Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2015
Mathias Eick - trompeta
Gjermund Larsen - vioara
Jon Balke - pian
Mats Eilertsen - contrabas
Helge Norbakken - percutie
Eick has a beautiful tone and writes attractive themes, by turns haunting and energetic. The inclusion of folk violinist Gjermund Larsen in the band adds a contrasting texture and some truly exciting solos. [ Dave Gelly, The Observer ]
1974
Ralph Towner - chitara clasica, chitara cu 12 corzi, pian
Jan Garbarek - saxofon sopran si tenor, flaut
Eberhard Weber - bas electric, violoncel
Jon Christensen - tobe, percutie
Down Beat: “Solstice inspires through its expressive openness… revealing depth of texture, nuance and meaning.” Perfect Sound Forever: “The LP is not only one of the moodiest ever published by ECM, but by anyone.” Solstice, recorded 1974, belongs to the great early production projects of ECM, with a new band formed in the studio. It’s the first of Towner’s recorded encounters with the European players, and this US-Norwegian-German quartet has a character all its own. Ralph’s synthesis of classical guitar technique and jazz improvisational skills inspires all participants on now-famous tunes including “Nimbus” and “Oceanus”. (Many future associations grew out of this meeting, including the Garbarek/Towner collaboration on Dis, and the integration of Eberhard Weber into the Jan Garbarek Group, and of Jon Christensen into Weber’s Colours band.)
Initially published in September 1975, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.
1989
Misha Alperin - pian, melodica, voce
Arkady Shilkloper - French horn, jagdhorn, fluegelhorn, voce
Pianistul Mikhail Alperin si cornistul Arkady Shilkloper reprezinta doua treimi din Moscow Art Trio. Nascut in Ucraina si educat la Chisinau si Balti, Alperin propune o muzica originala, in care se simt si influentele folclorului romanesc.
2019
For over a decade Anton Eger has made his mark in Europe as one of the most exciting and energetically virtuosic drummers on the scene. Following his captivating live performances and recordings with the likes of Phronesis and Marius Neset, ‘Æ’, his eponymous debut, is highly anticipated and will undoubtedly propell his profile to new heights. Full of high-energy drumming, complexity and unpredictability with ‘Æ’ Anton has pulled out all the stops, drawing on an eclectic genre-defying mix of electronica, hardcore contemporary beats and retro musical guilty pleasures.
2019
Reid Anderson - bas
Orrin Evans - pian
Dave King - tobe
Activate Infinity is the second album from New York based The Bad Plus since the remarkable pianist Orrin Evans joined the trio back in 2018. With their sights set on a new trajectory, combined with an abundance of spirit and creativity, the trio have produced one of their finest and most original albums to date. This is group music played with vibrant imagination and vigour. It’s real, deeply honest and personal. Their joy in music making together is clear and their vision is committed and democratic. With a new home on the British label, Edition Records, the trio are working with a renewed intent that will see them grow to new heights and continue to flourish. Sit back, listen and enjoy the ride!
1974
John Abercrombie - chitara
Jan Hammer - orga, sintetizatoare, pian
Jack DeJohnette - tobe
This evergreen stands tall in the ECM forest. There is no sense of competition, only mutual reveling in a distinctly nuclear sound. One could easily call it fusion, but if anything it is fused with itself, for it has created every element it seeks to combine. Timeless indeed.
2019
Larry Grenadier - contrabas
Larry Grenadier’s The Gleaners is a profound and highly creative album, harvesting influences from many sources, its title inspired by Agnès Varda’s film The Gleaners and I. In between his own pieces here, including a dedication to early hero Oscar Pettiford, Grenadier explores compositions by George Gershwin, John Coltrane, Paul Motian, Rebecca Martin and Wolfgang Muthspiel.
2019
Olavi Louhivuori - tobe, sintetizatoare
Osmo Ikonen - violoncel, sintetizatoare
Ilmari Pohjola - trombon, sintetizatoare
Lasse Sakara - chitara
Lasse Lindgren - bas, sintetizatoare
Hypermetros is the fifth album from Finnish sound sculptors and creators of atmospheric epics, Oddarrang. The album is rooted by bold hooks and melodies, and moulded with raw, emotive themes; the title references the Greek word meaning ‘beyond measure’, which perfectly reflects the band’s ambition and vision. Closer in style to In Cinema (2013) and Cathedral (2009) than to the previous album Agartha (2016) Hypermetros is arguably Odderang’s most compelling album to date – warm, rich and uplifting!
2018
Pablo Held - pian
Robert Landfermann - bas
Jonas Burgwinkel - tobe
“The beautiful music of the Pablo Held Trio strikes me as an important example of the evolution of the piano trio in jazz. They embody the poetry and depth of this tradition, while extending the harmonic and rhythmic possibilities of the tradition. The music of this trio brings me joy knowing that this great art form continues to grow and flourish.” [ Ralph Towner ]
A striking album of new music from pianist/composer Carla Bley, whose trio with Andy Sheppard and Steve Swallow is now in its 25th year. Individual associations among the players go back much further: bassist Swallow first recorded music by Carla in 1961. So when Bley says “Life Goes On”, a lot of life is alluded to. The album, realized in the Auditorio Stelio Molo Studio in Lugano in May 2019, with Manfred Eicher producing, takes the form of three suites. The title piece begins as a stoical blues, at first melancholic then hopeful. “Beautiful Telephones”, inspired by a US president’s first observation on entering the Oval Office, has plenty of Bley’s dark wit. And “Copycat” explores the notion of call-and-response in fresh ways as the improvisers continue each other’s thoughts. Throughout, Carla’s distinctive piano, with its hints of Monk and Satie, is beautifully framed by Swallow’s eloquent, elegant bass guitar and Sheppard’s yearning saxes. This trio has a unique collective sound, reflecting – as The Telegraph recently noted – “musical mastery of a rare order”.
Intra in contul tau si ai acces la
Urmareste-ne pe Facebook si Google+
si vei avea acces la: