” explores the notion of call-and-response in fresh ways as the improvisers continue each other’s thoughts. Throughout, Carla’s distinctive piano, with its hints of Monk and Satie, is beautifully framed by Swallow’s eloquent, elegant bass guitar and Sheppard’s yearning saxes. This trio has a unique collective sound, reflecting – as The Telegraph recently noted – “musical mastery of a rare order”.
2019
Dominic Miller - chitara
Santiago Arias - bandoneon
Mike Lindup - pian
Nicolas Fiszman - contrabas
Manu Katche - tobe
With Absinthe, his second release for ECM, guitarist Dominic Miller has created an album colored by a distinct atmosphere. “The first thing that came to me before I wrote any tunes was the title,” he says. “Living in the South of France, I am fascinated by Impressionism. Sharp light and witchy mistrals, combined with strong alcohol and intense hangovers must have driven some of these artists toward insanity. Skies that are green, faces blue, perspective distorted.” While Miller’s ECM debut, Silent Light, emphasized intimacy in solo and duo settings, Absinthe finds the guitarist fronting a quintet that brings his ever-lyrical compositions to textured life.
Pentru prima data pe vinil !
Jan Garbarek - saxofoane
Kim Kashkashian - viola
Manu Katche - tobe
Following a six-year break from recording, with only a guest appearance on bassist Miroslav Vitous' Universal Syncopations ('03) and a :Rarum compilation ('02), Norwegian saxophonist Jan Garbarek returns with his first album of new material since Rites ('98). In Praise of Dreams continues along the path established by such recordings as Legend of the Seven Dreams , I Took Up The Runes , and Visible World. But while Garbarek demonstrates the same penchant for deceptively simple pieces with almost anthem-like themes, his collaboration with violist Kim Kashkashian and drummer Manu Katche results in something richer, something deeper than what has come before. [ AllAboutJazz ]
An adaption of the play by Harold Pinter.
Carla Bley and Ron McClure recorded during January 1976 at Grog Kill Studio, Willow, New York. Robert Wyatt and Chris Spedding recorded during February with the Manor Mobile at Delfina's farm. Little Bedwin, Wiltshire, England. Kevin Coyne recorded during April with the Virgin Mobile at the Gong farm, Whitney, Oxfordshire, England. Additional strings recorded during June and mixed during November at Grog Kill Studio.
Pentru prima data pe vinil !
Manu Katche - tobe
Tomasz Stanko - trompeta
Jan Garbarek - saxofon tenor
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Ruminative, soulful and always melodic, this is cool jazz with a fiery heart.[ John Bungey, The Times ]
Even for ECM, this is an album of radical gentleness. Oded Tzur is a New York-based, Israel-born tenor saxophonist making his debut on the label. He’s studied with bansuri master Hariprasad Chaurasia and perhaps raga concepts influenced the music here. Tzur is quite an original player/composer, with few obvious influences in the jazz canon. […] Hershkovits and Tzur are clearly simpatico and the pianist is out front on the disc as much as the saxophonist. Klampanis and American drummer Johnathan Blake are charged with listening carefully, lest the spell be broken. It never is.
Jim Motavalli, New York City Jazz Record
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