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CD ECM Records Arvo Part: Passio
ATENŢIE: Produsul CD ECM Records Arvo Part: Passio nu mai este disponibil la AVstore.ro.
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The Hilliard Ensemble, Lynne Dawson, Michael George, Elizabeth Layton, Melinda Maxwell, Elisabeth Wilson, Catherine Duckett, Christopher Bowers-Broadbent, Western Wind Chamber Choir / dirijor - Paul Hillier
Arvo Part: Passio Domini Nostri Jesu Christi Secundum Joannem ( 1982 )
Part's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method. The overall sound is significantly bigger than the small ensemble performing it; this is an innovative work, despite the classic subject matter. The text is taken verbatim from the Vulgate. [ AllMusic ]
Prezentare generala CD ECM Records Arvo Part: Passio
Martie 1988
The Hilliard Ensemble:
David James - contratenor
Rogers Covey-Crump - tenor
John Potter - tenor
Gordon Jones - bariton
Lynne Dawson - soprana
Michael George - bas
Elizabeth Layton - vioara
Melinda Maxwell - oboi
Elisabeth Wilson - violoncel
Catherine Duckett - fagot
Christopher Bowers-Broadbent - orga
Arvo Part: Passio Domini Nostri Jesu Christi Secundum Joannem ( 1982 )
Western Wind Chamber Choir, dirijor Paul Hillier
AllMusic: "Part's long-form The Passion of Our Lord Jesus Christ According to St. John dramatizes the apostle John's account of the arrest and crucifixion of Jesus. The form he adopts sounds as though it were centuries old, with its choral orchestration. But his choice of instruments, his choice of chords, his phrasing, and the basic construction of the piece itself are all based on 20th century ideas, most notably his own innovation, the "tintinnabuli" method. The overall sound is significantly bigger than the small ensemble performing it; this is an innovative work, despite the classic subject matter. The text is taken verbatim from the Vulgate."
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