Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Blue Note 80 Vinyl Reissue Series
Mastered and Lacquer Cut By Kevin Gray at Cohearent Audio
Mastered By Kevin Gray
Blue Note Classic Vinyl Series
Blue Note 80 Vinyl Reissue Series
The Blue Note Classic Vinyl Reissue Series, a continuation of the acclaimed Blue Note 80 Vinyl Reissue Series which was launched in celebration of the Blue Note 80th anniversary in 2019. The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Blue Note Classic Vinyl Series
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
1975
Keith Jarrett, Jan Garbarek, Charlie Haden, Stuttgart Radio Symphony Orchestra ( dirijor Mladen Gutesha )
AllMusic: "With saxophonist Jan Garbarek and bassist Charlie Haden along for the ride, Keith Jarrett indulges in three slow, rambling, meditative, vaguely neo-classical concertos for piano and string orchestra.
While a few of Jarrett's and Garbarek's passages here and there have a syncopated jazz feeling, this is mostly contemporary classical music, perhaps even somewhat ahead of its time (it might fit in with the neo-Romantic and minimalist camps today). However, although this music can be attractive in small doses, the lack of tempo or texture contrasts over long stretches of time -- particularly the nearly 28-minute "Mirrors" -- can be annoying if you're not in the right blissful mood. Mladen Gutesha and the Stuttgart Radio Symphony Orchestra perform the string parts with what can only be described as commendable patience. "
Testeaza in showroom Cotroceni
1972
Chick Corea - pian electric
Joe Farrell - flaut, saxofon sopran
Flora Purim - voce, percutie
Stan Clarke - bas
Airto Moreira - tobe, percutie
Steve Huey ( AllMusicGuide ): "The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke.
It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock.
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