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CD ECM Records Tomasz Stanko: From The Green Hill
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Tomasz Stanko - trompeta
John Surman - saxofon bariton, bas clarinet
Dino Saluzzi - bandoneon
Michelle Makarski - vioara
Anders Jormin - contrabas
Jon Christensen - tobe
After his critical and popular success with Litania, revitalizing the music of his countryman Komeda, Poland's Stanko, possessor of perhaps the darkest trumpet sound in jazz, resurfaces here in quite a different context, with associates from everywhere. Bandeonista from Argentina, reedman from England's south coast, classical violinist from Detroit, bassist from Sweden. Only veteran Norwegian drummer Jon Christensen is retained from the Litania session, although a sense of continuity is maintained by Saulzzi, who brings a wistful regret to his interpretation of a Komeda theme. Otherwise Stanko and John Surman share composer credits as well as the special understanding that belongs only to the most lyrical improvisers.
Prezentare generala CD ECM Records Tomasz Stanko: From The Green Hill
1999
Tomasz Stanko - trompeta
John Surman - saxofon bariton, bas clarinet
Dino Saluzzi - bandoneon
Michelle Makarski - vioara
Anders Jormin - contrabas
Jon Christensen - tobe
After his critical and popular success with Litania, revitalizing the music of his countryman Komeda, Poland's Stanko, possessor of perhaps the darkest trumpet sound in jazz, resurfaces here in quite a different context, with associates from everywhere. Bandeonista from Argentina, reedman from England's south coast, classical violinist from Detroit, bassist from Sweden. Only veteran Norwegian drummer Jon Christensen is retained from the Litania session, although a sense of continuity is maintained by Saulzzi, who brings a wistful regret to his interpretation of a Komeda theme. Otherwise Stanko and John Surman share composer credits as well as the special understanding that belongs only to the most lyrical improvisers.
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