Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP 180g, remasterizat, half-speed master
The perfect adjuistment tool for turntable, tonearm, cartridge
Channel identifikation
Correct phase
Cross talk test
Trackability test
Tonearm/cartridge resonance test
180 gr. virgin vinyl
Perfectly manufactured LP, which marks state-of-the-art reference quality status, referring to mastering tolerances of all available anaologue test records! Comes with german and english instruction.
LP 180g
1971 - Keith Jarrett, pian solo
AllMusicGuide:
"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Koln Concert. "
2LP 180g gatefold, culoare "black smoke" marmorat
Together with the Vienna Philharmonics Riccardo Muti created a true masterpiece of Mozart‘s symphonies No. 25, 35 and 39. Both are within the most respected artists of classical music of the modern era and this vinyl record combines outstanding interpretation and unrivalled sound experience that preserves the soft warm ambience of Wiener Musikverein.
LP 180g gatefold, ed. audiofilă Analogue Productions Acoustic Sounds
1980
Miroslav Vitous - bas
John Surman - bas clarinet, saxofon sopran si bariton
Kenny Kirkland - pian
Jon Christensen - tobe, percutie
"After two years of playing live together, this quartet under the Czech bassist's name issued its lone recording date for ECM in 1981. With John Surman on soprano and baritone saxophones as well as bass clarinet, Kenny Kirkland on piano, and drummer Jon Christensen, they deliver an often engaged though sometimes ponderous program.
2018
Thomas Stronen - tobe
Ayumi Tanaka - pian
Hakon Aase - vioara
Lucy Railton - violoncel
Ole Morten Vagan - contrabas
Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka.
2018
Mark Turner - saxofon tenor
Ethan Iverson - pian
With Temporary Kings two of the most distinct voices on today’s jazz scene present their debut on record as a duo: Engaging in inspired dialogue Mark Turner and Ethan Iverson here explore aesthetic common ground in the atmosphere of a modernist chamber music-like setting at the Auditorio Stelio Molo RSI, Lugano. The saxophonist and the pianist had begun their association in the Billy Hart Quartet, where the two players featured sympathetically on two ECM albums by that band. The new duo album now contains six originals by Iverson (among them the nostalgic solo tune “Yesterday’s Bouquet”) and two by Turner (including “Myron’s World,” which has acquired near-classic status among contemporary jazz players). There’s an off-kilter blues (“Unclaimed Freight”) and a strikingly melodic, almost Ravelian opening track dedicated to the town where the album was recorded under ideal sonic conditions (“Lugano”), plus an interpretation of Warne Marsh’s playfully serpentine “Dixie’s Dilemma.”
Record Store Day, Limited Edition, Numbered, Reissue, Mono, Blue/Black Swirl, 180g
2LP 180g, remasterizare audifila
LP 180g, numerotat, cu autograf
2LP 180g gatefold, ediție audiofilă Acoustic Sounds series
LP 180g gatefold, ed. audiofilă Analogue Productions Acoustic Sounds
2LP 180g gatefold, remasterizare analogică, ed. limitată 1/1999, numerotată. DG Avangarde series.
LP 180g gatefold, ediție audiofilă Analogue Productions Acoustic Sounds
2016
Jakob Bro - chitara
Thomas Morgan - contrabas
Joey Baron - tobe
Danish guitarist Jakob Bro creates magical music, impossible to categorize or capture. The songs on ‘Streams’ are best described as jewels revolving in mid-air, reflecting and refracting light. […] The beauty of ‘Streams’ is in its unknowingness, its sense of wonder and possibility. [ Ken Micallef, Downbeat ]
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