Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1971 - Keith Jarrett, pian solo
AllMusicGuide:
"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Koln Concert. "
2018
Thomas Stronen - tobe
Ayumi Tanaka - pian
Hakon Aase - vioara
Lucy Railton - violoncel
Ole Morten Vagan - contrabas
Norwegian drummer/composer Thomas Strønen presents a revised edition of his acoustic collective Time Is A Blind Guide, now trimmed to quintet size, and with a new pianist in Wakayama-born Ayumi Tanaka.
1980
Miroslav Vitous - bas
John Surman - bas clarinet, saxofon sopran si bariton
Kenny Kirkland - pian
Jon Christensen - tobe, percutie
"After two years of playing live together, this quartet under the Czech bassist's name issued its lone recording date for ECM in 1981. With John Surman on soprano and baritone saxophones as well as bass clarinet, Kenny Kirkland on piano, and drummer Jon Christensen, they deliver an often engaged though sometimes ponderous program.
2018
Mark Turner - saxofon tenor
Ethan Iverson - pian
With Temporary Kings two of the most distinct voices on today’s jazz scene present their debut on record as a duo: Engaging in inspired dialogue Mark Turner and Ethan Iverson here explore aesthetic common ground in the atmosphere of a modernist chamber music-like setting at the Auditorio Stelio Molo RSI, Lugano. The saxophonist and the pianist had begun their association in the Billy Hart Quartet, where the two players featured sympathetically on two ECM albums by that band. The new duo album now contains six originals by Iverson (among them the nostalgic solo tune “Yesterday’s Bouquet”) and two by Turner (including “Myron’s World,” which has acquired near-classic status among contemporary jazz players). There’s an off-kilter blues (“Unclaimed Freight”) and a strikingly melodic, almost Ravelian opening track dedicated to the town where the album was recorded under ideal sonic conditions (“Lugano”), plus an interpretation of Warne Marsh’s playfully serpentine “Dixie’s Dilemma.”
2016
Jakob Bro - chitara
Thomas Morgan - contrabas
Joey Baron - tobe
Danish guitarist Jakob Bro creates magical music, impossible to categorize or capture. The songs on ‘Streams’ are best described as jewels revolving in mid-air, reflecting and refracting light. […] The beauty of ‘Streams’ is in its unknowingness, its sense of wonder and possibility. [ Ken Micallef, Downbeat ]
2014
Vijay Iyer - pian
Stephan Crump - contrabas
Marcus Gilmore - tobe
"Though Break Stuff is Vijay Iyer's third appearance on ECM in less than year, it is the debut offering from the longstanding trio on the label. The pianist and composer has been working with bassist Stephen Crump and drummer Marcus Gilmore for more than a decade. They've issued two previous recordings together. Iyer usually works conceptually, and Break Stuff is no exception. In the press release he states that "a break in music is still music: a span of time in which to act. [ AllMusic ]
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
2018
Andy Sheppard - saxofoane
Eivind Aarset - chitara
Michel Benita - contrabas
Sebastian Rochford - tobe
Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Ranato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. There’s a highly atmospheric, ambient drift to the music which Sheppard clearly finds liberating, as do Michel Benita and Seb Rochford, free to move in and out of conventional rhythm section roles and to make impassioned statements of their own. Romaria was recorded in April 2017 and produced by Manfred Eicher.
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
LP 180g
2LP 180g + art print, gatefold, ediție aniversară
Testeaza in showroom Cotroceni
LP 180g
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
With “daring and visionary spirit”, to quote a Downbeat review from the year of this album’s release, master improvisers John Abercrombie, Dave Holland and Jack DeJohnette forged a unique vision of trio interplay on their first joint effort under the Gateway moniker. The trio tackles Dave Holland and Jack DeJohnette originals with a visionary idea of what three-way conversations in jazz could sound like. As The Observer remarked in an article of the time, “the telepathic ensemble playing and perfect execution make it difficult to believe that this music is almost completely improvised”. The players’ respectively unique instrumental signatures had already fully crystallised here, hinting at the music to come.
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
LP 180g
2017
Bjorn Meyer - bas electric si acustic
There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem.
New vinyl reissue in facsimile gatefold edition, includes original liner notes by Wolfgang Sandner in enclosed booklet.
2024
„The album that brought Pärt’s name to the West, and to the world (…). Back in 1984 Tabula rasa helped re-educate our ears and throw open the doors of our musical sensibilities to spatial domains that had otherwise been closed to us. This is without any shadow of a doubt one of the great recordings of the last century.“ – Rob Cowan, Gramophone
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