CD ECM Records Hilliard Ensemble - Stephen Hartke: Tituli / Cathedral In The Trashing Rain
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The Hilliard Ensemble
David James Countertenor
Rogers Covey-Crump Tenor
Steven Harrold Tenor
Andreas Hirtreiter Tenor
Gordon Jones Baritone
Michelle Makarski Violin
Lynn Vartan Percussions
Javier Diaz Percussions
American composer Stephen Hartke, born in 1952, deserves to be heard in the UK and beyond. His postmodern scores, drawing deep from the well of plainsong and also inspired by poetic and visual imagery, are strikingly original, as this revelatory disc from ECM proves from the off. Tituli changes the mood with lightning speed, moving from monkish incantations to wild outbursts and back again. The seven-movement work for male voices, violin and percussion sets ancient Roman texts in Old Latin, including shop signs and epitaphs. Cathedral in the Thrashing Rain translates Japanese poet Takamura Kotaro’s evocative impressions of Notre Dame Cathedral in Paris into music that you can almost touch and smell. [ Andrew Stewart, Music Week ]
Prezentare generala CD ECM Records Hilliard Ensemble - Stephen Hartke: Tituli / Cathedral In The Trashing Rain
2005
The Hilliard Ensemble
David James Countertenor
Rogers Covey-Crump Tenor
Steven Harrold Tenor
Andreas Hirtreiter Tenor
Gordon Jones Baritone
Michelle Makarski Violin
Lynn Vartan Percussions
Javier Diaz Percussions
“Beautiful craftsmanship is [Hartke’s] hallmark but not his limitation: the imaginative drive is fresh, partly in being so playful, though he can also be solemn.” – New York Times Tituli / Cathedral in the Thrashing Rain is the first all Stephen Hartke disc on the New Series. His music was introduced on the label through Michelle Makarski’s 1995 solo recording Caoine. Stephen Hartke’s music grows out of a variety of impulses and inspirations, including poetry, plainchant, the paintings of Joan Mir. In the case of both Tituli and Cathedral in the Thrashing Rain, the inspiration comes, at least initially, from words: Tituli is built on fragments of inscriptions carved and scratched on ancient Roman artifacts, and Cathedral in the Thrashing Rain is a setting of a poem by Japanese poet and sculptor Takamura Kotaro (1883-1956). But as playwright and poet Philip Littell notes in the CD’s liner essay, “Hartke’s music is about a double listening, first to the sounds themselves, with the apposite yet anachronistic marimba and violin combined with singers in Tituli, the evocations of medieval organum in Cathedral in the Thrashing Rain and, next, to the voices in the text calling out: look at me, remember me, listen to me, witness me. These may be humble and fragmentary voices, but they are possessed of an energy and a will to speak that has triggered the composer to remake their world.”
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