Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
My One and Only Thrill is the spellbinding follow up to Gardot's compelling debut, Worrisome Heart, and eloquently confirms her as a supreme songwriting talent possessed of a truly sublime voice. [...]
Gardot acquits herself with the unfettered precision and unobtrusive panache of a born lyricist, each of the 10 original songs here a masterclass in miniature. Deep Within The Corners of My Heart dances with all the knowing elegance of Bacharach & David; Baby I'm A Fool is Sinatra during his soulful, self-doubting Point of No Return/No One Cares period; Who Will Comfort Me offers a defiant take on Carmel’s Bad Day; Our Love Is Easy is the standout track on the album, an instant classic and a love song of timeless sophistication.
Ultravox! is the eponymous debut studio album by British new wave band Ultravox!. It was recorded at Island Studios in Hammersmith, London in the autumn of 1976[1] and produced by Ultravox! and Steve Lillywhite with studio assistance from Brian Eno. It was released on 25 February 1977 by Island.
2LP 180g
LP 180g gatefold, Acoustic Sounds series
2LP 180g, half-speed mastered
2LP gatefold, roșu, ed. aniversară
2LP 180g gatefold, remasterizat
2LP 180g, gatefold, remasterizat
Reissue, Remastered, 180 Gram
Mastered At Gateway Mastering
Lacquer Cut At Abbey Road Studios
The Guardian: "Twenty-five years ago, during the summer of Blur’s Parklife and Oasis’s Definitely Maybe, a darker, stranger record was released that would soon become huge. Its title and mood was inspired by a 1970s TV drama of the same name, about a young deaf woman in Yorkshire who becomes a prostitute. The lyrics spoke of emotional extremes, sung in an extraordinary, rural-tinged, English blues by the Devon-born Beth Gibbons, of “the blackness, the darkness, forever” in Wandering Star, or of the feeling that “nobody loves me, it’s true, not like you do” in Sour Times.
Its sound, woven together by Geoff Barrow and Adrian Utley, helped define what is known today in music as hauntology, the sampling of older, spectral sounds to evoke deeper cultural memories (Boards of Canada’s TV-sampling electronica, Burial’s dubstep, and the Ghost Box label’s folk horror soundworlds would follow their lead). But despite its starkness, Dummy became a triple-platinum seller and a Mercury prizewinner, perhaps because it struck a nerve in what Barrow calls our “sonic unconscious… when sounds can merge with other sounds from somewhere else, and ultimately create emotion".
Mad Dogs & Englishmen is a live album by Joe Cocker, released in 1970. The album's title is drawn from the 1931 Noël Coward song of the same name. Only four songs of the 16 on the original album were drawn from his first two studio albums.
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