Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1990 - Interpreti: Christy Doran, Fredy Studer, Bobby Burri, Olivier Magnenat
1988
Markus Stockhausen - trompeta, corn, sintetizator
Gary Peacock - contrabas
Fabrizio Ottaviucci - pian
Zoro Babel - tobe
Cunoscut pentru albumele cu Aparis, Markus este fiul compozitorului contemporan cu acelasi nume ( Karlheinz ). Spre deosebire de tatal sau, Markus face o muzica meditativa, introspectiva , dar muzicala, melodioasa, fara nici o legatura cu muzica concreta, doar utilizarea mijloacelor electronice de expresie pe langa instrumentele normale.
Noiembrie 1990 - Hal Russell NRG Ensemble = Hal Russell, Mars Williams, Brian Sandstrom, Kent Kessler, Steve Hunt
1989
Shankar - vioara dubla
Zakir Hussain - tabla
Vikku Vinayakram - ghatam
Jon Christensen - tobe
Multi-instrumentalist L. Shankar’s fascinating evolution as a musician and composer took yet another intimate turn with M.R.C.S. Dedicated to Shankar’s father, V. Lakshminarayana, it also boasts master percussionists Zakir Hussain (tabla), Vikku Vinayakram (ghatam), and drummer Jon Christensen. The depths of the album’s experiences are forever aquatic, as in the opening “Adagio,” which floats Shankar’s double violin insights on a dark and winding current. Filmic and vivid, its gauche stretches a fine canvas for the pigments that follow.
“All I Care” marries the rhythmic edge of “March” (an interlude from Christensen) with Shankar’s cosmic pizzicato and gossamer comet trails, the latter reaching glorious improvisational heights that can only end in fadeout, lest their perpetuity be harmed. The music travels away from us, ever tuneful, into the tabla-infused “Reasons.” Here, Hussain trail-marks a scurrying snare, backing more winged artistry from the leader.
Septembrie 1990 - Compozitor: Gavin Bryars - Interpreteaza: Bill Frisell, Alexander Balanescu, Kate Musker, Tony Hinnigan, Roger Heaton, Dave Smith, Martin Allen, Simon Limbrick, Evan Parker, Stan Sulzmann, Ray Warleigh, Julian Arguelles
Pentru prima data pe vinil !
Nils Petter Molvaer - trompeta, chitara electrica, chitara bas, percutie, sampling
Eivind Aarset - chitara electrica, efecte, ambient treatments
Ulf W. O. Holand - sampling
Morten Molster - chitara electrica
Roger Ludvigsen - chitara acustica, percutie, dulcimer
Rune Arnesen - tobe
Reidar Skar - sampling, claviaturi
ecmreviews:
"Khmer marks a monumental occasion: namely, the debut leader date of Nils Petter Molvær. Fresh off the boat of Small Labyrinths, the Norwegian trumpet player came out of left field with one of those rare albums that becomes second nature after only one listen. NPM, as he is also known, epitomizes ECM’s transcendental spirit with a collage of unbridled passion and integrity. Combining influences as diverse, if not also as intimately connected, as rock, ambient, dub, techno, and jazz, he deploys his mercurial fleet in a sea of samples, breakbeats, and smooth dives. Also carrying over from the Small Labyrinths session is hard rocker Eivind Aarset, who bookends the album with his e-bow guitar treatments and foils the delicate additions of free improviser Morten Mølster along the way. Mari Boine band regular Roger Ludvigsen adds six strings and more, playing prepared guitar and dulcimer, and along with drummer Rune Arnesen fleshes out the band’s acoustic signature. Yet it is keyboardist Reidar Skår and co-producer Ulf W. Ø. Holand who give the music just the kick it needs to hit the ground running. Holand, whose Lydlab is two floors above Oslo’s hallowed Rainbow Studio, provided samples and enough studio time to help shape the album into what it has become, while Skår brought his magic touch to said samples and others, manipulating them into an organic whole. The result is a classic that fits snugly alongside ECM’s all-time best.
Pentru prima data pe vinil !
Charles Lloyd - saxofon tenor
John Abercrombie - chitara
Dave Holland - contrabas
Billy Higgins - tobe, percutie
Charles Lloyd's sixth ECM album is both a departure and a homecoming for the Memphis-born and California-based tenorist, introducing new music and revisiting archive favourites (including the epic 'Forest Flower'), and featuring an all-star line-up. With his 'Scandinavian' band currently on hold,this is Lloyd's first all-American album in a long while - Dave Holland qualifies as an honorary American by now - with all the differences of cultural emphasis that this implies. ECM veteran John Abercrombie and legendary drummer Billy Higgins are in great form throughout as they lock in with Lloyd to tackle material ranging from Billy Strayhorn's 'A Flower Is A Lovesome Thing' to the Elvis Costello/Burt Bacharach-penned 'God Give Me Strength' or dig deep into the roots music of the 'Island Blues Suite'.
1986
Kim Kashkashian - viola
Robert Levin - pian
Simply overflowing with musical brilliance, it remains one of the finest examples of what the viola is capable of. Kim Kashkashian’s technique and passion are almost palpable and one can only marvel at the humble respect she brings to both. The viola doesn’t simply exist somewhere between violin and cello, forever doomed to be second rate to both. It is, rather, an utterly dynamic and rich musical object, and the ways in which Hindemith unravels its subtler intonations in these sonatas is nothing short of monumental. Every chapter tells us something new, until the linguistic possibilities of the music represented in this eclectic set are exhausted. [ ecmreviews ]
The first-time teaming of Poland’s dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced. The alliance plays four new tunes by Marcin and one by Joe, as well as Carla Bley’s classic “Vashkar” (in two variations), plus collective improvisations with strong input from all four players
Pentru prima data pe vinil !
Anouar Brahem - oud
Francois Couturier - pian
Jean-Louis Matinier - acordeon
The album is like a sad rhapsody, full of shadowy mirages and blue echoes, the prevailing melancholy not dour and heavy but rather light and cloudy. Names like Satie, Debussy, Mounir Bachir, even Eno in acoustic mode keep flashing across your mental screen as you listen. This is academy music with no clothes on, naked and awkward, honest and beautiful. Shut your eyes and you could be in the port of Dar el Baida, a seagull swooping over a grey-blue sea and huge cranes and rusty hulled freighters in the background, the light and forgetful breeze brushing your cheek. Le pas du chat noir features uncontrived performances of cat-like agility – soft, bright-eyed and magical. It is a brilliant piece of work. [ Andy Morgan, Songlines ]
Revisited, with additional takes, texts and photos, here is the very first ECM session, recorded in Ludwigsburg in November 1969, featuring the great American pianist Mal Waldron, whose resume included work with Coltrane, Mingus, Dolphy and Billie Holiday. In his original liner notes, Mal wrote: “This album represents my meeting with free jazz. Free jazz for me does not mean complete anarchy… You will hear me playing rhythmically instead of soloing on chord changes.” As Jazz Journal noted, “tough, two-handed modal blues” predominates, and the music sounds as fresh now as the day it was recorded. Indeed, the tersely-grooving “Boo” and “Rock My Soul” could be club hits half a century later. The Extended Anniversary Edition of Free At Last is issued as an audiophile vinyl double album.
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