Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP ed. limitată Record Store Day 2025
4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner, released on July 2, 1981 on Atlantic Records. Several singles from the album were hits, including "Urgent", "Waiting for a Girl Like You" and "Juke Box Hero".
LP 180g gatefold
2LP 180g
2LP 180g, remasterizat
Reissue, Remastered, 180 Gram
Mastered At Gateway Mastering
Lacquer Cut At Abbey Road Studios
12", Single, Limited Edition, Picture Disc
2LP
2LP 180g, ediție de lux, tri-fold
Ediție de colecție cu 5 CD audio, 2 LP și o carte de 112 pagini cu imagini și detalii despre înregistrarea albumului în studio.
LP 180g, remasterizat, half-speed mastered
4LP 180g, box set
2LP 180g, gatefold
The Guardian: "Twenty-five years ago, during the summer of Blur’s Parklife and Oasis’s Definitely Maybe, a darker, stranger record was released that would soon become huge. Its title and mood was inspired by a 1970s TV drama of the same name, about a young deaf woman in Yorkshire who becomes a prostitute. The lyrics spoke of emotional extremes, sung in an extraordinary, rural-tinged, English blues by the Devon-born Beth Gibbons, of “the blackness, the darkness, forever” in Wandering Star, or of the feeling that “nobody loves me, it’s true, not like you do” in Sour Times.
Its sound, woven together by Geoff Barrow and Adrian Utley, helped define what is known today in music as hauntology, the sampling of older, spectral sounds to evoke deeper cultural memories (Boards of Canada’s TV-sampling electronica, Burial’s dubstep, and the Ghost Box label’s folk horror soundworlds would follow their lead). But despite its starkness, Dummy became a triple-platinum seller and a Mercury prizewinner, perhaps because it struck a nerve in what Barrow calls our “sonic unconscious… when sounds can merge with other sounds from somewhere else, and ultimately create emotion".
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