CD ECM Records Tomasz Stanko Quartet: Matka Joanna
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Tomasz Stanko - trompeta
Bobo Stenson - pian
Anders Jormin - contrabas
Tony Oxley - tobe
Backed by pianist Bobo Stenson, bassist Anders Jormin, and drummer Tony Oxley (in a decidedly Christensenian mode), Stanko brings his pungent lyricism to bear across a swath of mountains and shadows that inhales cobwebs from a “Monastery In The Dark” and exhales the mummified sermons of its “Klostergeist.” Within those lungs mingle forgotten bells, vibrating between prayer and dreams, and chains of latent virtues. Jormin’s bass squeaks like a family of mice in the walls, Stenson the cat stalking them from every alcove. [ ecm reviews ]
Prezentare generala CD ECM Records Tomasz Stanko Quartet: Matka Joanna
1995
Tomasz Stanko - trompeta
Bobo Stenson - pian
Anders Jormin - contrabas
Tony Oxley - tobe
Backed by pianist Bobo Stenson, bassist Anders Jormin, and drummer Tony Oxley (in a decidedly Christensenian mode), Stanko brings his pungent lyricism to bear across a swath of mountains and shadows that inhales cobwebs from a “Monastery In The Dark” and exhales the mummified sermons of its “Klostergeist.” Within those lungs mingle forgotten bells, vibrating between prayer and dreams, and chains of latent virtues. Jormin’s bass squeaks like a family of mice in the walls, Stenson the cat stalking them from every alcove. Stanko, meanwhile, lights votive candles with the tip of his every winded tongue, trailing mystery into the drowsy flower of a “Green Sky.” A complex track in spite of its recessive nature (the pianism alone is a maze of nuance), it sets bass adrift on a current of icy cymbals until the swinging “Maldoror’s War Song” sticks some feathers to Stanko’s skeletal wings. Amid this rosette of fire, Stenson connects the constellatory dots and hugs Jormin’s nebular blurs. Further highlights include the continuity of heaven and earth as heard through Stanko and Jormin’s relay in “Matka Joanna From The Angels” and the likeminded meditations of the superbly punned “Nun’s Mood.” Though but a brief excursion for trumpet and drums, the latter leaves us open to the cerebral fog of “Celina,” a sleeping face in sound whose eyes enchant before they ever open. [ ecm reviews ]
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