Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Static Prevails is the second studio album by American rock band Jimmy Eat World, released on July 23, 1996 on Capitol Records. Produced by Wes Kidd, Mark Trombino and the band itself, the album is the first to feature bass guitarist Rick Burch and the first to have been produced by Trombino.
Release: 2021
Format: Vinyl, 12", 45 RPM, EP, Limited Edition, Reissue, Remastered
Release: 2022
Format: 1 x Vinyl, LP, Album
12", 45 RPM, EP, Limited Edition,clear vinyl
10", 45 RPM, Limited Edition
Deluxe Edition, Limited Edition, Remastered, Stereo
Commemorating the 25th anniversary of Sir Georg Solti’s passing “The Greatest Recording Of All Time” Now sounding better than ever before Transferred and remastered in HD sound at 24bit / 192kHz from the original two-track stereo mastertapes.
The first all-new transfer in over twenty-five years. The first-ever stereo production of Wagner’s Ring cycle, still considered the benchmark today. “Here is the greatest achievement in gramophone history yet”, wrote Gramophone in 1965. For many, it still is.
2017
He uses ‘Gnosis’ to refer to ancient collective knowledge, and this music is about the intersection of cultures—contemporary improvisational language and Cuban sources, especially the sacred Abakuá percussion ensemble. There are over a dozen instrumentalists and vocalists employed, but they are mostly broken up into various small ensembles: the concert premiere was billed as ‘futuristic Afro-Cuban chamber music.’ […] Sections with the full ensemble (often with Allison Loggins-Hull's flute in the lead) such as ‘Tierra’ and ‘Visiones Sonoras’ alternate with more vocal selections, another feature for Morgan's bass with percussion (‘Nuná’), and solo piano. In fact Virelles closes out the set on piano with two unaccompanied tracks (‘De Cuando Era Chiquita’ and ‘De Coral’). Yet the entire program maintains a consistent tone, simultaneously ancient and contemporary: a ritual for the modern world.
Mark Sullivan, All About Jazz
In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improvisers. Strings, woodwinds and percussion all have their roles to play in Gnosis, viewed by Virelles as “several families functioning within one unit: this dynamic symbolizes multicultural interaction.” Virelles’ responsive piano and the vocals and percussion of Román Díaz, a profound figure in the transmission of Afro-Cuban musical history, are at the centre of the action. Gnosis was recorded at New York’s Avatar Studios in May 2016 and produced by Manfred Eicher.
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