Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1995
Lacquer Cut By – Bernard Grundman
Rolling Stone: "Like the Beasties, Beck is among the few white-boy hip-hop wanna-be’s with a clue. He truly understands the tenuous thread that connects funk to punk, hip-hop to art rock, and jazz to country blues, and is able to cram his encyclopedic knowledge of 20th-century musical styles into three- and four-minute nuggets of pure pop. But as “Loser” made clear, Beck’s avant-garde, mix-and-mingle approach is not just an intellectual exercise. When he chants, “I got two turntables and a microphone,” over a funky keyboard line and a midtempo drum track on Odelay’s “Where It’s At,” he does so with such giddy enthusiasm you can practically see him rifling through his electro-funk collection for the perfect Afrika Bambaataa groove. It’s nothing short of the sort of passionate fandom that emanates from Keith Richards’ country- and blues-inspired guitar licks on Exile on Main St. or from Bob Dylan’s Jack Kerouac-by-way-of-Woody Guthrie crooning on Highway 61 Revisited."
1992
AllMusic: "When DGC Records signed Nirvana in 1991, one of DGC's A&R reps expressed the opinion that, with plenty of touring and the right promotion, the new act might sell as well as its labelmate and touring partner Sonic Youth.
Dirty was also Sonic Youth's most overtly political album, railing against the abuses of the Reagan/Bush era on "Youth Against Fascism," "Swimsuit Issue," and "Chapel Hill," a surprising move from a band so often in love with cryptic irony. Heard today, Dirty doesn't sound like a masterpiece (like Daydream Nation) or a gesture toward the mainstream audience (like Goo) -- it just sounds like a damn good rock album, and on those terms it ranks with Sonic Youth's best work. "
Hydra is the second studio album by American rock band Toto, released in 1979. It reached #37 on the Billboard Pop Albums. While most of the album's singles failed to make any impact in the charts, "99", a song inspired by the 1971 science fiction movie THX 1138, reached #26 on the Billboard Hot 100.
3LP + 2CD
olive vinyl
Dreamlife of Debris carries forward the story begun on Kit Downes’s Obsidian, extending and developing its processes and core ideas. But where Obsidian was (almost exclusively) a solo church organ album, part of Kit’s plan for Dreamlife was to put the organ in a broader context, and also to bring the piano into the larger compositional picture. Musicians in the project are primarily players with whom Downes has had long associations – saxophonist Tom Challenger, cellist Lucy Railton, drummer Seb Rochford – and there is also a first musical encounter with Norwegian guitarist Stian Westerhus.
Static Prevails is the second studio album by American rock band Jimmy Eat World, released on July 23, 1996 on Capitol Records. Produced by Wes Kidd, Mark Trombino and the band itself, the album is the first to feature bass guitarist Rick Burch and the first to have been produced by Trombino.
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