Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Bugge Wesseltoft - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
1997
Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
115
Pret lista 130 LEI
LEI
2019
For over a decade Anton Eger has made his mark in Europe as one of the most exciting and energetically virtuosic drummers on the scene. Following his captivating live performances and recordings with the likes of Phronesis and Marius Neset, ‘Æ’, his eponymous debut, is highly anticipated and will undoubtedly propell his profile to new heights. Full of high-energy drumming, complexity and unpredictability with ‘Æ’ Anton has pulled out all the stops, drawing on an eclectic genre-defying mix of electronica, hardcore contemporary beats and retro musical guilty pleasures.
The first-time teaming of Poland’s dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced. The alliance plays four new tunes by Marcin and one by Joe, as well as Carla Bley’s classic “Vashkar” (in two variations), plus collective improvisations with strong input from all four players
The debut album of Joe Lovano’s Trio Tapestry was one of 2019’s most talked-about releases. The trio’s musical concept – the Boston Globe spoke of “utterances of hushed assurance, lyricism and suspense” - is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus. Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. And the music he writes for this group - tenderly melodic or declamatory, harmonically open, rhythmically free, and spiritually involving - encourages subtle and differentiated responses from his creative partners. Joe describes their interaction as “magical”. Carmen Castaldi’s space-conscious approach to drumming further refines an improvisational understanding that he and Lovano have shared since the 1970s. The trio is also a wonderful context for Marilyn Crispell’s solos, counter melodies, and improvisational embellishments, and her feeling for sound-colour helps the chamber music character of the group to flower. The details of the music are beautifully realized in this recording made in the highly responsive acoustics of the Auditorio Stelio Molo RSI in Lugano and produced by Manfred Eicher.
AllMusic awarded the album 5 stars calling it "one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon" and noting "April in Paris proved Count Basie's ability to grow through modern jazz changes while keeping the traditional jazz orchestra vital and alive".[5] The Rolling Stone Jazz Record Guide said it was "a commercial high point for this outfit".[6] The Penguin Guide to Jazz awarded the album 3 stars stating "April in Paris is typical Basie fare of the period: bustling charts, leathery solos and pinpoint timing".
The two guitar icons Larry Coryell and Philip Catherine have a long history and a close musical affinity, despite their different influences on this and the other side of the Atlantic. Recorded on January 27, 2017 as part of the "Jazz at Berlin Philharmonic" series, "The Last Call" is the last recording of Larry Coryell, who passed away four weeks later on February 19, 2017
Testeaza in showroom Cotroceni
EP 12", 33 ⅓ RPM, Compilation, Limited Edition
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