Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2LP
LP 180g, ediție audiofilă Blue Note Tone Poet series
LP 180g, gatefold, ed. audiofilă Blue Note Tone Poet series
180g gatefold
LP 180g, ed. limitată, purpuriu translucid
LP 180g, gatefold, Blue Note Tone Poet series
LP 180g gatefold, ediție audiofilă Blue Note Tone Poet series
LP 180g gatefold, ediție audiofilă Analogue Productions Acoustic Sounds
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
2014
Marius Neset - saxofon tenor si sopran
Ivo Neame - pian, orga Hammond, clavinet
Jim Hart - vibrafon, marimba, percutie
Petter Eldh - contrabas
Anton Eger - tobe si percutie
“Marius Neset is one of the great new tenor sax players of our age, in the tradition of Michael Brecker and Jan Garbarek” (Jazzwise)
2018
Andrew Cyrille - tobe
Wadada Leo Smith - trompeta
Bill Frisell - chitara electrica
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers.
A generous leader, Cyrille gives plenty of room to his cohorts, and all three musicians bring in compositions, with “Turiya”, Wadada’s elegant dedication to Alice Coltrane, unfurling slowly over its 17-minute duration. In his own pieces, including the title track and the closing “Pretty Beauty”, Cyrille rarely puts the focus on the drums, preferring to play melodically and interactively, sensitive to pitch and to space. There are references to West African music and the blues as well as the history of jazz drumming, but Cyrille’s priority today is an elliptical style in which meter is implied rather than stated.
2013
In The Country:
Morten Qvenild - pian, electronice
Roger Arntzen - contrabas, electronice
Pal Hausken - tobe, percutie, vibrafon, electronice
Genuine novelistic: Morten Qvenilds piano trio oscillates between tradition and experiment, minimalism, moody chants and anthemic intensity.
LPul include si varianta CD ( in mapa de carton )
The second complete show to be issued from Keith Jarrett’s 2016 European tour – following on from the widely-acclaimed concert released as Munich 2016 - this double album documents the pianist’s solo performance at the Béla Bartók National Concert Hall in Budapest. Jarrett, whose family roots reach back to Hungary, viewed the Budapest concert as akin to a homecoming, and the context inspired much creative improvisation. Where Jarrett’s early solo concerts shaped a large arc of music over the course of an evening, the later concerts have generated suite-like structures, comprised of independent “movements”, each of them a marvel of spontaneous resourcefulness. Creative energy is applied also to familiar songs given as encores, “It’s A Lonesome Old Town” and “Answer Me”, transformed in the Budapest concert.
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